The Messy Studio with Rebecca Crowell

Beginning a work of art is a leap into the unknown. Facing a blank canvas or panel or sheet of drawing paper, a lump of clay, a block of wood, a freshly prepared litho stone, or the untouched material of any art form is exhilarating but also a bit intimidating. How do you approach starting new work? Do you feel the energy of a fresh start, or is there some worry about how things will go? How do yo...

As artists and as creative entrepreneurs we all know the challenges of building confidence—in our own attitudes and in our encounters with people we want to engage with our work. To a large extent, we invent ourselves as we go along, developing a vision for our work and an audience to appreciate it. And often we tackle all of this without much emotional or practical support, and the times when we...

Last week we talked about workshops from the point of view of artists taking them, what they look for, and how to make choices from the many options available. Today we want to talk about workshops from the perspective of workshop instructors. Many artists who have ideas and experience to share are drawn to workshop teaching. And teaching can be a very rewarding, interesting, and lucrative side jo...

Workshops serve many purposes for artists, including learning new skills and information, connecting with other artists, and receiving feedback and critique. A workshop with the right instructor at the right time can provide an important breakthrough for your work. But attending a workshop can also be challenging on a personal level, involving travel, a commitment of time and money, and working in...

In every field of work, there are some interactions that are professional and some that can be more personal, and the lines between them are not always clear. How casual, how revealing, how personal can you be while keeping a businesslike and professional attitude? In an art career, this issue impacts your interactions in many ways—in talking with dealers and collectors, when you give talks and in...

Situations in which we feel unsure, insecure, and vulnerable are a common experience for many of us. As an artist, that feeling of vulnerability may come with exhibiting your work, promoting yourself, explaining what you do, and even when you're alone in the studio making art. Today we will share some thoughts about what it means to be vulnerable as an artist. Is vulnerability something to avoid -...

Creative work involves a myriad of emotions. In a single day in the studio, an artist can cycle through excitement, frustration, despair, relief, pleasure, and hope. Sending a finished piece into the world can bring on anxiety and feelings of vulnerability, along with more positive emotions like anticipation and satisfaction. Emotional involvement comes with the territory of our work-- but we do n...

For many of us in the art world, making art is only part of what we do. The other big role most of us play, that of businessperson, can be one that comes less naturally. Many artists resist getting involved with art as a business, seeing it as something that dilutes creativity and true voice. At the same time, most of us get a lot of satisfaction from exhibiting our work and would like to be able...

When an artist creates, the people that the artist images viewing the work often are unseen presences in the studio. When we are deeply involved in our work these may fade away, but they tend to reappear when we are uncertain or involved in self-critique. A legitimate and important part of evaluating our work is trying to see the work through someone else’s eyes. But who are these viewers, exactly...

Abstract art --especially the kind that has no identifiable imagery-- may appear to have little meaning to the viewer beyond its purely visual appeal. Certainly, we can admire and respond to abstraction without needing a story or an explanation, as long as our eyes are intrigued or delighted, and that is an important way it can be appreciated. But in fact, ideas, emotions, and other points of refe...

Today we are excited to welcome Seattle-based artist, author, and educator Jason Matias back to the Messy Studio. We published the first part of this interview back in January, which focused on Jason's approach to the business side of art. We recorded a second interview that same day so that he could tell us more about his own art, and what it takes to make his striking photographs of the natural...

Abstract artists are known for getting ideas for their work everywhere. If you notice someone taking a photo of a crack in the sidewalk or staring at a piece of rusted metal, chances are good that’s an abstract artist at work, collecting ideas for lines and colors and textures. Even if we don’t depict objects realistically in our work, we are constantly observing the world around us. Today we are...

Being productive in the studio means different things to each artist--but wanting to grow and achieve new levels in our work is basic to the creative process. Yet there are many practices and attitudes that work against productivity, causing frustration and creative blocks, and wasting valuable studio time. Today we will talk about some of these counterproductive situations and how to challenge th...

Many of our listeners to this podcast are in their older years, and the rest of us can only hope to find ourselves there one day. Aging brings with it many challenges—these are as specific and diverse as our own personalities and yet as common as anything else shared by millions of people. While physical abilities and stamina may decline for older artists, aging can also contribute to creative wor...

We are really happy to be bringing this podcast episode to you this week, the first one after a long hiatus due to a very difficult situation in Ross's personal life. Today we’ll be talking about how the past few months have gone for us and offering some thoughts about how reconnecting with your creative practice is a solid and healthy step toward getting your life back on track. Since late Januar...

Our audience is incredibly supportive, and we feel we owe you an explanation for our recent absence. It isn't fair to leave you completely out of the loop. Thank you for your continued support during this difficult time. Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here . ​ When you buy art supplies at Blick remember...

Today we are excited to welcome Jason Mathias to the Messy Studio. Jason is an experienced professional artist, an author, and an educator, who lives in a loft in the woods outside Seattle, Washington. Following seven years of military service, Jason pursued a bachelor's degree in business and a master's in organizational leadership and began to apply what he learned to his passion for photography...

The New Year is a traditional time to reflect on the past, set goals for the future, contemplate your current situation, and identify ways to move forward. Even if you are not someone who makes formal New Years' resolutions, most of us feel an underlying urge to take stock of what we’d like to improve upon or work toward in the coming year. Today we’ll talk about evaluating how things are going in...

We talk a lot on the podcast about the importance of thinking about your work—of identifying intentions, strategies for developing your ideas, describing your work, researching other artists, and practicing self-critique. All of these are important, but we never want to neglect the more intuitive side of an art practice. So much of what we do is the result of hunches, impulses, and flashes of insi...

Many of us enjoy social media as a convenient way to share our art with others, for the sense of community it offers, and the easy way it lets us keep up with people we seldom see in person. But artists who are not enthusiastic about social media can feel pressured into participating because of the benefits it offers, yet squeamish and awkward when they do. Today we’ll talk about the role of socia...

We have reached a milestone here at the Messy Studio that we are excited to report. We recently surpassed half a million total downloads of our episodes, which we first published in late December 2017. This week also marks our 200th episode, and we are also coming up on our 4th year anniversary as well. We’re proud of our podcast and grateful to our many listeners, and to celebrate we decided to t...

As children, we all explored constantly—the world was new and we needed to try things out, push boundaries, and make discoveries in order to grow. Most of the time we were totally absorbed in these activities and found them enjoyable. Artists in their beginning phases often show a similar attitude—they are willing and eager to explore, play, and experiment in an open-ended way with few expectation...

Many of us live lives based on habit and predictability--we aim for expected results, and generally avoid uncertainty and disruption. But our guest today, Laurie Rosenwald, challenges us to steer away from the tried and true in order to bring freshness and spontaneity to our lives and work. Laurie is a New York City-based illustrator, artist, designer, and book creator whose work is a mix of colla...

When we think of the kinds of reactions to our work from other people that cause a block in creative flow, most people think first of negativity, indifference, or misunderstanding. All of these can undermine our self-confidence and cause us to feel incompetent, uninteresting, or simply off track. They can lead to anxiety and avoidance behavior towards our work. But what about the opposite—positive...

At some point in their art careers, many artists are offered the opportunity to take part in an open studios event or art tour in their communities. These events can be lucrative and exciting --and provide many new contacts to help spread the word about your work. They also entail a lot of preparation and time taken away from normal studio life ---and several intensive days of meeting the public a...