The Messy Studio with Rebecca Crowell

The behind-the-scenes aspect of almost any job is surprising, and that of a working, professional artist is no exception. So much goes on that has little if anything to do with making art. Maintaining a studio, tracking inventory and expenses, photographing work, keeping up a website, engaging with social media, answering email, staying in touch with galleries, and handling countless other details...

A year ago, Rebecca and her teaching partner and co-author, Jerry McLaughlin embarked on a new project to meet the needs of artists during the time of Covid. With in-person workshops canceled, they turned to online teaching as a way to continue to offer instruction to artists interested in using cold wax medium and oils. Faced with this challenge of offering deep learning in a new format, Rebecca...

It can seem sometimes like artists and art lovers fall into two camps—those that adamantly prefer abstraction, and those who feel the same way about realism. Of course, this is a very simplistic view of art --and the fact is that these two approaches meet and mingle in countless unique ways. But it can be demoralizing for an abstract artist to be dismissed out of hand as lacking seriousness and sk...

How do abstract artists focus on specific ideas in their work? How can personal voice be discovered and followed given the endless possibilities of abstraction? Today we will talk about one path that has proven to be a rich vein of ideas for many abstract artists—that of pulling from their own experiences in life to create a meaningful, personal visual language. Today we’ll talk about ways to acce...

We named our podcast The Messy Studio for a reason that goes beyond the physical working space. We also mean to imply that the creative process itself is rarely neat or clearly defined. It is more often confusing and convoluted. This aspect of creativity can be frustrating, but it’s necessary each time we find a new path in our work. Today we talk about the importance of the messy stages of creati...

A couple of weeks ago-- during our first episode after the break that we took for moving this summer--we talked a little about the emotional side of letting so much go from our former lives. This seems to have struck a chord with listeners—we received quite a few comments about the experience of moving, its difficulties, and the anxieties it creates. A need to shed possessions of any sort is a cha...

James Edward Scherbarth was a dear friend, colleague, and teacher, and artist who developed profound and personal ways of working in just a few years following his retirement in his mid-60s. Today we share our interview with Jim near the end of his life in which he discusses his life, work, and teaching philosophy. Jim passed away a few days aftert this recording, on June 22, 2021. We are very hon...

Those of you who follow the Messy Studio know that we have taken time off this summer because each of us was involved in a major move from the family home in Wisconsin. The process of moving is no fun, as anyone who has done it knows—it’s hard work physically and emotionally and there is plenty of stress. But now that we are each settled in we’re happy to be back with producing the podcast. Today...

As artists --engaged for the most part in fairly traditional and long-established ways of working—it may be hard to understand or embrace new technologies. Yet artists have always been involved in revolutionary advances in culture and technology. Today we will discuss some technologies that have liberating potential for artists. In a bit of role reversal, our guest today is Ross Ticknor, and his f...

Artists are always given the good advice to be productive as they can, to make lots of work, to go to the studio nearly every day. That’s because only by doing a lot of work can you really progress and explore your full potential. Yet the results of all that creative output will inevitably pile up in the studio and in your home, leading to storage problems and other more personal issues. Today we...

We interview Jason Horejs of Xanadu Gallery and RedDotBlog.com on the best way to market yourself and your work to galleries. This interview was conducted using Streamyard and went out live on Facebook. Once again we aren't able to produce the highest quality audio right now due to the move, but we still want to put out some great content. This is one of the most valuable interviews we have ever d...

This is the audio recording of our very first Ask Me Anything on Facebook Live. We opened up the session to listeners who had questions and chatted about the challenges of moving. Rebecca also talked a little about her background as an artist, and we touched on returning to normal life post-Covid including travel), and simplifying and downsizing. We hope to do more session slike this in the future...

Words that we say and the words we remember being said to us can have impact that goes far beyond the moment in which they are spoken. For better or for worse many of us remember things said to us decades ago, And we have all said things that have lodged in other people’s minds in an equally powerful way—and most of the time we don’t even realize that has happened. While we may say and receive wor...

Anyone who cares about the work they perform wants to have that work appreciated and respected. And while certain professions and high-level positions can elicit that respect almost automatically, people in many other fields have to build that regard from others over time. They need to constantly reinforce respect for what they do-- and most importantly, feel it within themselves in order to creat...

Self-respect is one of the central ingredients for a healthy mindset yet can be one of the hardest to achieve. As artists, we may lose our grip on it when encountering the larger art world. Or lack of self-respect may interfere with our art practice itself, keeping us from dedicating time and resources to our work, or behaving in ways that undermine our success. Is your self-respect as an artist f...

One of the challenges of your art practice is being able to evaluate your finished work in terms of what is excellent and what is just good or all right. Many of us want to be able to identify our best work and also to accept nothing less than this for ourselves. But do we have to push everything we do to this highest standard? Can we allow some things to be less than our best and move on? And are...

It’s an all-too familiar situation in the studio, coping with a work of art that seems to fight against you at every step, making each day with it a struggle. It’s so easy to become obsessed with a piece like this, trying to persuade it to cooperate, just as you might with a stubborn person. It can feel like an exhausting contest of wills, made all the more frustrating by your awareness that you a...

Passion is a vital ingredient to staying motivated and focused on our creative work. It helps us find our own direction and voice and keeps us going even under hard personal circumstances or times when the outside world is failing to provide validation. Passion is a source of creative energy that sustains and revitalizes us. But is creative passion something we just have as an innate part of our p...

Since the beginning of time, artists have told stories with their work. Sometimes the messages are straightforward and other times open to interpretation. Stories can be told with recognizable imagery, with symbols, and even with purely abstract elements. At the heart of telling stories is our desire to communicate and the human love of narrative. Do you think of your work as telling stories? In t...

Artists often worry that their work is derivative of another artist’s work and may be very concerned about being overly influenced by someone else’s style or technique. This problem certainly does exist in the art world and is something to guard against because most of us do want our work to be original and unique. But in every field of endeavor, people build on and respond to the work of others,...

The artist’s life is challenging in ways that go beyond producing strong work, as difficult as that may be. An art practice also makes huge demands of us on a personal and emotional level. Although we love what we do, all of us sometimes feel overwhelmed by these demands, which include the need for constant self-examination, brutal honesty, and being willing to push through difficulties. Yet we kn...

Did you know there was a well-known artist whose studio was so impressive for its mess that the entire place was reproduced piece by piece in a museum after his death? We are talking about British painter Francis Bacon, famous for his expressionistic figurative work, and whose reproduced studio is permanently housed in a museum in Dublin, Ireland. Today we’re going to look at the story of his stud...

There probably are a lot of artists who are able to keep accurate, up to date records of their inventory, sales, expenses, materials, and contacts. They have systems that are efficient and neat, and any information they need about their art careers can be easily retrieved from a file. Then there are those who fail miserably at organization, and whose records--if they exist--are in total confusion....

Creating art is a way to share our thoughts, the ways we see the world, and experience life. This communication is vital-- even when we’re immersed in our process, thinking only of the next step ahead--our unseen, largely unknown audience is with us. Very few artists work in total isolation, with no desire to connect or communicate with viewers. Yet artists are also encouraged to follow their own...

As artists, we are often presented with situations that ask us to say “yes” to something that feels challenging or risky. This could be as small as the need to rework a painting to as large as agreeing to a major solo exhibit. Accepting any challenge requires a commitment and it may feel stressful and bring on self-doubt. Yet successful artists always take some risks that lead to growth and new po...