Tonebenders Podcast

The conversation continues about what is expected when working in audio post on high level films and series. Where is the line between an sound editor and sound mixer? Greg King, Jon Greasley, Brittany Ellis, Nikola Simikic and Ben Cook all share their vast experience and thoughts on where things are going. Make sure you go back, to catch part one of this roundtable talk in episode 379. _______ Re...

What is expected of the modern crafts person working in Audio Post? A lot of mixing is done in the sound edit, and a lot of editing is done on the mix stage. After a long day of work, 5 busy Los Angeles sound professionals gathered in Stage 10 on the Warner Brothers lot, to hash out how their jobs have evolved in recent years. They hash out what is expected from the sound team on high level projec...

Lindsey Alvarez, Anna Behlmer, Laura Wiest & Karen Baker Landers recently gathered together in Formosa Hollywood's Stage 2, to share their paths while forging a career in audio post. The conversation is filled with stories of their experiences in Hollywood that range from horrible to hopeful. They discuss their early mentors, how they are managing being mentors themselves and ways things have chan...

James Mather, Tormod Ringnes and Kim Christensen join Tonebenders' host Tim Muirhead on Stage in front of a packed theatre as part of the 2025 Sonic Days Conference. They talk about their work on iconic franchises like Harry Potter, Tron, Dracula, Top Gun and more. ______ SPONSORS: If summer has your next project heating up, Sound Ideas is making it easier to build up the library you’ll need. Duri...

In the final episode of the talks from SoundDay LA, we have the HBO Panel of Emmy nominated re-recording mixers from The Pitt, DTF St Louis and Hacks. James Parnell, Todd Grace & Ed Carr join Tim, for a lively talk in front of a packed house at Glen Glenn Film Center in Hollywood, California. They discuss their approaches to long "oners" and the detailed panning they need, pushing backgrounds and...

The sound team from Stranger Things, Season 5, joined SoundDay LA to discuss how the series has changed since it's beginning and the massive undertaking they took on to complete the series' final season. Supervising Sound Editor Craig Henighan divulges an super interesting and creative story about what makes up the Mind Flayers massive vocal screams. Music Editors Lena Glikson and David Klotz brea...

The sound team from Spider-Noir join Tim on stage as part of SoundDay LA to discuss their Emmy nominated work on this unique sounding series. Supervising Sound Editors Ethan Beigel and Andy Sisul, Re-Recording Mixer/Sound Designer Ryan Collins and Location Sound Mixer Matthew Sanchez share behind the scenes stories from both on-set and in postproduction. Including how Nicholas Cage was mic'ed up u...

The first panel of SoundDay LA was a wonderful talk with some of AppleTV's Emmy nominated sound teams. Including Larry Benjamin, Tim Hoogenakker, Matt Yocum and Sang Kim from Window's Bay. Anna Wilborn and Alex Jongbloed from Shrinking. As well as Phillip Palmer from Pluribus (Larry and Tim mixed Pluribus too). As a group they discuss finding the voice of a show, capturing the dialog on set in dif...

Emmy nominated re-recording mixers Andy Lange & Penny Harold (Beef), join Steve “Major” Giammaria (The Bear) in conversation about life on the mix stage for high end shows. All three discuss how they approached the mixes for the most recent season of both series. They compare and contrast what a day looks like while working through an episode, their techniques for getting in and out of music heavy...

Recent Emmy nominees Danielle McBride and Tyler Whitham join the podcast to discuss their roles as supervising sound editors on the sci-fi comedy Murderbot. Building the sonic world of a brand new sci-fi series is just about every sound person's dream gig. What does a giant two headed monster centipede sound like? What about spaceships with futuristic propulsion systems? These are some of the puzz...

Alien: Earth expands on the sonic universe of the Alien franchise, with terrifying new creatures and technology. Supervising Sound Editor Lee Gilmore and Sound Designers Justin Davey & Nolan McNaughton, join the podcast to tell us about how they tackled the cavalcade of audio challenges this series threw at them. The classic Xenomorph is more menacing, 4 new Aliens needed vocals and movement sound...

Re-recording mixers Erik Valenzuela & Sal Ojeda join Tonebenders to talk about their wild schedule during audio post on RuPaul's Drag Race. Between them they have combined to work on over 330 episodes of Drag Race, making them experts on reality TV postproduction workflows. Dialog often presents the largest challenges and they have to use every tool they can get their hands on to make the final sh...

