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granular ambient eurorack thing, small demo jam this week. Using Intellijel Multigrain and Data bender, along with Ezeptocore to flesh everything out 2026 CC Attribution Noncommercial Share Alike (BY-NC-SA)

Written entirely on the Dirtywave M8 Tracker. Light mastering in Audacity (normalizing/limiting/compressing). A continuation of last week's track's outro, whose intro was the previous week's outro, whose intro was the previous week's outro, whose... This track is therefore part of an ongoing series that started in week 4. You can listen to the Through the Year mix (WB #4–40) (a...

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This week I am nearing release for my flavor firmware for the FM-1 called FMER and this song is a sound test of two units running in tandem with one another via USB link. I recorded this live by running patterns on each instrument and manipulating the solo/mute and FX of the patterns over the song. Minimal processing in ableton other than some master limiters and adjusting volume. It was a really...

as this is week 42, i initially wanted to seek out Deep Thought and have them on the track... but, i couldn't find them shocking, we know... however... i did find someone... I took my time introducing myself. I expressed my desire for collaboration and they showed true joy at the premise, especially as they'd not had a conversation in a very long time let alone a collaboration in 'r...

I got you a little improvised techno jam this week. Decided to go mostly atonal for it and just focus on a stompy 4/4 rhythm, but there is a little bit of melody later on. This was the first and only take, so hopefully you enjoy some live noodling jank! Video: SoundCloud: https://soundcloud.com/jankyjams/nobody-floats-anymore 2026 Copyright All rights reserved

Had a nice time slapping together something simple. I think the vibe is very much peaceful, nighttime, or more generally somehow timeless. Remembered being weirdly fascinated with some of the friend areas on Pokémon Mystery Dungeon back in the day, so I looked up the most fitting one for this. 2026 CC Attribution Noncommercial Share Alike (BY-NC-SA)

A really barebones last minute jam many miles from home, definitely testing a mobile setup's capabilities. This was all I could ring from the AA batteries in the electribe before they died 2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

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Berlin school adjacent (using delay to fill out the track, but no polymetric stuff). Loooooots of delay and reverb, which I've toned down twice now, but still might need a third pass. I don't know if it works, I DO know I don't like all of it, but what can ya do. Dialogue is from El Llanto (2025); Andrea tells her friends that there's someone following her who looks like an old...

Dubby DnB Roller I'm working... not finished yet. 2026 Copyright All rights reserved

As always, another week another beat, I hope whoever listens enjoys. had my October Cannon event take place last week so I was not feeling very creative at all. We bounce back though I like this one hope yall do too.    2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

More chiptune stuff this week and, again, a collab with Apticx. Made some stuff during an evening in uni and then I thought this might be a good track to collab together so we did some stuff and we ended up with this! :D Bundle 2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

Unfortunately didn't get to record vocals for this but the goal was to make some dark trap music. I've been listening to Scarlxrd a bit lately. All sounds Sub Factory & Vital... well drums were XO. 2026 Copyright All rights reserved

Hey everyone, this week its time for another collab with Huabun. Also caught a cold so huabun helping out and finishing the track while i was asleep was quite nice haha. So make sure to check his profile out too. 2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

Another iOS M8 tune. This time with MIDI sequenced Minibrute 2 for the bassline; a concept I will revisit. 2026 Copyright All rights reserved

I started this week's track with a patch I created in VCV Rack. After I recorded some output of the patch, I went into PaulStretch to create a set of stretches with different settings. I then went into Reason to mix the stretches, add rhythmic elements and add effects. After a final mix, I mastered and exported the track. The track ended up reminding me of the Quake soundtrack and it's s...

Not even time to put a solo on, but some riffs and an end, will have to do! 2026 CC Attribution Noncommercial (BY-NC)

ive had an idea for a plugin for about 20 years, finally was able to make it real using Artificial Assistance. It's like a super weird bitcrush/samplerate effect. its called BitFlector Also had it make one of my ancient M4L plugins into a AU as well. Called SeqGater. Both are prominently used in this track. 2026 Copyright All rights reserved

Made some progress on the new studio this week, a bunch more to go so still just stuck with just the laptop this week. Getting used to the new place, neighborhood and the DAW change. I am hoping to have some studio jam sessions in the future, might even video tape them. I have never been one for social media so we will see. I hope everyone had a great week. In Lak'ech _mzunguko 2026 Copyright...

Been a while since I had OTT on every bus. It's your archetypical beat. The sax melody is simple but ended up surprisingly realistic dry. I bandpassed it to hell anyway, it comes with the territory. 2026 CC Attribution Share Alike (BY-SA)

// a little jam session with the m8 and hexdrums - recorded with aum // // final tweaks done in ableton // 2026 Copyright All rights reserved

The more haunting side of spooky season this week. Composed on the Dirtywave M8, mostly samples and an FM synth bass, vocals/dialogue added in Ableton afterwards. A few more notes below. This is sorta a succession to assymetric space, and by accident I ended up using essentially the same bass progression, but hey, it works, and these are both arguably prototypes though I think this track is more s...

Drawing upon some of those classic 90s stage and character select themes, think Streets of Rage 2. Using the Turbografx / PC Engine sound engine in Furnace this time. 2026 CC Attribution Noncommercial (BY-NC)

Back to music to play WipEout to with a thick, immersive techno jam.  A sturdy wall of sound. With a lively bassline driving the track. Splashing around like the tail of a shark in the surf. The kick has more of a supporting role to make room for that thick bassline. And maybe that's a mistake? Maybe it should have been mixed in a bit louder? Overall it's a lot lower mids heavier th...