New Books in Film

Samar Abdel-Rahman's Egyptian Male Film Stars in the Nasser Era: Envisioning a National Identity (American University of Cairo Press, 2026) explores male stardom in Egyptian cinema produced during the early years following the Free Officers' revolution of 1952, through the lives and careers of three key stars: Omar al-Sharif, Ismail Yassin, and Farid Shawqi. In attempting to find a balance between...

 A true dark comedy, Zach Cregger’s  Weapons  (2025) combines a satire of suburbia, a study of addiction, and the satisfaction of a fairy tale. The film works so well because it takes its time to develop interesting characters to the point where the viewer occasionally forgets the horror-movie label and is drawn into the human story of regular people trying to cope with terrible eve...

Wastelands and Wonderlands: Utopias and Dystopias in Film and Literature with Matthew Leggatt   (SUNY Press, 2026) is an edited collection exploring utopias ad dystopias in films and literature. It challenges readers, in these uniquely dystopian times, to reevaluate their ideas about utopia and dystopia.  The book brings together film, literary, and utopian studies scholars from across...

Thomas Schatz returns us to an era when a newly enriched movie industry rediscovered its creative energy, and indie went mainstream without losing its edge. Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of...

Psychoanalysing Mind-Body Narratives Through Beckett and Artaud: The Trauma of the Body (Routledge, 2026) provides an epistemology of the body as it relates to subjectivity through an analysis of selected works of Antonin Artaud and Samuel Beckett. Presented in three parts, the book explores a fundamental premise: that there is a traumatic and alienating dimension to embodiment that resists expres...

As we approach the 50th anniversaries of Alex Haley’s Pulitzer Prize-winning novel Roots (1976) and its landmark television adaptation (1977), journalist and storyteller Lucas L. Johnson II reflects on the enduring legacy of Haley’s work through the voices of those it continues to move, including scholars, artists, genealogists, students, and original cast members like LeVar Burton and Ben Vereen....

In Hollywood today, thousands of data specialists work for streaming video platforms, playing a role not just in distribution and marketing but also in decisions about content and production. In Data-Driven Hollywood: The New Data Professionals in the Age of Streaming (Princeton UP, 2026), Violaine Roussel examines the emergence of this new category of professionals at the heart of the Hollywood...

Stephen Lee Naish's Point Break: Movies Minute by Minute (Bloomsbury, 2026), in Bloomsbury's Timecodes Series, is a detailed, minute-by-minute critical exploration of Kathryn Bigelow's 1991 action film "Point Break". Moving sequentially through the film's two-hour runtime, the book blends formal analysis, cultural history and theory, action genre study, and personal reflection and interpretation....

Have you ever swapped stories on a porch with Amish snowbirds in Florida? Searched for reindeer with the Siberian Yupik in Alaska? Been a guest on a houseboat deep in the Louisiana bayou? Peter Santenello hadn't either, until after years spent traveling through eighty-five countries and living abroad, he realized the most unfamiliar territory was often his own American backyard. And so, with a cam...

A comedy of frustration and a look at how the media takes and then takes back one’s fifteen minutes of fame, Dog Day Afternoon (1975) is on of Sidney Lumet’s best films with one of Al Pacino’s best performances. Sonny wants to be Lee Marvin but acts more like Don Knotts; he wants to be a folk hero, but becomes more like a meme; he has a romance with the media and finds that his mistress is fickle....

It is impossible to talk about the City of Angels without talking about its movie business. The history of American cinema is so intertwined with Los Angeles that the term “Hollywood” is used interchangeably with “American film” worldwide. From the early 20th-century migration of film pioneers from the East Coast to the emergence of local subcultures and global genres, John Trafton traces how the...

Taiwanese cinema is internationally celebrated for the auteurs of the Taiwan New Cinema. Yet over the past fifteen years, ghosts, demons, curses and haunted screens have become increasingly prominent, turning horror from a marginal genre into an important strand of Taiwan’s popular cinema. Professor Corrado Neri’s new book, Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Scre...

The essential biography of the influential and beloved filmmaker George Lucas. On May 25, 1977, a problem-plagued, budget-straining independent science-fiction film opened in a mere thirty-two American movie theaters. Conceived, written, and directed by a little-known filmmaker named George Lucas, the movie originally called The Star Wars quickly drew blocks-long lines, bursting box-office records...

In this episode, J. M. Tyree, the editor of Film Quarterly discusses a dossier of articles about David’s Lynch’s 2001 Mulholland Drive on its 25th anniversary with dossier editor Eileen G’Sell. Film Quarterly ( FQ ) is published four times a year by the University of California Press. For more information about the journal, including subscription and submission information, please visit FQ ’s webs...

Since its debut in 1984, Dragon Ball has become one of the most popular, influential, and lucrative media franchises in the world. In Next Time on Dragon Ball: Playing with a Manga and Anime Franchise (U Minnesota Press, 2026), Dr. Vincent Haddad investigates how the franchise has maintained huge global demand despite its formulaic plotlines. Examining its exhaustive repetition of storytelling for...

Tod Field’s Tár (2022) is one of the best ghost stories we’ve discussed on the show. The story of a troiubled genius, the film is also a wonderfully ambiguous portrat of a person persued by her past in the form of an unseen and vengerful force. Lydia Tár is by turns charismatic, repulsive, fascinating, and frightening. She’s a real person and demands a compicated response, just like the film as a...

Cultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026) centers a different kind of response to the period’s newly intensified awareness of temporality and histor...

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema’s most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus o...

In light of the dismal Disclosure Day (2026), we return to two films that show Spielberg tackling alien visitation (or invasion) stories while at the height of his powers. Close Encounters of the Third Kind (1977) and The War of the Worlds (2005) are decades apart, yet united by a single image and devotion to their audiences. The first is as Disneylike as Pinocchio ; the second conjures memories o...

Kathleen W. Taylor Kollman has a new book out that focuses on the reality of women running for president in the United States, and the fictional representations of this idea that we have seen over the past hundred years. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 (Bloomsbury Academic, 2026) takes up a number of different and intriguing ex...

In this episode I discuss the book Understanding Social Images: Essays on Visual Methods and Teaching Anthropology (Berghahn, 2025) with co-editors David Zeitlyn and Chihab El Khachab, a posthumous collection of writings by the late anthropologist Marcus Banks. Banks was a key the figures in development of visual anthropology, but his work remains of continuing relevance. This volume brings toget...

In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting...

Glasses are among the oldest and most commonplace prosthetics we have invented. But what does it mean to wear glasses? There is more to the answer than correcting vision. Glasses alter, enhance, and shield the way that we view the world, and the way the world sees us. Everyone has encounters with glasses, passively or actively, from reading glasses to sunglasses. At times they are the main identif...

NB: This episode contains a discussion of suicide and may not be appropriate for all listeners. If you are thinking about hurting yourself, help is always available at 988 in the United States. Suicide in Popular Media and Culture: Studies in Framing a Social Catastrophe (Bristol University Press, 2026) brings together scholars from across disciplines to examine how suicide is mythologized, politi...

Technothriller: Film and the American Imagination (MIT Press, 2026) is the first dedicated examination of popular movies classified as “thrillers” that channel societal anxiety or dread about advanced technologies like supercomputers, robotics, AI, biotech, military weaponry, and surveillance culture. Technothriller is about the changing imagination of technology within an American context and its...