Backrooms was a massive blockbuster this spring and the sounds in the film are a big reason why. The team was presented with some real sonic puzzles to solve, including the unique set where it was shot, creating sound design from the camera's perspective and sonically leading an extremely tense opening scene with no music or sustained dialog. Plus they discuss working with the film's director, Kan...

Supervising Sound Editor Andre Fenley and Re-recording Mixer Kent Sparling join Tonebenders to talk about working with Director Boots Riley on his latest film, I Love Boosters. They discuss how the challenge of creating sound to match the heights reached by the vibrant and arresting visuals in this film, where the line is on how comedic the sounds should be, designing demon voice processing and lo...

This episode jumps back in into my interview with John Fasal, Charlie Campagna and Eric Potter. 3 of the world’s top field recordists, working in films and games. They discuss the never ending list of new gear out there and how they approach what gear they use, plus their favourite non traditional types of microphones and when they use them. We also announce the details on how you can take part in...

John Fasal, Charlie Campagna and Eric Potter are 3 of the world's top field recordists, working in films and games. We previously brought these three legends together in eps 315, and everyone decided it was time for a follow up chat. This time we focus mainly on the craft of recording weapons, including finding a good place to record them, developing your "voice" as a recordist and how the industr...

Gary Rydstrom sits down with Tim for a fun talk about his work on director Steven Spielberg's latest film, Disclosure Day. Gary's enthusiasm for the craft is evident as he discusses some of his favourite techniques, including building in small sections of silence during action sequences, removing ambient sounds to manipulate the audience, and how Spielberg films often begin with sound montages bef...

David Acord, Matthew Wood, Bonnie Wild and David Collins have had their ears on just about every high-level Star Wars project in the last decade or more. From films to games to series (both live action and animated) these four are the modern-day trail blazers of the sounds from that galaxy far, far away. We discuss the Star Wars Sound Effects library, how the iconic sounds of the franchise are evo...

I recently got to visit supervising sound editor John Loranger, from Netflix's hit series Wednesday, at his studio in the Toronto area. We spent the afternoon talking about his work on this fantastical series and it's many audio challenges. These include creature vocal designs for the many different characters, finding comedy in the chaos, and discovering the right tone for this unique genre. We a...

We brought together members from the sound teams of some of our favourite recent streaming projects, so they could share their workflows and triumphs. Vinny Alfano worked on both Dexter: Resurrection and Emily In Paris, Ethan Beigel & Andy Sisul we co-supervising sound editors on the recent hit Spider-Noir, Christina Wen was on the faders for Love Story: John F. Kennedy Jr. & Carolyn Bessette and...

When Johnnie Burn first came on Tonebenders in 2022, to talk about his sound work on director Jordan Peele's hit film Nope, it was immediately clear that he was going to be one of our favourite guests. He has since been on many more times, but this first interview is a classic. He discusses designing the film's ominous winds, the "voice" of Jean Jacket and lots more. As a bonus this episode also f...

Netflix's live action take on the classic manga and animated series, One Piece, has been a massive, world wide success. For season 2, supervising sound editor Paul Col and re-recording mixer Gavin Fernades, were presented with an intimidating amount of audio challenges. A sword fight involving 100 enemies, bad guys that battle by turning into smoke, whales the size of buildings and lots more had t...

In the fall of 2025, Tonebenders' hosts Tim Muirhead & Renè Coronado travelled to Mexico City to host a talk with 3 members of the Pan's Labyrinth sound team. The event was to celebrate the film's 20th anniversary. Re-Recording Mixer Jaime Baksht, Supervising Sound Editor/Sound Designer Martín Hernández and Sound Editor Alejandro Quevedo, chase down their fond memories of working on director Guill...

One of the most watched films ever on Netflix is the recent Joe Carnahan directed action-thriller, The Rip. Key members of the sound team sat down with me at Formosa Hollywood to walk me down the path of the unique challenges this film presented them. From endless dog barking on set, to gun shots sounds that are huge, to a fun scene where they got to use ATMOS in a really special way. Supervising...

Psychological Thrillers present some of the most fun sound design challenges. Building tension through ambience shifts, and subtle builds can manipulate an audience with out them even realizing it. The recent hit film The Housemaid, from Director Paul Feig, is a masterclass in using sound to to bring the thrills to their highest peaks. Supervising Sound Editors Andrew DeCristofaro and Darren 'Sunn...