extrafood

I present these remixed archive programs as imageless witness, in which our imaginations may fill in the ‘unimaginable’ forms. They comprise a series of live streams recorded from Gaza over the past several years, focusing on the sounds of armed surveillance drones known as zanana (buzzing or noise), which hover day and night over the captive Palestinians. We also hear harrowing testament… Source

Today’s program is a conversation and absolutely not a documentary… as the sheer longevity and variety of Anne’s practice utterly defies that within a 55 minute radio slot… We are in a walking conversation in annes recent exhibition in a temporary west end gallery space where England and Co, whom anne is working with are presently residing…Â Taken from anne’s website annebeanarchive. Source

speechless after the insane and dirty vote to leave the european union i can only play a beautiful indian raga and cry my elite urban tears into my multicultural tea in my world of no boarders where race and history and DNA are celebrated as our common ancestry and not as marks of difference…. small minded fear based politics has no place within isotopica except as a contemptible and risible… Sour...

r yes, i am part of the urban elite… i like experts, i love reason, i cherish civilisation, and socialism, and countries without borders, i loath the state of this interesting yet marginal country, thatcher’s children throw all of thetas out of their pram d almost at the moment but I completely ructions that rocked strain politically ructions that rocked strange and I believe sinking… Source

lemmy, fruit machines, hawkwind, lsd, my first heroin overdose, post bomber tour christmas party after hammersmith odeon gig (1980?) hauntology points to brazil being possibly the last film ever made, even featuring Scarfolk style posters including ‘ we are all in this together’ zzzzzp which takes up to the present, which was only the future in some strange dystopian past….. Source

a gentle reflection after the horrific events in paris on friday the 13 2015 featuring lucilee, ivor cutler, and humphrey bogart… “Tous les ans, vous fêtez les mêmes fêtes, les mêmes anniversaires ; tous les ans, nous en sommes au même point. Le calendrier n’est pas seulement le temps qui se récapitule, mais c’est la négation même de la mort. Cette négation du temps, non plus de la… Sourc...

An gentle and informal conversation with James Lingwood, co-director (along with Michael Morris) of ArtAngel, almost certainly the commissioning body responsible for some of the most interesting art projects we have seen in the past 20 plus years… An article in The Daily Telegraph described the organisation as creating “art that operates by ambush, rather than asking you to pay up… Source

do drugs cloud our judgement? Is science a big fake? obviously not, but just try asking some of your friends on drugs (even tho science provides some of the most delux drugs) Ken kesey and the ‘lectric cool aid acid tests (article in progress)… Source

Resonance Soundhub contributor, Elo Masing, performs an original composition with simon tyszko, for non traditional instrumentation under an aeroplane wing in west London, followed by a soundscaped existential report from the paris FIAC art fair with contributing editor Jimmy Fox (13 3/4 yrs), who just happens to be the Great Great Grandson of Sigmund Freud. We get Psychoanalytical… Source

 FIRST Special guest Jessica Jones tells us about the transformation of her Cancer diagnosis and relationship breakup, into a blog, a book, and now world wide publication NEXT I play various tracks by suicide, the band whom i was lucky enough to be out front sound engineer for a brief but dazzling spell in the very early eiighties Suicide is an American electronic protopunk musical duo… Source

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episodes above are 1 the visit to phlight 2 the trip to leeds CHANCE:Â A THROW OF THE DICE Leeds MA Art and Design have worked with the artist and broadcaster Simon Tyszko. His practice is an example of how spoken transmission (radio broadcast), and object making (specifically the installation of objects) also adjust our experience to the living-space of art, co-extensive in public and… Source