James Sabata

TheNecronomi.Com

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James Sabata and Don Guillory will be exploring social issues in horror. Each week we will down a different film or topic. Horror as Social Commentary is a topic we've covered at a few comic conventions in the past year. It's become something that we each sincerely believe in academically as well as professionally. Social Commentary can take place in any genre, but horror has a way of planting seeds in our brains, allowing the ideas to be examined over time. While comedy has often been the go-to genre for examining social issues, horror is most effective vehicle for doing so. By creating a spa...

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James Sabata

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Strona podcastu

thenecronomi.com

Ostatni odcinek

5 sie 2024

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Odcinki

The Social Commentary in NIGHT OF THE LIVING DEAD 02.09.2019

Night of the Living Dead horrified audiences with its frightening exploration with alienation, cannibalism, loss of identity, and violence and gore. But the real horror asked: Who is the true enemy?

The Social Commentary in CANDYMAN 26.08.2019

This episode looks at superstitions, urban legends, and the real story that inspired this Horror classic

The Social Commentary of US 19.08.2019

Like the Rorschach ink blots, Jordan Peele's US invites each of us to make our own meaning through evocative themes and imagery. What we find is a reflection of our thoughts.

The Social Commentary of GET OUT 12.08.2019

Peele's 2017 film covers everything from race to slavery to the reality of white liberalism's limits. There's a lot to unpack, from "Do they know I'm black?" all the way to "You know I can't do that, babe."

The Social Commentary of THEY LIVE! 05.08.2019

It's difficult to talk social commentary in film without looking directly at John Carpenter. 1989's THEY LIVE! came along intent on making a point about classism and the lack of bubblegum in the world. Obey, Download, Consume Trailer For Rent / Streaming Thanks for listening. Follow us on social media at the following links: Twitter: TheNecronomi. Com James Sabata Donald Guillory Buy our Books: Ja...

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