The Tom Petty Project

Today’s episode is a non-Petty episode with Dan Durkin, of among other bands, Petty Theft , the sensational Tom Petty tribute band from San Francisco. Dan has a new single out, which I love, and I asked him if he’d want to come back on the show to talk about it. There’s a definite Petty influence in his first release as a solo artist and we dive into the song itself, as well as his route into play...

In the liner notes for Wildflowers and all the Rest, Producer Rick Rubin says “So many of these songs have a sloppy soulful groove that really defined this album. The goal was not to make a perfect album but to capture the sound of a band on a really good night recorded quickly with all of the quirks and imperfections that come with it. It took us about two years to get that spontaneous sound!” To...

Today’s bonus episode is a truly awesome conversation I had with Ivan Anderson, the genius mind behind @CyberattackWorld  . We talked about his new collaboration EP with @teddigoldmusic  that is out now and chatted about his next Cyberattack album too. Then we got into a really free-wheeling conversation about music and creativity that ventured into all kinds of areas, from Van Halen, to...

I always consider this one of Tom’s great ambiguous lyrics. Jaan Uhelzski writes that “Petty seems to be nervously taking stock, weighing options, reminiscing, trying to keep his incipient anxiety at bay and trying to hold on to a few last remnants of his former life.” and Benmont Tench says “It's another song that sounds like it's all about whoever, but these songs were about him." and whatever m...

Today's episode is my ten questions with Tim Bulman. We talk about sick parts, Tim is playing and singing a song from Wildflowers as his pick, and yet another guest finds a way to describe Tom Petty in three words that is unique, personal, and wonderfully eloquent. There's plenty of Beatles chat in this one too, which never upsets me as I'm a huge fan, with Tim comparing Wildflowers, in a ver...

Today’s episode is part of a fantastic conversation I had with Tom Petty fan Tim Bulman, who also publishes the marvelous Judge Timbers YouTube channel where he covers the Beatles and solo Beatle catalogues as well as, of course, Tom Petty. Tim breaks down the chords with easy tips on how to learn and perform them. We talk lots about being enthusiastic amateurs and how we love connecting with othe...

One of my very favourite virtuoso pianists is a Canadian/German guy named Michael Kaeshammer. The guy absolutely tears the roof off every time I’ve seen him live and what Benmont does here really reminds me of his playing. It’s technically superb, rhythmically perfect, and so, so, so melodic! As much as I love hearing a perfectly-crafted Mike Campbell guitar solo, it makes my heart sing possibly e...

OK, so is this the most complex and musically challenging song that Tom ever wrote? OF course not. Is it have emotional weight or narrative clarity? No and not really? Does it rock, make you want to move your feet, and make you smile? Yes, yes, and yes. The economy and simplicity of the song is what defines its almost sleazy vibe. And I don’t mean sleazy in the creepy sense, more in that horny tee...

With his ex-wife Jane in a really bad emotional and psychological state, Tom knew that a lot of emphasis was falling on him to keep things together at home for the sake of his youngest daughter, Annakim, and it’s all betrayed in that opening line. “It's all I can do to keep that little girl smiling and keep my faith alive”. Today’s guest conversation sees the return of the brilliantly insightful N...

Today's episode is my ten questions with the wonderful Mary Beth Donnelly, who very kindly joined me on the kick off episode of season ten to talk about the title track from Wildflowers. We chatted about Paul Simon, Jeff Lynne, and everything in between as we went through my ten questions to find out which of Tom's songs she'd like to hear one of CSNY sing and which her favourite other band member...

Today's episode is another conversation I had with the wonderful Tommy Edwin. We discussed Travis picking and talked about putting set lists together and whether choose the songs you think the crowd should hear, not the songs you think they want to hear. Tommy was wonderfully warm, engaging, and just generally a wonderful hang and I hope you enjoy our conversation about his music as much as I did!...

When I think about the solo in this song, it has a gravity to it that makes it feel centuries old. You could almost imagine that it has been living underground in some secret grotto since time began, just waiting for the right song to come along and feed it. It feels like a primal life force all its own, as if Mike is possessed by it rather than being its architect and its master. And I know that...

