The Kulturecast

Fasten your seatbelts. This week on Required Viewing, we take our seats for Joseph L. Mankiewicz's All About Eve (1950), the backstage drama that earned 14 Oscar nominations, won six including Best Picture, and gave Bette Davis the role of a lifetime as Margo Channing, a Broadway star watching a devoted young fan, Anne Baxter's Eve Harrington, take a little too much interest in her life. We get in...

DC goes full body horror, and the Kulture Meltdown asks whether a superhero movie can ever go far enough. Clayface (2026), directed by James Watkins from a Mike Flanagan story, follows Matt Hagen (Tom Rhys Harries), a rising Gotham actor whose ruined face is rebuilt by an experimental treatment that won't hold. Is it baby's first body horror next to The Fly, Videodrome and The Substance? What was...

It was pitched as a haunted house in space, rushed into theaters with only weeks to edit, and cut down from around two hours to 96 minutes before audiences could see it. Paul W.S. Anderson's Event Horizon sends Laurence Fishburne's rescue crew and Sam Neill's Dr. William Weir to recover an experimental starship that vanished seven years earlier and has returned from somewhere it was never meant to...

It's the stuff that dreams are made of. This week on Required Viewing, we go after John Huston's The Maltese Falcon (1941), the third screen version of Dashiell Hammett's novel and the one that stuck, turning Humphrey Bogart into a star and handing a first-time director the keys to what many call the first great film noir. We get into Bogart's Sam Spade, a detective whose code is hard to tell apar...

Godzilla has been a nuclear metaphor, a wrestling heel, a children's hero and a Hollywood franchise player, but it took 70 years for him to win an Oscar. Takashi Yamazaki's Godzilla Minus One returns the monster to postwar Japan, where Ryunosuke Kamiki's Koichi Shikishima, a kamikaze pilot who didn't fly his final mission, comes home to a ruined Tokyo, an improvised family with Minami Hamabe's Nor...

Camp Crystal Lake is open for business again. We dig into episodes 3 and 4 of Crystal Lake, where a bear hunt goes wrong, Pam settles a score on Grace's behalf, a crew of hippies reopens the camp, and Jason's flashbacks make the franchise's monster a kid worth mourning. Is Argonaut a government experiment, a super soldier, or something older in the woods? And once the show asks you to cheer for Pa...

Before Jason, there was Mom. We head back to camp for the first two episodes of Crystal Lake, A24 and Peacock's Friday the 13th prequel series, with Linda Cardellini as Pamela Voorhees a year after her son goes under the water. Two fake state troopers at the door, a bear that takes the blame, and a secret called Argonaut. Is this the Pam of 1980 with a backstory bolted on, or a show free to build...

At 75, Rajinikanth is still the biggest draw in Indian cinema, and Jailer 2 is a reminder of why. Nelson Dilipkumar's sequel to his 2023 hit picks up with "Tiger" Muthuvel Pandian laying low after the events of the first film, until a new family of villains, Vidya Balan among them, comes calling. It's loud, long and gleefully over the top, with tonal swings from dark comedy to slow-motion carnage...

A spy spoof written by a film professor, played dead straight by Clint Eastwood, with a mountaineering film inside it that cost a man his life. This week on Required Viewing, we rope up for The Eiger Sanction (1975), Eastwood's fourth film as director, which casts him as Jonathan Hemlock, an art-history professor and retired government assassin blackmailed into one last "sanction" on the deadliest...

The Doctor of Podcasting is joined by Karl Mamer and Dr. David D. Perlmutter for Sydney Pollack's Three Days of the Condor. Robert Redford's Joe Turner is a CIA "reader" who steps out for lunch and comes back to find his whole office murdered. He spends three days running from his own agency, with Faye Dunaway as his unwilling ally and Max von Sydow's Joubert as the assassin who may be the most ho...

It opens on Day 2, with a cough in the dark. This week on Required Viewing, we put Steven Soderbergh's Contagion (2011) under the microscope — the cold, procedural pandemic thriller that spent a decade as a well-made what-if, then climbed back up the rental charts in the spring of 2020 as the whole world's homework. We get into Soderbergh's refusal to dramatize (he dispatches one of his Oscar winn...

We'll be honest; neither of us expected the AI apocalypse to be fought from a diner booth. Good Luck, Have Fun, Don't Die, Gore Verbinski's first film in nearly a decade, sends Sam Rockwell's ragged Man From the Future into a Los Angeles diner for his 117th attempt to recruit the world's least likely resistance. Bryan had a blast; Chris found it more uneven, a film with more ideas than it knows wh...

