Making Comics

This week, we recap the creative retreat and talk about finishing a first draft of a script (2:50), "doing the messy thing" when it comes to story (5:30), thinking things out in the panel stage (13:45), working on music and how it relates to writing (17:50), writing your way into a mystery, then figuring out the basics (24:40), creating thumbnails and panels for a new story (34:00), references (37...

This week, we talk about those stories that feel easy to write (4:15), winding down Drawtober deliverables (18:20), figuring out structure for a short story (32:00), before we discuss the "Quest" story type (47:00).

Fresh off a trip to Japan (Keith) and San Diego Comic Fest (Scott), we talk about a productive start to a story (4:00), working ahead against a deadline (12:00), documenting via journal and capturing creative work as you go (21:15), the highlights of San Diego Comic Fest (27:30), and a creative take on a alternate cover (48:30).

This week, we talk about the influences that build your style (3:15), the winding path to the end of a story (22:20), and what makes finishing a first draft / thumbnails unique (30:45) before we get to this week's topic: the basic "Voyage and Return" plot (39:50).

This week, we discuss how the art comes alive when going from pencils to inks (5:15), prep work and advance work for creative projects/performances (16:20), considering story structures for a new idea (22:15), and putting work in on an overdue cover (30:30) before this week's main topic: the story type of Rebirth (36:40).

This week, we talk about self-imposed time constraints and how month-long projects are a performance (3:25), how a strong idea for the "next" story can make you want to finish your current story (16:15), dialing in the look for comic art (22:15), planning out next year's schedule and deciding when it's time to move on from a show (31:30), reordering product (41:00), and this week's main topic: aut...

This week, we welcome Ray-Anthony Height (writer/inker of Midnight Tiger, artist for Marvel, Viz, Lion Forge, and Image) to the show and discuss a wide array of topics, including further developing a strong idea (3:00), finishing the thumbnails for a comic (10:15), prepping a visa for the FIBDA Festival (14:00), the state of the comic industry today (21:40), the value of a second creative voice on...

After recapping a wild day of obstacles to recording, we talk about resizing text (11:20), thumbnailing pages for the next comic (21:00), expanding your mind by sketching plot outlines (25:15), taking on an editor role (38:20), and how surprises turn into a lightning bolt of an idea (44:45).

This week, we discuss story endings (4:00), the right point in time to start your scenes (16:05), a recap of Fil-Am Creator Con (28:50), and a harrowing live draw experience (34:30) before this week's main topic: fandom now versus fandom in the past (46:00).

This week, we talk about dreams in fiction (4:30), thumbnailing for a comic (14:15), comic formatting nightmares (22:15), and why reading bad books are is as important as reading good books (35:45) before we discuss a real life "What would you keep" story (43:50), simplifying things, and easing the pressure you put on yourself (53:40).

This week, we review a packing party and an alternative to media mail (4:30), writing backwards and seeding ideas in a story (16:00), returning to a project after letting it sit for a few months (25:00), how re-lettering becomes re-wording (36:10), finding the perfect image in your old files (44:40), and formative ideas (48:30).

This week, we talk about purposefully cheesy scenes (5:30), using free time to do your less mentally strenuous work (23:00), doing critical restructuring work on a scene (29:30), how just vocalizing something can be a help (34:35), and handing off a script and receiving feedback (44:00).

This week, we talk about commissions (2:30) and how they can inspire your print portfolio, when a short idea sparks something ever larger (8:00), making dialogue better through multiple edits (16:30), and signing yourself up for a massive re-lettering project (34:00).

It's Part Two of the Art Retreat Recap! This week, we sit down with Gary Hodges ( Dinosaurs vs Marsbots ) and Jim Lujan (film animator, The Full Fungus ) for part two of our Crestline art retreat recap, and talk about the design and execution of sound recording for video (4:00), the value of having people live and in person for feedback (12:20), reference photos and the acting they require (18...

It's Part One of the Art Retreat Recap! This week, we sit down with Joshua Kemble ( Jacob's Apartment, Not Death But Love: the Strange, Supernatural Story of Elizabeth Barrett Browning ), Scott Serkland ( The Young and the Dead , Serkworks Art Labs), and Cory Kerr (Illo Talk Substack) in part one of the recap of our creative retreat! We talk about working on a long-term project and a rolle...

This week, we discuss getting art back for a novel (4:15), ordering signage and prepping commissions prior to San Diego Comic Con (10:15), replacing placeholders with details, and the work that goes into those details (16:30), Selling at San Diego Comic Con (22:00), and thinking your way through an 8-page comic story (32:45) before we talk more about both the creator and fan experience at SDCC (41...

This week, we discuss San Diego Comic Con Prep (3:00), fusing the rawness of an original idea with the story it's blossomed into (18:00), restarting a commission (29:30), getting un-stuck on a story (38:15), and getting work done, whether it's flats or pencils (48:30).

This week, we talk about modifying your sales pitch on the fly (3:00), a productive art week (18:30), rewriting a synopsis so it matches the flow of a story (23:40), how everything you do informs future work (31:00), finding the right place in your comic to put key information (38:15), and coordinating shipments to arrive in time for Comic Con (41:30).

This week, we discuss asking a colorist to match an existing style on a comic (2:30), finding a way to get work done (13:40) before we get to this week's topic - challenges in scripting action (25:50), dusting off an old commission to finish it (36:00), hooking into things from a first draft and expanding them (40:00), and getting inspired to write a scene (46:15).

This week, we talk about writing as you letter (4:25), getting cover art back (19:45), how fun marvel method can be when it works (24:25), getting the most out of your pages (41:35), and anthologies (48:50).

This week, we talk about busy pages (5:00), scripting in pencil as part of the marvel method (16:10), finding alternate printers by necessity (26:50), finding your story (45:30), finishing your contribution to a project (54:40), and getting a cover in record time (1:00:00).

This week, we talk about working on a particular challenge on a new page (3:00), using a newly familiar writing environment to write a high-levle Marvel method script (9:50), following up with a nonresponsive vendor (18:00), reminding yourself to harness that "early creation period" energy when you knew less and experimented more (22:25), collaborating on cover art (33:15), and our deepe...

This week, we sit down with long-time friend of the podcast Gary Hodges and review the first two days of Phoenix Fan Fusion (4:45), discuss writing and editing a comic script (14:50), the different styles of soliciting feedback from test readers (20:20), thinking about booths and tabling as a fan (32:30), selling at shows and maximizing the show experience at your table (36:40), the benefits of wr...

This week, we welcome Daniel Hillyard ( Plastic: Death and Dolls, Vinyl, Plush, How I Became a Shoplifter, Narcos ) and talk about removing exact references from comic scripts (5:00), working around a non-responsive vendor (12:30), the creation stages of a comic (20:00), separating books by visual themes (26:00), Daniel's start in the comics business (39:00), the first time he considered comic...

This week, we talk about the big thinking aspect of writing (5:00), internalizing the desire to vary pages and layouts (13:50), getting finished pages back from the artist sooner than you realize (27:30), and changing elements of your booth design and show prep (30:20) before we revisit the state of the industry with viewer feedback (39:00).