Adam A. Donaldson – End Credits

This week on End Credits, you know how this looks, right? On this show, we’re going to dig into the movie for the moment, which is about a 20-year-old TV show and starring one our most versatile actors. Yes, it’s time for Primetime, and along with that one, we will go back in time for another... Continue Reading →

This week on End Credits, you know how this looks, right? On this show, we’re going to dig into the movie for the moment, which is about a 20-year-old TV show and starring one our most versatile actors. Yes, it’s time for Primetime, and along with that one, we will go back in time for another... Continue Reading →

This week on End Credits we put it all on the line. There’s nothing quite like a fall movie by an acclaimed filmmaker where he puts all his chips in the middle of the table (and loses his shirt?) and that’s what we get with the new dark satire Digger, which you can now see in... Continue Reading →

This week on End Credits we put it all on the line. There’s nothing quite like a fall movie by an acclaimed filmmaker where he puts all his chips in the middle of the table (and loses his shirt?) and that’s what we get with the new dark satire Digger, which you can now see in... Continue Reading →

This week on End Credits, we lift off! Ever dedicated to Canadian film, not to mention the work of Jay Baruchel, this week’s episode will have Cancon pouring out like maple syrup as we dig into the true Canadian story The Stunt Driver, which you can hopefully still see in a theatre near you. And... Continue Reading →

This week on End Credits, we lift off! Ever dedicated to Canadian film, not to mention the work of Jay Baruchel, this week’s episode will have Cancon pouring out like maple syrup as we dig into the true Canadian story The Stunt Driver, which you can hopefully still see in a theatre near you. And... Continue Reading →

This week on End Credits, we’re running back to the theatres for the latest massive horror movie from a comedy director turned horror auteur. Yes, we’re going back to Racoon City with the latest entry in the Resident Evil series, which is now in theatres. We’re also going all the way back to 1976 again by tackling... Continue Reading →

This week on End Credits, we’re running back to the theatres for the latest massive horror movie from a comedy director turned horror auteur. Yes, we’re going back to Racoon City with the latest entry in the Resident Evil series, which is now in theatres. We’re also going all the way back to 1976 again by tackling... Continue Reading →

This week on End Credits we go to court. Cartoon court! Our review this week will focus on a movie you probably hadn’t heard about unless your deep in the wilds of Film Twitter, in which case you were very excited about this release. We’re talking about Coyote Vs. Acme, which is now in theatres... Continue Reading →

This week on End Credits we go to court. Cartoon court! Our review this week will focus on a movie you probably hadn’t heard about unless your deep in the wilds of Film Twitter, in which case you were very excited about this release. We’re talking about Coyote Vs. Acme, which is now in theatres... Continue Reading →

This week on End Credits we get meta. Again. We’re reviewing the satirical surrealist psychological slasher film Teenage Sex and Death and Camp Miasma, which you can still find in some theatres, and will be coming soon to Mubi, the curated streaming site. Along similar lines, we will dedicate the first part of the show to... Continue Reading →

This week on End Credits we get meta. Again. We’re reviewing the satirical surrealist psychological slasher film Teenage Sex and Death and Camp Miasma, which you can still find in some theatres, and will be coming soon to Mubi, the curated streaming site. Along similar lines, we will dedicate the first part of the show to... Continue Reading →

This week on End Credits, we’re cooking! We will head into the kitchen with the bio-pic about celebrity chef before he was famous in the new coming-of-age film Tony, which you can now see in a theatre near you. We will also talk about some other movies coming soon to theatres as we mark the... Continue Reading →

This week on End Credits, we’re cooking! We will head into the kitchen with the bio-pic about celebrity chef before he was famous in the new coming-of-age film Tony, which you can now see in a theatre near you. We will also talk about some other movies coming soon to theatres as we mark the... Continue Reading →

This week on End Credits, we’re back! Refreshed from summer vacation, we’re ready to tackle the fourth and final entry in “Hot Hathaway Summer” with Anne’s latest movie The End of Oak Street, which you can now see in a theatre near you. That’s one thing we’ve been watching over the break, so we’re going to... Continue Reading →

This week on End Credits, we’re back! Refreshed from summer vacation, we’re ready to tackle the fourth and final entry in “Hot Hathaway Summer” with Anne’s latest movie The End of Oak Street, which you can now see in a theatre near you. That’s one thing we’ve been watching over the break, so we’re going to... Continue Reading →

As of this recording, The Odyssey has made over $1.1 billion at the worldwide box office, and that’s not bad for a movie based on a story that’s been told for thousands of years. A lot of people were excited about The Odyssey, many of them Christopher Nolan fans just excited about the Oscar-winning filmmaker’s... Continue Reading →

As of this recording, The Odyssey has made over $1.1 billion at the worldwide box office, and that’s not bad for a movie based on a story that’s been told for thousands of years. A lot of people were excited about The Odyssey, many of them Christopher Nolan fans just excited about the Oscar-winning filmmaker’s... Continue Reading →

This week on End Credits we say “goodbye”… for two weeks. Next week, we’re taking our usual summer vacation, and we can think of no better way to leave things than to review the massive superhero sequel Spider-Man: Brand New Day, which you can now see in a theatre near you. We’re also going to dig... Continue Reading →

This week on End Credits we get topical. We’re tackling two movies this week, one new and one old, and they both have the state of society on their minds. First up, from 1976, we will continue with our ongoing series and a satire that’s still razor sharp, and for the review we will get... Continue Reading →

This week on End Credits we promise you fireworks! If the sparks are flying, then you can probably blame the movie we’re reviewing this week, which is the new romantic crime thriller Carolina Caroline, which you can now rent on VOD, Fireworks are also for special occasions, like the 30th anniversary of 1996’s biggest blockbuster hit,... Continue Reading →

This week on End Credits there’s no holiday. While you may be enjoying the show in the midst of a midsummer holiday week, we’re still cranking out content but not the way the Jackass gang is still cranking it out! We will review the final (?) entry in the franchise, Best and Last, which you can... Continue Reading →

If you watch film reviews on YouTube, what do you see? There are a thousand reviews of the biggest releases and the hottest franchises, and it normally comes down to a question: Does it rock, or does it suck? Can anyone do nuance in film criticism anymore? Can nuance stand out in the noise and... Continue Reading →

This week on End Credits, we’re all about disclosure. Having said that, you can probably already guess that the movie this week is a little number called Disclosure Day, an entry from a real up-and-comer named Steven Spielberg, and in other disclosures we will share some of the movies we believe have stood out so far... Continue Reading →

This week on End Credits we get obsessed. Finally, about a month after the fact, we will dig into a verifiable summer sensation, that other low-budget horror from a YouTube trained filmmaker. You guessed it, we will be reviewing Obsession, which is still in theatres, and then we will look even further back at the long... Continue Reading →