Dossiers

A guide to which artworld forces have defined ArtReview ’s Power 100 list. from ⁠ArtReview⁠ published December 4, 2024

A guide to which artworld forces have defined ArtReview ’s Power 100 list. from ArtReview published December 4, 2024

"Bennani’s belief in the affective potency of small gestures, and the emotions that can’t make their way to the surface or to those we love, is what moves her characters and her audience to tears." from CURA. by Lumi Tan Fall/Winter 2024

The LA artist says her musically inspired, architectural works are deeply rooted in her South Central neighbourhood as she opens her debut solo UK show. from The Guardian by Kadish Morris published October 27, 2024

The French artist Philippe Parreno has redefined the exhibition experience as a contemporary ritual, bringing voices, sounds, and data to the heart of his creative process. from Purple by Olivier Zahm Fall/Winter 2024

Artist and filmmaker Shu Lea Cheang discusses her continuous engagement with speculative sci-fi narratives and examines her radical reclamation of pornography. (excerpt) from Mousse by Lauren Cornell & Tiffany Sia published October 7, 2024

As the artist prepares for a major exhibition in Madison Square Park, Eisenman takes stock of the winding path to fame. What is gained and what is lost when your art is political? from The New York Times by Zachary Small published September 7, 2024

On a recent visit to Nevada, Erika Balsom discovered how the artist’s monumental sculpture is a meditation on transience. from frieze by Erika Balsom published August 28, 2024

"Her influences unfold from afro-feminism to science-fiction novels, from Sun Ra to Detroit techno." from CURA. by Martha Kirszenbaum Spring/Summer 2024

In an era of doxxing and cancellation, nobody wants to be the culture war’s next lightning rod. But if art’s new survivalism can be frustrating, it should also prompt us to ask who art is really for. from Spike by Travis Diehl Summer 2024

Founded by Eyal Weizman, it has produced reports into the shooting of a Black man in London and alleged human rights violations in Gaza. from Financial Times by Rachel Spence published July 28, 2024 © 2024 The Financial Times Ltd. All rights reserved.

Jesse Darling is so disillusioned with the art world that he just isn’t sure. from The New York Times by Thomas Rogers published July 6, 2024

"We’re all going to die, so you might as well get over that shy shit." Stingily tells the truth, and she’s funny. from Flash Art by Whitney Mallett published June 20, 2024

Enfant terrible of the Mexico City art scene, Bárbara Sánchez-Kane blurs the line between art and fashion. from Purple by Olivier Zahm Spring/Summer 2024

We discuss the challenges of representing the UK at the Venice Biennale with the artist in his north London studio. from ⁠ frieze ⁠ by Vanessa Peterson published April 16, 2024

A look at some of the forces that have defined ArtReview’s Power 100 list. from ArtReview published November 30, 2023

"I’m particularly interested in errant strands of popular culture, works that are anomalies within mass media." from CURA. by Ben Broome published December 18, 2023

Monika Sprüth and Philomene Magers built one of the art world’s most powerful businesses by not following conventional wisdom. from T: The New York Times Style Magazine by Evan Moffitt published December 11, 2023

"Isa Genzken is a consciously enigmatic figure, and just as her work cannot be contained within one style, her identity is likewise unfixed." from KALEIDOSCOPE by Kyla McDonald published November 24, 2023

For Document’s Fall/Winter 2023 issue, the architect and artist assess the importance of embracing historical nuance to fabricate new futures. from Document by Elizabeth Hsieh published November 6, 2023

The rhetoric of "sensibility" plays a central if understated role in preserving ruling-class hegemony in art. from ArtReview by Mitch Speed published November 7, 2023

"Okoyomon’s trajectory feels revelatory amid the culmination of theoretical threads that interrogate endings, afterlives, and becomings." from Flash Art by Jazmina Figueroa published November 6, 2023

The artist’s sculptural installations and films sit at the heart of a debate about Eurocentrism in the arts. from frieze by Wilson Tarbox published November 1, 2023

The artist joins curator Daisy Desrosiers for Document’s Fall/Winter 2023 issue, revisiting her metamorphic archive of performance. from Document by Tia Glista published October 31, 2023

"Anybody who’s anybody, and thus someone you probably want to be if you want to be in the art world, shows up on Wednesday and Thursday, and has already wearied and abandoned the sinking ship by Friday." from Flash Art by Max L. Feldman published October 23, 2023