MFA Writers

What do poets and humorists have in common? For Caylin Capra-Thomas, whose writing is sure to make you laugh, both pay close attention to life’s idiosyncrasies in the search for truth. In this episode, she also tells Jared about her experience getting a PhD in creative writing for an advantage in the academic job market (it worked: she’s a professor!), conquering the comprehensive exam, and key di...

What role can poetry play in public health? Henneh Kyereh Kwaku joins Jared to explore how his MFA in Creative Writing intersects with his academic background in public health and disease control. Together, they discuss how Henneh uses a poetic lens to examine issues like vaccine hesitancy. He also reflects on writing about his home country of Ghana while living in the US, drawing from non-fiction...

Spencer Robert Young sits down with Jared to talk about their path from punk music concertgoer to writing a chamber opera. Plus, Spencer and Jared discuss pattern and rupture in poetry, the pros and cons of staying in academia versus taking time off, the beauty and collaboration of editing, and life in Moscow, Idaho. Spencer Robert Young (they/them) is a poet, essayist, and editor. They write abou...

Former stand-up comedian Max Delsohn sits down with Jared to talk about how humor and detailed line-level revision show up in his work for the stage and the page. Plus, he discusses a pleasure-forward writing process, switching MFA programs after the first year, and his experiences with big-name faculty like George Saunders and Mary Karr. Max Delsohn is a third-year MFA candidate in fiction at Syr...

Having moved from Atlanta to Montreal as a toddler, some of Sophia Tone’s earliest memories are shaped by the “slipperiness of language.” In this episode, she tells Jared how bilingualism and her French immersion experience influence her poetry today, and how she seeks to highlight lesser-known Québécois art and poetry. They also discuss the connection between visual art and poetry, as well as the...

Writers often share work in readings, but how often do we write stories that are designed to be read aloud? Lewis Millholland tells Jared about preparing for a reading by creating a piece “that was short, had a lot of repetition, no dialogue, and noticeable voice changes.” Millholland also discusses drawing inspiration from Harvard Business Review case studies, bumping into Salman Rushdie at the S...

In our Season 6 premiere, James T. Morrison talks about how creative nonfiction provides an opportunity to discuss challenging topics like drug dependency and justice system involvement that counter the stereotypical portrayal of the addiction redemption arc. He and Jared also explore revision as a process to find your voice, Morrison’s shift from a law school path to an MFA at age 40, the importa...

On this episode, Sam Herschel Wein tells Jared about their path to finding poetry outside of academia, co-founding and editing Underblong, and their approach to collaboration and humor in their writing. Plus, they discuss the nuances of MFA program decisions (Two or three years? English or Art departments?) and whether creative writing should live within institutions of higher education at all. Sa...

What’s it like to pursue a low-residency MFA when you’re a collaborative playwright and performer? In this episode, Suli Holum describes devised work, partnerships between writers and actors, and how she created a piece based on her research in the oil fields of North Dakota. She and Jared also talk about the details of Goddard’s creative and craft assignments, and how students in this low-res pro...

Noah Evan Wilson spent ten years finishing his undergraduate degree while developing as a musician and a photographer. In this episode, he talks with Jared about how that decade of experiences animates his current writing, how the craft of music and photography overlaps with and informs his fiction, and how the MFA has provided him the opportunity to experience college in a way he wasn’t able to b...

How do voice-driven writers find their characters? Austin Tucker tells Jared how he uses collage and research into his characters’ life histories to craft voices that are often “on the edge of collapse.” Plus, Austin discusses the pros and cons of a small program with 6-8 students in each poetry workshop, healthcare access as a PhD student, and opportunities to design and teach composition, worksh...

Poetic forms are sometimes considered limiting, but can we find freedom within the constraints? On this episode, Brandon Blue tells Jared about how recontextualizing traditional forms through the lens of identity creates an additional, sometimes subversive, layer of meaning. Plus, he discusses writing about intimacy and eroticism within and outside of sexual relationships; how he decided to pursue...

Raise your hand if you’ve ever felt writing imposter syndrome! We all have our hands up. On this episode, De’Andre S. Holmes of Columbia College Chicago shares his experience with self-doubt, exacerbated by pursuing an undergrad degree in business administration, not English. Plus, he talks about taking a fully-funded semester in Paris through his MFA program, provides advice for students coping w...