A billionaire breaks the world and then demands a medal for trying to fix it — welcome to 2026. This week The Kulturecast teams up with Mike White of The Projection Booth to dig into Alejandro G. Iñárritu's Digger (2026), the "comedy of catastrophic proportions" that hands Tom Cruise his strangest role yet: oil baron Digger Rockwell, the most powerful man alive, racing to prove he's humanity's sav...

We'll be honest; we both spent a good chunk of the 2000s watching grown men sit down at a kitchen table they'd regret, and neither of us thought much about the man holding the clipboard. Primetime, the narrative debut from Ren Faire documentarian Lance Oppenheim, does — casting Robert Pattinson as Chris Hansen, the Dateline correspondent who turned sting operations into appointment television. Bry...

You're gonna need a bigger boat. This week on Required Viewing, we wade into Steven Spielberg's Jaws (1975) — the film that invented the summer blockbuster, emptied the beaches of an entire generation, and pulled it off precisely because the shark wouldn't work. We get into the happy accident at the center of it: a malfunctioning mechanical fish that forced a 27-year-old Spielberg to hide his mons...

I'll be honest; I've never expected much from a video game movie, and the Resident Evil franchise alone has given me seven reasons not to. However, Zach Cregger, the director behind Barbarian and Weapons, has done the unthinkable — he's thrown out Leon, Claire and the games' plots entirely, and sent Austin Abrams' medical courier Bryan into Raccoon City for one very long night. The result is a lea...

Is it even a movie? That's the question Barry Lyndon has provoked since 1975 — three hours of scenes so composed they look less like cinema than oil paintings that happen to breathe. This week on Required Viewing, Dr. David D. Perlmutter — "the Prof" — drags Stanley Kubrick's most beautiful, most divisive film to the table: the one even Kubrick devotees can't agree is a film at all. We get into th...

If you missed last week's Rob Zombie goes Haddonfield edition of the show, this week should make as little sense to you as someone watching this movie without having seent the first one. On this episode of the Kulturecast, Movie Meltdown's Bryan Renfro joins the show to continue talking about Rob Zombie's foray into mainstream horror along with discussions about so much more. Become a supporter of...

It was the most expensive movie ever made, the punchline of a thousand headlines, and a flop so infamous it got its own nickname. This week on Required Viewing, we bail out Kevin Reynolds and Kevin Costner's Waterworld (1995) and study it from every angle — separating the film that's actually on screen from the runaway-budget legend that swallowed it whole. We get into Mad Max on the open ocean, t...

The last thing the world needs in 2026 is yet another Halloween film but, to be fair, the last thing the world needed in 2007 was yet another Halloween film, especially one directed by Rob Zombie. Given that the film does in fact exist, Movie Meltdown's Bryan Renfro joins the Kulturecast for the first time to talk all about the finer points of reboots, Rob Zombie, and a whole lot more in this over...

From suburban horror to the back end of the Cretaceous, the American genre picture keeps finding new ways to burn down the cul-de-sac. The End of Oak Street, the latest from It Follows director David Robert Mitchell, is a studio tentpole carrying an arthouse thesis, offering Anne Hathaway and Ewan McGregor as a marriage coming apart at the seams while something much older comes down the street. Al...

Two guys, a week in wine country, and a whole lot of avoidance. This week on Required Viewing, we uncork Alexander Payne's Sideways (2004) and study it from every angle — why a shaggy road-trip comedy about a failed novelist and a fading actor became the defining midlife-male-sadness movie of its era, and what it's really pouring underneath the pinot. We get into Payne's gift for making you laugh...

Required Viewing: A 360° Film Study is a brand new sub-feed within The Kulturecast main feed where Dr. David D. Perlmutter and The Kulturecast's Doctor of Podcasting Chris Stachiw talk all about filmic topics through the lenses of a different film, tv series, or pop culture topic each Thursday. On this Episode Zero: Syllabus, the good doctors sit down to discuss the thesis behind the show, what mi...

From Train to Busan to the far-flung future with cloning and fascism, Korean cinema spans the genre gamut. Mickey 17, the latest film from Parasite’s Bong Joon Ho, is the latter, offering a look into the future with Robert Pattinson playing two roles as Mickey 17 and Mickey 18. Along with a cavalcade of character actors, it attempts to take to task fascism, biotech abuse, and more, to unsuccessful...

As the MCU barrels towards the inevitable ultimate crossover event that is Avengers: Doomsday, we must first check in on everyone's friendly neighborhood webhead. Once again starring Tom Holland, Spider-Man: Brand New Day is fourth film featuring the MCU's take on Spidey, with 100% less multiversal madness, thankfully. Along for the ride are Punisher, Black Widow, and maybe even an X-Man or two; T...