In the liner notes for Wildflowers and all the Rest, engineer Jim Scott remarks that “Tom would write a song like ‘Honey Bee’ on the spot and the band would just follow him. There are dozens of recordings just starting a song and making it up from top to bottom, coming up with funny lyrics.” Of course, there are plenty of deep cut or inside examples of this that are well known to the hard core fan...

As journalist Jaan Uhelski writes in the Wildflowers and All the Rest liner notes, “If Wildflowers is an album about taking stock of one’s life, “Only a Broken Heart” is a watershed moment on that excavation of self.” Everything about the way the final album version of this song is arranged and produced caters toward that excavation. The busyness of the piano and bass in the alternative version is...

“It's good to be king and have your own way. Get a feeling of peace at the end of the day” There’s security in success, but there’s an ominous cautionary tone that creeps into the next line, “And when your bulldog barks and your canary sings, You're out there with winners, it's good to be king”. When your bulldog barks and your canary sings. Dogs usually bark as a warning. Canaries were used in co...

Legendary Nashville songwriter, Harlan Howard is purported to have coined the expression “three chords and the truth” and friend and colleague Bob Dylan is also remembered for the great line “All I need is my red guitar, three chords and the truth”. Well that’s all this riff is. Three chords. No passing chords, no fancy inversions or suspended notes. Just three chords - D A E. Mike Campbell was an...

On certain days, I think “Time to Move On” is the best song on Wildflowers, on other days, other songs take that honour. It’s a song that resonates with so many people because it gives us that glimpse into someone finding freedom, if not exactly peace. Despite being the fourth most streamed song from Wildflowers on Spotify, "Time to Move On" was not played live very many times. In fact, on setlist...

We’re all quick to judge people, whether they cut us off in the fast lane, or don’t hold a door open for us as we’re heading out of the grocery store. But we don’t know what that person is going through, emotionally, psychologically, physically. That disconnect is amplified a hundredfold when it’s in the context of a famous person. Wealth and stardom and all the trappings of comfort don’t mean muc...

Everything about the way this song is crafted sneaks up on you. It’s a masterclass in how you take an idea and flesh it out into a fully-fledged tour de force piece of art. And that’s not to say that this song isn’t wonderful when played just on an acoustic guitar, or on piano with just the vocal accompaniment. It’s a great song in its bones, but it’s dressed in such elegant musical finery that it...

When climbers finally decide to take on the holy grail of all ascents, Everest, they first face a nine day journey to base camp, which includes two full rest days. This journey alone weeds out about thirty of explorers. Those who are lucky enough to make the arduous trek to the first staging post are then faced with Mount Everest growing ever upwards into the clouds before them. Well my fine frien...

One last non-Petty episode before we being digging into Wildflowers! This time, Russell Mark, from The Nextdoors is back to talk about their new single "Swing and a Miss". We talk about perfection in art and whether it's worth striving for, we nerd out over specific production choices and songwriting form, and of course, we talk about Gary Carter, and America's pastime. It was a lot of fun ch...

This is another special non-Petty episode of the podcast with the fantastic Jake Thistle, who found time in his insanely busy schedule to sit down with me to discuss his label debut, The Half Left Out. We chatted a little about Gainesville and Tom of course, but mainly we dug into the weeds around his full debut release, with topics ranging from album sequencing, how different producers bring diff...

A really fun one today folks. John and Kevin dig deep into inclusions and ommissions from 1993's Greatest Hits. We have a conversation about formats (CD vs vinyl), chronological ordering vs sequencing, and whether ballads belong on Greatest Hits compilations. Both John and Kevin have one song that the other feels simply doesn't belong on the Greatest Hits album and have a fulsome conversation abou...

Today’s episode is the third installment in my Petty 8ight series, where I bring in musicians who aren’t Pettyheads, give them eight deeper cuts that they likely haven’t heard before, and get their thoughts on them. In this episode, my willing newbies are Sean and Todd McGinity. The brothers are based in Winnipeg and have a long history of writing, recording and playing shows both together in band...

A major change in this cover version is the format of the lyrics. Something in the Air is a fairly ominous call to arms. The original was released in May of 1969 when the Vietnam War was still raging at its most furious. Speedy Keen said that told ZigZag magazine in 1975 of the song "It was a reflection of what I was seeing at the time". But rather than using the overtly observational third verse...