Adam A. Donaldson – End Credits

This week on End Credits we promise you fireworks! If the sparks are flying, then you can probably blame the movie we’re reviewing this week, which is the new romantic crime thriller Carolina Caroline, which you can now rent on VOD, Fireworks are also for special occasions, like the 30th anniversary of 1996’s biggest blockbuster hit,... Continue Reading →

This week on End Credits there’s no holiday. While you may be enjoying the show in the midst of a midsummer holiday week, we’re still cranking out content but not the way the Jackass gang is still cranking it out! We will review the final (?) entry in the franchise, Best and Last, which you can... Continue Reading →

If you watch film reviews on YouTube, what do you see? There are a thousand reviews of the biggest releases and the hottest franchises, and it normally comes down to a question: Does it rock, or does it suck? Can anyone do nuance in film criticism anymore? Can nuance stand out in the noise and... Continue Reading →

This week on End Credits, we’re all about disclosure. Having said that, you can probably already guess that the movie this week is a little number called Disclosure Day, an entry from a real up-and-comer named Steven Spielberg, and in other disclosures we will share some of the movies we believe have stood out so far... Continue Reading →

This week on End Credits we get obsessed. Finally, about a month after the fact, we will dig into a verifiable summer sensation, that other low-budget horror from a YouTube trained filmmaker. You guessed it, we will be reviewing Obsession, which is still in theatres, and then we will look even further back at the long... Continue Reading →

This week on End Credits, there’s a chill in the air. No, it’s not the weather, because it’s finally fairly warm outside, but in the movie theatre, that’s not just the air conditioning you’re feeling. For the review we will finally check out the Backrooms, which is currently making bank, and we will also go back... Continue Reading →

This week on End Credits, we’ve got pitch! Our movie this week combines a love and appreciation for both classical music and classical crime in the new indie thrill Tuner, which you can now see in a theatre near you. And for something completely different, we will take the opportunity to mark some our favourite war... Continue Reading →

This week on End Credits, for the first time in a while, the Force is with us! If you haven’t guessed already, we will be reviewing the 13th entry in the sci-fi adventure franchise, Star Wars: The Mandalorian and Grogu, which you can now see in a theatre near you. And if we’re watching a... Continue Reading →

This week on End Credits we’re going to work it. No one would accuse this podcast of being fashionable, but with this episode we head work our way back to style in addition to our usual substance by reviewing The Devil Wears Prada 2, which is now in a theatre near you. And since we’re going... Continue Reading →

This week on End Credits, we get international. The review today comes from Spain, with a universal take of family dynamics that just so happens to be in Spanish in 53 Sundays, which you can now stream on Netflix. Along similar lines, this entire show will be about a language other than English, at least... Continue Reading →