Trylove

COLLATERAL is a different flavor for Michael Mann, yet it’s still familiar territory for the tortured auteur. There are enough distinct ingredients, for sure: Some mixture of Stuart Beattie’s script, a blend of film and digital aesthetics, and Tom Cruise’s real-life sociopathy resulted in a critical and commercial darling (something of a rarity in Mann’s body of film work). In this episode, Jason,...

That’s right: We’ve finally got Womenn on Mann on Trylove! The heist of a lifetime. Everything on the line. And at the center of it: Two guys in their 50s having romantic tensions that make classic Hollywood look like a convent. HEAT is a thoroughly sung masterpiece of Michael Mann’s career: inspired by real events, a remake of his own earlier work, and embellished with the director’s signature lo...

Michael Mann’s debut THIEF is pretty fully formed, a tightly wound caper with the grit of a ‘70s movie and the pizazz of an ‘80s thriller. Frank (James Caan) is an ex-convict and current master thief with a one-track mind: Make the money, marry the girl, make the family, live in peace at last. This being a movie, none of those things happen as he expects them to. In this episode with guest Kelly K...

Olivier Assayas’s post-millennium brain-bender DEMONLOVER is only a corporate thriller up to a point. A business deal over distribution rights to commercialize fetish content stirs discord among French enterprise, Japanese production houses, American entrepreneurs, and the hidden forces repeatedly shifting the levers of power. DEMONLOVER the movie becomes as compromised as its playactors: Unantici...

Based on the real 1920 labor uprising by West Virginia coal miners, John Sayles’s MATEWAN spends much more time on the place than the battle it’s remembered for. Ten people died, including three private detectives hired to violently repress the ascendant labor unions. Returning guest Louis Gagnon spent part of grad school learning about this period of labor history, so on this episode, we discuss...

How much Ham could a Hamlet let if a Hamlet could let Ham? Anyway, if you know Hamlet well, you may not enjoy THE BAD SLEEP WELL as much as someone who doesn’t. Toshiro Mifune (the GOAT) is an aggrieved secretary taking on a corrupt corporation, setting in motion a complicated plot to force confessions from sleazy profiteers who pressured a colleague into committing suicide amid an embezzlement sc...

Even in the famous glut of great movies that came out in 1999, Michael Mann’s THE INSIDER stands out because it works as a great legal thriller/biopic and as something much sadder and more compelling. Jeff Wigand (Russell Crowe) is a poindexter sitting on a story that could take down the third-largest tobacco company in the U.S., and Lowell Bergman (Al Pacino) is the 60 Minutes producer who wants...

With Dan Nagan! Michael Clayton (George Clooney) is a ‘fixer’ for a big, successful law firm representing big, evil corporations. He doesn’t so much DO things as he does make it easier for the people who DO things to DO them. It’s not really an honest living, but it’s not direct enough for him to really get his hands dirty. But when his lawyer friend snaps, vowing to expose the wrongdoings of the...

Jean-François Laguionie’s GWEN AND THE BOOK OF SAND is maybe a little too strange to fully understand, but its juxtapositions and style leave help it get so much more from its 67 minutes than a lot of full-length features can manage. A young girl named Gwen joins a tribe of desert nomads in a world littered with gigantic, recognizably earth-bound objects. Gwen falls in love with Nokmoon, a boy who...

With Matt Clark (Kino Ventura)! MIDNIGHT EXPRESS is mired in a good bit of targeted xenophobia. Oliver Stone apologized for adapting Billy Hayes’s memoir the way he did, but to the people of Türkiye, the damage was done. Alan Parker’s drama film, based on the true story of an American’s confinement in an Istanbul prison, dialed up the brutality to great cinematic effect, complemented by a brooding...

René Laloux’s planet-hopping animated sci-fi adventure — no, not THAT one! — is in two places at once. THE TIME MASTERS wanders very Frenchly through its plot: An orphan needs saving on a weird planet, but our protagonists spend way more time witnessing the world (and freeing some mind-slaves on a completely separate planet) than worrying about the boy. But it comes across as such a genuine, heart...

This episode was originally published in August 2020. It was republished February 7, 2026, to coincide with its run at the Trylon as part of the "The Art of Insurgence: '80s Animated Sci-Fantasy" series. Since this episode aired, Sarah spun off the Cult Film Collective's video rental arm as its own entity titled Ant Hill Video. Featuring special guest Sarah Seember Huisken – Minneapolis...

With Seth Zarate! It’s hard to overstate the importance of NAUSICAÄ OF THE VALLEY OF THE WIND to the Japanese animation medium, not least of which because it led to the launch of Studio Ghibli, one of its most influential producers. But it’s maybe more interesting to consider as an ur text for its creator and his proclivities: In a time of conflict between human civilization and the natural world,...

