A Breath of Song

Notes: It was amazingly fortuitous -- Louise Blackburn and I had agreed on releasing her song as episode #91, and then it turned out that recording episode #91 live would be just the right time to celebrate 25,000 downloads -- and we had the perfect song in place. In June of 2021, I had searched long and hard for a podcast I could listen to from which I could learn songs for well being and more ab...

Notes: I loved the chance to hear Ahlay share both this song and its origin as a song that "slipped through," almost without effort, in response to hearing someone's deep shame over a Zoom call. Ahlay shares her excitement over her project, WAILS, in which community singing and grief ritual are merged. She talks about "Healing that ripples non-linearly, in a spiral," and says, "I'm channeling the...

Notes: Patty Piotrowski, who creates the art for each episode after learning the song, wrote about painting for this song of Ahlay Blakely: "The word that jumped out for me was “breaking”. I have a plate, a whole pottery plate on my kitchen table, that holds broken porcelain shards of dishware from the late 1800’s when there was a fire that burned the hotel on Star Island and so much was lost at s...

Notes: I love the way this song takes me into completely different scope of time -- geologic, massive, unimaginable -- and therefore inescapably present. "Ïn the Land of Oden" has a murky history, both for lyrics and melody… it was recorded in the 1960s by many different folk artists, including Peter and Gordon, Barry McGuire and the New Christy Minstrels, and the Townsmen… but is credited to diff...

Song: Born to Love Songwriter: Gabrielle Mehlmann Gelfand Notes: This song floats and pulses, carrying me as singer into a spaciousness and warmth that feels like it could be a somatic knowledge of love. That's quite a statement to make for a song, no? And yet, it makes sense -- when we sing, we engage so much of our brains -- breathing, thinking, sensing vibration and sound -- that if we allow im...

Notes: Angela Gabriel's gospel-infused setting of Clarissa Pink Estés' fierce words is enough to lift me out of bed into the January cold! You'll hear me play with adding my voice in the looper with different tonal qualities so it sounds like we're singing with a crowd... and then at the end, I'll invite you to sing it simply with me, as a heartfelt duet. Patty said her art for this episode is ins...

Notes: Singing this meditative mantra with Heather Pierson's butter-warm voice draws me right into the here and now, even when I'm dealing with tech glitches... it's powerful stuff, and I've been putting it to the test! Heather says, "Music is an invitation..." and in our conversation, she talks about the different ways that plays out during grieving, learning to sing solo, collaborating, choosing...

Notes: I love the way this song pulls me into the very present moment of right now, really right now, with concrete reminders of the breath and body... and then also lightens my spirit with the rhythmic play as I sing about the goodness that I carry. Heather has found ways through steady, attentive practices to help herself heal from childhood trauma, and she carries this intentional tending with...

Notes: I so completely get the need for these questions, so appealingly set by Hannah Jeffery, to notice our body's basic needs. I love singing the reminder to attend to my creature self, what Mary Oliver calls, "the soft animal of your body" -- to tune into what it loves, what it complains about, how it responds to what's going on. This time of coming into a new year, perhaps with a plethora of c...

Notes: I learned this song from Adam Podd at the end of the summer at a group singing weekend workshop, and immediately decided to use it for my Pocket Songs welcome song during the fall, not only because of the generous, wide-open welcome of the words, but because of the way the music backs up the message. The lift and lightness of the rhythm, and the enjoyment of slightly surprising notes (I par...

Notes: I love the way Emma's song ushers in the darkness and turning of the seasons with a lilt that includes a trust that the light will return. There's a softness and acceptance to the song that makes it easier to be present with the turning. Emma says the song "was born on a winter walk during Covid restrictions in the UK. I was finding some comfort in the unruffled flow of the seasons - 'time'...

Notes: You get to hear Kate Thomas and I in deep conversation -- complete with creaky chair, and me messing up as Kate teaches me her beautiful song, Go Dark. Do you ever have the experience of being solid on a part, as long as the leader is singing it, but then when they leave to teach another part, you lose it? You'll hear me doing just that! :) We talk about building a bank of nourishing words...

