ray_cobley

Musique Concrète - a mix of electronic and recorded sounds. A track for Haloween.

An electronic composition, sounds from various sources including Pure Data. More on the 722nd weekly Disquiet Junto project, Spook Street — The Assignment: The Assignment: Make music for a haunted spy film — at https://disquiet.com/0722/.

A recording of storm-force winds outside, including a few incidental noises, brewed up with a similarly stormy electronic sequence, sounds from various sources. More on the 721st weekly Disquiet Junto project, Well Weathered — The Assignment: Play along with a storm — at https://disquiet.com/0721/.

An electronic composition, sounds from various sources.

Electronic composition, a textured drone sequence, sounds created using Pure Data.

A combination of two unpublished electronic sequences I have recently been working on, sounds form various sources. More on the 720th weekly Disquiet Junto project, One from Two — The Assignment: Combine a pair of your recent tracks — at https://disquiet.com/0720/.

An electronic composition created using Pure Data .

A contrapuntal composition created using Pure Data with alternating sections of regular (120 bpm) and irregular or free rhythms. More on the 719th weekly Disquiet Junto project, Riding on the Metronome — The Assignment: Play with and against a steady beat — at https://disquiet.com/0719/.

An electronic composition, sounds created using Pure Data.

An electronic composition, sounds from various sources. More on the 718th weekly Disquiet Junto project, Planet Jam It — The Assignment: Record the sound of an advanced alien civilization — at https://disquiet.com/0718/.

An electronic composition, original sounds created using Pure Data.

Ancient or ancestral dance rhythms emerging from the mists of time and combined with a modern drone. Or is it an ancient drone with modern rhythms? More on the 717th weekly Disquiet Junto project, Generation Gambit — The Assignment: Layer two eras of recordings, one of them imaginary — at https://disquiet.com/0717/.

Dreamy Blossoms (naviarhaiku611) by ray_cobley

An electronic composition with dense and muted sounds created using Pure Data with additional reverb, delay, etc. More on the 716th weekly Disquiet Junto project, Dense Fog Advisory — The Assignment: That’s your band’s name; now record something — at https://disquiet.com/0716/.

An electronic composition, original sounds created using Pure Data.

My take on this was to use glitches or extraneous sounds that crop up in field recordings. These are usually edited out but here I extracted some from a couple of recordings and joined them to form a continuous sequence. After extending this sequence and adding a touch of reverb and delay I combined it with an evolving electronic drone. More on the 715th weekly Disquiet Junto project, Err Apparent...

An electronic composition, original sounds created using Pure Data.

An electronic composition, sounds created using Pure Data.

An electronic sequence created using Pure Data in real time. More on the 713th weekly Disquiet Junto project, Airwave Workout — The Assignment: Record exercise music for an imaginary broadcast — at https://disquiet.com/0713/.

An electronic composition, sounds created using Pure Data and Audacity.

A short electronic noise track inspired by a barcode, sounds created using Audacity with databending, delay, reverb, etc. More on the 712th weekly Disquiet Junto project, Zebra Code — The Assignment: What rhythm do you hear in a bar code? — at https://disquiet.com/0712/.

An electronic composition, original sounds created using Pure Data and Audacity.

Electronic composition, an evolving textured drone sequence, original sounds created using Pure Data.

I took my track Chippy Combo (disquiet0704) and reworked it to incorporate louder sections with additional reverb, etc. More on the 710th weekly Disquiet Junto project, Let’s Get Loud — The Assignment: Make a piece of your own music louder/busier — at https://disquiet.com/0710/.

An electronic composition, original sounds created using Pure Data.