Bienal de São Paulo

bienal

Arts PT ↓ Odcinki: 452

Created in 1962, the Fundação Bienal de São Paulo is one of the most important international institutions of contemporary art promotion, and its impact on the development of Brazilian visual arts is notably recognized. The arts’ Bienal, its most important event, does not only present to different audiences the production of Brazilian and foreign artists, but it also attracts the world’s attention for contemporary art in our country.

Koniecznie odwiedź stronę podcastu i wesprzyj twórcę: bienal.org.br

Autor

Bienal de São Paulo

Kategoria

Arts

Strona podcastu

bienal.org.br

Ostatni odcinek

29 wrz 2026

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Odcinki

21 La Escuela Moderna, de Pedro G. Romero 29.08.2014

A curadora Nuria Enguita Mayo explica o trabalho de Nuria Enguita Mayo, o Archivo F.X..

19b Os santinhos de Ana Lira 29.08.2014

O curador Benjamin Seroussi conta um detalhe da obra de Ana Lira que conta com a participação dos educadores da 31ª Bienal.

17b Prabhakar Pachpute visitando minas no Brasil 29.08.2014

Artista Prabhakar Pachpute conta sobre sua visita a minas de ouro pelo Brasil e as compara com sua experiência com minas de carvão, tema recorrente em sua obra. Pachpute também é o o autor do desenho que faz parte da identidade visual da 31ª Bienal.

17 Dark Clouds of the Future, de Prabhakar Pachpute 29.08.2014

Artista Prabhakar Pachpute fala sobre sua obra para a 31ª Bienal, Dark Clouds of the Future, um desenho feito com carvão que perpassa os três andares da área Rampa.

4 A obra de Asger Jorn 29.08.2014

O curador Pablo Lafuente fala sobre o projeto de Asger Jorn.

21 La Escuela Moderna, de Pedro G. Romero (español) 29.08.2014

Archivo F.X. / Pedro G. Romero / Nuria Enguita Mayo

53 Perímetros (español) 29.08.2014

Johanna Calle

300 The Columns area 28.08.2014

Curator and Architect Oren Sagiv explains the concept of the Columns area.

73 Muhacir, by Gülsün Karamustafa 28.08.2014

Curator Charles Esche talks about Gülsün Karamustafa's work Muhacir.

50b Tony Chakar's interest in face recognition software 28.08.2014

Curator Galit Eilat commets Tony Chakar's research.

43 Archéologie marine, by El Hadji Sy 28.08.2014

Curator Benjamin Seroussi explains El Hadji Sy's project.

50 About Tony Chakar 28.08.2014

Curator Galit Eilat talks about Tony Chakar.

40 Asier Mendizabal's work 28.08.2014

Curator Pablo Lafuente talks about Asier Mendizabal's work.

38b The nature in Vivian Suter's work 28.08.2014

Curator Charles Esche comments the presence of nature in Vivian Suter's pieces.

38 Vivian Suter's work 28.08.2014

Curator Charles Esche talks about Vivian Suter's work.

29 Dictatorships and the history of Lia Perjovschi 28.08.2014

Curator Galit Eilat talks about Lia Perjovschi's personal history.

28b/73b Istanbul and São Paulo 28.08.2014

Curator Charles Esche commets the presence of Tukish artists, like Gülsün Karamustafa, in the 31st Bienal.

28 Resimli Tarih, by Gülsün Karamustafa 28.08.2014

Curator Charles Esche comments Gülsün Karamustafa's work Resimli Tarih.

26 Edward Krasiński's sculptures 28.08.2014

Curator Charles Esche comments Edward Krasiński's sculptures present in the exhibition.

25 Edward Krasiński's work 28.08.2014

Curator Charles Esche talks about the work by Polish artist Edward Krasiński.

25b Meeting Edward Krasiński 28.08.2014

Curator Charles Esche tells about his meeting with Polish artist Edward Krasiński.

19 Voto!, by Ana Lira 28.08.2014

Curator Benjamin Seroussi comments Ana Lira's project Voto!

19b The Santinhos, by Ana Lira 28.08.2014

Curator Benjamin Seroussi gives a tip about Ana Lira's project that only works with the participation of the Educators.

17 Dark Clouds of the Future, by Prabhakar Pachpute 28.08.2014

Artist Prabhakar Pachpute explains his work Dark Clouds of the Future, a site-specif that occupies three floors of the Ramp area. Pachpute is also the author of the drawing that is part of the 31st Bienal's visual identity.

17b Prabhakar Pachpute visiting mines in Brazil 28.08.2014

Artist Prabhakar Pachpute talks about his visit to mines in Brazil and compares them to the coal mines, frequent theme of his work.

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