Notes: "Be Yourself" was written for 'Body of Sound', a women's group that Kate Thomas leads, for a residential at Laurieston Hall in Scotland which has a lovely open fire. Can you imagine joining with friends around a fire and singing this to each other? And sometimes, I swear, I find myself singing it to just myself (or my many selves???), welcoming all of them around the fire -- the part of me...

Notes: Barbara says about the song: "I wrote it while driving up to Lake Superior to share Thanksgiving with friends. Some of it was composed while standing in the Brule River in a light rain. Ecstasy...." Here we are, getting close to Thanksgiving in the United States -- a reminder of the great harm humans can do to each other through greed, ignorance, and fear -- and also a reminder of the ecsta...

Notes: I'd like to highlight the custom art created for each episode by Patty Piotrowski. If you're following this on a podcast app that shows only the A Breath of Song logo, and not the artwork, then please go  here  to feast your eyes! Patty sang in a chorus with me for several years before the pandemic and included me in the friends with whom she shared an Advent calendar of one painting a day...

Notes: After being sick for several weeks, I was lying in bed and trying to come to terms with the fact that I still felt crummy. I was trying to listen to my body, and this is the song that came into my head. The melody is pretty closely related to a Happy Birthday song which I learned from Liz Rog, but I don't know the origin of the song, and neither did Liz at that point. If anybody happens to...

Notes: Heather says, “I love so easily," and “What’s next? And I just open up…” and “Silence is a part of the singing.” Trust me, this is a person you'd like to get to know a little better -- how can we all access that kind of love and openness? In our conversation, Heather and I dig into how she actually works with singers privately and in groups, finding the heart voice, ways back in when you've...

Notes: This is song is a taste of Heather Houston's creative, connecting powers -- Episode #75 will feature an intimate conversation with Heather. After she shares another of her songs, we'll delve into why song matters, why voices matter... and a really good soup! Meanwhile, I love this song for noticing the balance of shadow and light -- to me, it's a beautiful song to sing on cusps, like dawn o...

Notes: I love that after I sing this a few times, I begin to feel more fluid inside -- as though everything under my skin is softening into a tidal pulse of flow. It's a beautiful song to sing over any drone... the words "the mind", or the "in" from "flows in" should land on the drone note -- a way of subverting any annoying repeated note into becoming accompaniment for your singing. This podcast...

Notes: This song, about settling into the unknown and experiencing that as home, is one that has been singing in my head throughout this last year of transition for me. The delight of letting my voice slide helps me physically experience the release, and the complex harmonies keep my sense of focus and unsettledness... as though I'm practicing finding that home in the middle of the unknown. I thin...

Notes: I am thrilled to announce a 3-generations podcast!!! Our daughter, Rebecca Csuy (pronounced, "Soo-ee"), was kind enough to join me to record this lullaby I started singing to myself a few months ago.... and then Rebecca managed to catch Claire, their almost 3-year-old daughter, singing it to herself the next day! (If you want to skip ahead to that, it's at the very, very end of the podcast,...

Notes: I've shared this song with my pocket song singers online group, meaning I was live-looping it... and the layers are intricate! The different lines interweave closely, creating a dense, beautiful texture. Lyndsey and I enjoy our conversation -- hear her talk about dropping root to choose what to do in the morning and set an intention, about how grief can be a healer, and wealth of teachers a...

Notes: I love this song for the both-and-ness... both joy and grief; both broken and mending; both hurt and healing, lost-found, hidden-revealed. The song appeared in an including way, too... Lyndsey was tasked with finding or creating moments of beauty and surprise at 2017 Village Fire, and as she sat at a table with the youth, creating art and words to decorate the port-a-potties, she saw what 1...

Notes: For most of these episodes, I pick the song many months in advance, because what with artwork & permissions, not to mention my own anxiety levels(!), it helps to have things lined up before.... which sometimes means I haven't listened to the song much until I'm ready to record. Then I wonder -- will I still love it? Will I still want to learn and spend time with it, or was it a temporar...

Notes: Ever feel stuck in a really bad place? The hobbits got stuck, and Gandalf blesses the eagles who rescue them. I chose to start this episode with a quote by Cynewulf (9?th century), one of the four Old English poets whose works survive today, because that was a time period J.R.R. Tolkien, (20th century) was deeply influenced by -- and here's Joshua Blaine setting this blessing in the 21st ce...