After writing poetry for nearly 50 years, Jude MacAllen Tatman enrolled in an MFA program. In this episode, he sits down with Jared to discuss what it’s like to revisit poems he drafted in the 1980s along with crafting new work. Plus, he discusses writing about his life’s most consequential crossroads, treating writing like work, and finding faculty who make themselves available to students even i...

Poets are known for considering form in their writing, but form is also critical in prose. In fact, for Tyler R. Moore, form tells us the most about the story. “It’s the structure, scaffolding, bones, and architecture.” In this episode, Tyler tells Jared about approaching each story with a different structure, including his recent piece told exclusively through voicemails. Plus, Tyler discusses ho...

Siloh Radovsky sits down with Jared to talk about her path from anarchistic activism to experimental writing, the blurry line between fiction and nonfiction, and the joys and pains of teaching in an R1 institution. Siloh Radovsky is a prose writer invested in the overlap between narrative and criticism. A recent graduate of the cross-genre MFA program at UC San Diego, she is currently at work on a...

What happens when a tech startup employee starts taking online writing classes? They end up in an MFA program, of course. In this episode, Ray Wise sits down with Jared to talk about finding writing in their 20s and the lessons they bring from the tech world to their creative work. Plus, they discuss Rutgers-Camden’s multi-genre emphasis, weekend writing retreats with the MFA community, and the pr...

Integrating elegy, ekphrasis, and dance notation, Oli Peters’s thesis project is a multilingual, multi-genre exploration in translation and lyric poetry. In this episode, she shares how her program encourages creative experimentation, even when she submits work that feels “absolutely unpublishable, verging on unreadable.” Plus, she discusses her courses in Medieval manuscripts and theater, univers...

Can you find a close community in a low-res program? Emily St. Martin, having met her best friends in her MFA, says absolutely yes. She joins Jared to talk about how her program has helped her craft her memoir-in-progress, the fear and reward of vulnerability in creative nonfiction, and how writing lets us acknowledge and redefine our pasts. Emily St. Martin is an independent journalist based in L...

How does our excavation of ancestral history shape our understanding of ourselves and how can writing guide us through this process? On this episode, Derek Chan discusses the role of family stories in his poetry and life, the magic of bewilderment in art, and the dissonance between our external language and our internal being. Plus, as a first-generation and international student, he offers advice...

Speculative memoir allows Matt Homrich-Knieling to lean into the subjective nature of memory and explore his experience with separation anxiety. Plus, he and Jared discuss how Matt created a specific list of experiences he wanted from an MFA, which allowed him to narrow his MFA application list to just three programs. They also talk about how the WCSU program requires students to choose both a cre...

15 years after her MFA, and 4 years after scrapping a book that just wasn’t working, Meghan Perry’s debut novel WATER FINDS A WAY is receiving strong positive reviews, including a coveted Kirkus star. She joins Jared to talk about the realities of post-grad writing, going “scorched earth” on revision, and the process of turning short stories into a full-length novel. Plus, she talks about groundin...

The pod team is traveling this week, so we invite you to travel back to a great episode from our previous season. We’ll be back with new episodes in the New Year — how fitting! Wishing you all a beautiful close to 2024. Drawing from her decade-long career in Silicon Valley, Jamie Li tells Jared about writing tech satire that struck her MFA colleagues as far-fetched and her tech friends as totally...

It’s winter break! Strap on your snowshoes, brew a hot chocolate, and escape to the heat of the Vegas desert with one of our favorite episodes from last season. Wishing you all rest, writing inspiration, and early-decision acceptances. This week, an MFA with an international focus! Krista Diamond sits down with Jared to talk about UNLV’s required (and funded) study abroad component and its emphasi...

In this instant classic episode, Wilson M. Sims and Jared talk about the step-by-step process of getting an agent, what they do (or know they shouldn’t do) when a story isn’t working, how MFA programs are like basketball drills, and approaching craft discussions in ways that are more flexible and time-varying than declarative and concrete. Plus, Wilson discusses making lasting connections with fac...