The Messy Studio with Rebecca Crowell

As much as we may appreciate living an entrepreneurial lifestyle, juggling its many demands can be exhausting and challenging. Artists who are also involved in the business of art can easily feel scattered and stressed by all the tasks needed to stay productive and on track. But one of the most challenging demands may be stepping away from all of that on a regular basis. Today we will toss around...

Artists are often cautioned not to overwork their pieces, especially when the medium is drawing or painting. This advice is meant to prevent work that is too fussy or refined, or otherwise lacking energy. But many artists place importance on fine-tuning their work, and on paying close attention to detail. The art-world advice against overworking may not apply to everyone’s approach. Today we’ll ta...

As artists, we need ways to organize our work in our minds, on our websites or in our presentations. Where do logical connections exist and how can grouping certain pieces together aid in understanding them? Thinking of your output as “bodies of work” is a useful approach. But this is also one of those vague art terms that means different things to different people. What constitutes a body of work...

A work of art created with intention is compelling--we intuitively recognize when something is done with purpose and inner direction. Yet as artists we are also seekers and explorers in our work. Our creative path is often wandering rather than straight, and it may seem false or against our nature to state a clear intention or meaning behind our work. How can we work with intention yet remain open...

Many of go through times in our lives when we make radical changes—either by choice or because of something imposed on us by circumstance. But even if the big change is something, we want to make mixed feelings are inevitable and stressful as we let go of the old and step into the new. Big changes challenge the very idea of who we are and how we operate in the world. How can an art practice help u...

Working in series is usually an involved process in terms of both time and focus. Artists are often known for series that explore ideas in a sustained, deep way. But the intriguing aspects working in series can also happen in a quicker, more spontaneous way, with a new piece each day. Today we’ll look at working in series with a sketchbook, or using other small or quick formats, and explore how th...

We all drew, painted, and made things out of playdough and construction paper as little children, in spontaneous and unselfconscious ways. Some of us retain those memories, and we may also have children or grandchildren whose artwork we love. The art of children affords an intriguing view of a very different way of seeing and thinking than we have as adults, and many abstract artists have found it...

Abstract artists find many ways to bring meaning to their work. For some, this may be purely an investigation of color, line, or other elements. For others—it is the expression of emotion or evoking aspects of the visual world. Today we’re going to look at another powerful way that artists can bring meaning to abstraction—through the use of symbols, whether personal in origin or more universally r...

Every time we make a piece of art, we reach the point of deciding if it’s finished --yet as common as this moment is in studio life, it is often one of doubt and second-guessing. What are some meaningful criteria for when something is done? Are there questions to ask ourselves in declaring something finished? Do we have to finish everything, or is it OK to abandon certain pieces? Today we will loo...

Although most of us wish for success with our work and art careers, defining what that means is tricky, changeable, and very personal. Does success mean selling your work, recognition in the art world, or simply your own satisfaction with what you create? How do our ideas of success shift over time? Can we be satisfied with our current level of success or do we always want more? Today, as we look...

Have you ever wondered what is it like to be involved in a collaborative project with other artists? What are the challenges and benefits of creating works of art with others who share your aesthetic vision? How could you get started, and what kind of ground rules or boundaries do the artists involved need to agree upon? In today's episode, Rebecca interviews California artist Phyllis Lasché about...

At the end of 2020, we’re overloaded with reflections in the media about how society has navigated this strange and difficult pandemic year. On a personal level, we all have stories of struggles, loss, insights, and changes. Today we are especially interested in what this time has meant for us as artists. Last week, Rebecca posed the question to our listeners “How did 2020 impact your work?” and t...

Abstract artists are sometimes stereotyped as uninhibited people who slap paint down in direct response to strong emotion. But this idea is far from accurate. While many abstract painters do aim to express emotion and mood, their approaches vary widely --from spontaneous to highly controlled. And even the most intuitive artists need to thoughtfully consider their use of the visual elements and des...

Every so often, we like to address the ways that creativity and well-being intersect, and it seems appropriate to do so now as we come to the end of a very difficult and stressful year. In a recent seminar on Buddhist philosophy, neuroscientist Richard Davidson spoke about four pillars of well-being—awareness, connection, insight, and purpose—all of which are practiced every day in the studios of...

Lines and marks in a work of art connect the viewer very directly with the hand of the artist. They can express individuality, add structure, and show evidence of the artist’s process. Perhaps because these visual elements can reveal so much, many artists are self-conscious about using them and when they do, the results can appear contrived, awkward, or random. How can we use lines and marks in pu...

As artists, we are also appreciators and often consumers of art. We not only buy and trade for art, we also study the art of others through art books, documentary films, exhibits, and lectures. What can we gain from looking deeply at the art of others? It’s often said that artists are sponges, in the sense that we look to other artists and their work as sources of ideas and inspiration. We soak up...

Words like “wow,” “stunning,” and “amazing” are music to the ears of many artists. We all create plenty of art that elicits no more than a passing glance or Instagram “like” and that’s fine—it’s part of the process. If we are making art constantly, what we make includes a range of qualities and ideas. But what is it about those special pieces that makes them stand out and really engage the viewer?...

2020 has been a rough year so far for many of us. We don’t need to go into all the ways we’ve experienced anxiety, loss, and other struggles. But today, Thanksgiving Day in the US, is a good day to think about the things we are grateful for and have helped us make it through this difficult year. For many of our listeners that includes gratitude for family and friends, appreciation of nature, and o...

Abstraction takes many forms for artists—from working with the visual elements for their own sakes to using emotion and mood as a starting point, to interpreting what they see in the world around them. Many artists combine these approaches to find their own personal voice in abstraction. Today we are going to examine the path favored by many artists who are inspired by the figure, the landscape, o...

The limitations and parameters we place for ourselves in the studio can have both positive and negative effects on our work. Like so many aspects of art practice, the challenge is to find a personal balance that suits us—in this case somewhere between being too rigid and too scattered. What rules do we set for ourselves and how well do they serve us? Are there rules that we accept from other peopl...

Once again, our listeners have come through with answers to our Facebook query about ideas for storage, worktops, unusual tools, and other studio tips to make our spaces and processes more efficient and yes neater and more organized. Even those of us who happily work in messy conditions like to be able to locate our supplies and to use our available space in the best ways. Today we’ll talk about s...

A trip to the art supply store or website is something most of us enjoy. We’re not just stocking up, but entertaining possibilities, wondering what a new color of paint or kind of brush or sculptural tool could bring to our work. Exploring new materials is part of what we do as artists. But there’s also a world of art materials and processes available at no cost, outside in nature. What can be don...

With all of the ups and downs that we go through in the studio, it may be helpful to know that the creative process involves stages that are fairly predictable and universal--some of which are challenging. Although these stages or steps are usually described as taking place as a linear progression --from initial idea to finished work--most of us find our own process to be more complex. Today we’ll...

Confidence often seems to go along with success in the art world—when talking about the business side of things, qualities like self-assurance, decisiveness, and the ability to speak well about your work are important. In the studio, confidence may take a more private form—the ability to try new things, or to carry through with major projects. While there’s no doubt that confidence is a good thing...

In many ways, art is a great leveler of personal differences among those who create it. Along with other personal factors like gender and ethnicity, the age of an artist often has little or no impact on the pure, wordless first encounter between viewer and art. On the other hand, as artists we know that many aspects of our personal lives do affect the content of our work and how we go about making...