The Trylon’s series on the black-and-white films of Federico Fellini closes with one of his most popular films: the scandalous LA DOLCE VITA ! Celebrity journalist Marcello (Marcello Mastroianni) can’t quite decide between a life of out-and-out hedonism and his more intellectual aspirations, vacillating between caring for his fiancée Jane (Yvonne Furneaux) and courting every pretty woman he meets;...

It’s almost trite to say Kazuo Hara’s second documentary ‘crosses boundaries,’ since every documentary is on some level about the fact that it’s a documentary — forcing you to consider the author, the subject, and yourself as participants in the documentation. That said, EXTREME PRIVATE EROS: LOVE SONG 1974 is remarkably intimate, covering the years following the director’s breakup with Miyuki Tak...

Five friends, no motivation, and a dead-end seaside town. Nope, it’s not this podcast! It’s I VITELLONI, Federico Fellini’s proto-slacker dramedy where tension is low and malaise is high. Moraldo’s friend Fausto knocks up Moraldo’s sister Sandra and marries her, sending the tight-knit crew of twentysomethings into a rather uneventful spiral. We discuss Italy’s national identity during a postwar ec...

The Trylon’s series on Federico Fellini kicked off with his seminal film 8½ , and it’s a hell of a way to start Trylove’s 2026! A hailed director struggles to find the determination to see his latest movie through to the end, instead spending most of his time daydreaming about his past, his present, and the various women who float through them. Then, the movie zooms out to depict THAT story as a m...

Welcome back to the Golden Barrys, our annual awards ceremony, now in its seventh iteration! Jesus, really? Yeah, our first one was at the end of 2019, so I guess that lines up. Huh. It’s an annual literal roundtable deliberation to decide the best and Barriest movies we saw this year at or through the Trylon Cinema in Minneapolis, Minnesota. It’s also one of the most fun episodes to make because...

A retread of GOODFELLAS (1990) or a nastier, meaner take on a life of crime? Our discussion (a rare in-person recording of CASINO looks inward, at the performances, embarrassments, and broken hearts that define it, and outward, at how this movie left its mark on the middle period of director Martin Scorsese’s career — and gave Sharon Stone what might be her best film role. References: “NERVOUS IN...

Sam Raimi’s wild-ass Western has his signature style all over it, but from a certain perspective, it’s really Sharon Stone’s vehicle: As star and producer, she reportedly got both Raimi and Leonardo DiCaprio attached to the project, and she even contributed to creative elements like costuming and plot. What a lady! THE QUICK AND THE DEAD was critically divisive when it came out (despite an all-sta...

Content warning: This discussion includes references to sexual violence. BASIC INSTINCT superfan and longtime Trylon volunteer Kelly Krantz says it is “THE erotic thriller.” And she’s probably right! But what makes the tale of Catherine Tramell (Sharon Stone) and her quarry, Nick Curran (Michael Douglas), the ultimate in a genre defined by extremes and titillating taboo? We’re here to find out! Ou...

The Trylon’s 2025 series on the films of HAUSU (1977) director Nobuhiko Ōbayashi comes to a close, and with it our episodes on one of the podcast’s favorite filmmakers… for now, anyway. The series ends with THE ISLAND CLOSEST TO HEAVEN , an often overlooked gem in Ōbayashi’s significant catalogue about Mari (Tomoyo Harada), a young girl who travels to New Caledonia in search of a legendary island...

With Kris Montello! Just as star student Yuka (Hiroko Yakushimaru) awakens to her otherworldly powers (and her feelings for kendo athlete Koji [Ryôichi Takayanagi]), Venusian imperialist Kyogoku (Toru Minegishi) issues an ultimatum: Use her powers to force the universe into conformity and order or be flattened with the rest of it. When Yuka refuses the call, Kyogoku instead enlists transfer studen...

It doesn’t take long for DOWN BY LAW to switch modes, from a grimy, somewhat self-serious noir to an acerbic, straight-faced prison break comedy. Radio DJ Zack (Tom Waits) and low-rent pimp Jack (John Lurie) share a cell in Louisiana after being framed for separate crimes. Instead of really coming together, they both kinda stick to their tough guy personas until Roberto (Roberto Benigni), a silly...

Republished 11/16/2025 (originally published on April 19, 2020, as "'Trylove in the Time of Corona' Episode 4") In April 2020, at the beginning of the COVID-19 pandemic, HAUSU (1977) director Nobuhiko Ōbayashi passed away from lung cancer. With the Trylon closed for public safety, we took the opportunity to diverge from our typical format and cover one of the director's least-seen films:...