Why Dance Matters

Patrick Makuakane is a dance maker, teacher and hula master and recently received a fellowship from the MacArthur Foundation. The fellowships are given to preeminent artists and thinkers and are popularly known as the ‘genius’ awards. Patrick is a passionate and thoughtful advocate for hula, a form of dance inextricably linked with Hawaii’s history and culture. Born in Honolulu, Patrick is now bas...

In 2021, Naomi Smart qualified as a teacher from the Royal Academy of Dance. ‘Never thought dance teaching was an option for me but here I am – Deaf people can do anything.’ What are the particular challenges around ballet and dance teaching for a Deaf teacher? How did Naomi create a way of teaching that works for her and her students, and what advice would she have for teachers trying to mak...

We launch the new season of Why Dance Matters with a vital figure in African contemporary dance. Wesley Ruzibiza discovered dance almost by accident – he was studying financial management at the University of Rwanda when he decided to sample a dance class. It set him on the path to becoming a choreographer and co-Artistic Director of the École des Sables in Senegal, one of the world’s most influen...

Why Dance Matters celebrates its 50th episode in conversation with one of the world’s great ballerinas. Olga Smirnova’s Giselle with Dutch National Ballet will be broadcast to international cinemas on 21 January. She joined the company after making headlines in 2022 with a courageous, life-changing decision to leave Moscow’s Bolshoi Ballet in response to Russia’s invasion of Ukraine. In a wide-ran...

This festive episode visits the pantomime: that uniquely British blend of song, dance, and silliness. Explaining its appeal is the cherished comic actor, Nina Wadia , who stars in Jack and the Beanstalk at York Theatre Royal. Nina, who grew up in India and Hong Kong, is the perfect guide to anyone who is not steeped in panto. She also discusses a career that includes her trailblazing sketch show,...

In this episode of Why Dance Matters, we revisit a conversation from October 2022, in tribute to the poet, performer and activist Benjamin Zephaniah, who died earlier this month. As a performance poet he gave words a glorious physical form, his rhythms dancing from line to line. He had also provided a voiceover for Rambert’s dance version of the hit tv series Peaky Blinders. In our conversation, B...

Aaron S Watkin seems like a man who knows what he likes: perfect material to direct a leading ballet company, and to judge a leading ballet competition. The new artistic director of English National Ballet was recently a judge for the Royal Academy of Dance’s Margot Fonteyn International Ballet Competition in London. Canadian-born Aaron danced with many international companies and led the Semperop...

Pam Tanowitz is now an in-demand choreographer – but her career has followed a unique trajectory. For years, she and her company had an under-the-radar following in New York, but only recently did she win wider attention. A work set to TS Eliot’s 4 Quartets led to international tours and commissions for the Royal Ballet and New York City Ballet . Before that happened she worked and worked: at danc...

Jakob Wheway Hughes was gold medallist at the Royal Academy of Dance’s Margot Fonteyn International Ballet Competition 2023. The Fonteyn took place at His Majesty’s Theatre in London, the opulent home of Phantom of the Opera. Jakob performed a new solo and a bravura classical variation, and seemed strikingly at ease on stage, communicating his dance to the packed audience. It was no surprise that...

Drew McOnie is a British choreographer and theatre director, and one of the busiest people in show business. He danced with Matthew Bourne’s New Adventures company, but soon wanted to run the show. His work hits a sweet spot between warm and witty, always with a kinetic fizz: whether in the West End, on Broadway or in ballet. His new version of the Nutcracker gives the festive favourite a sweetly...

Jennifer White is a choreographer who occupies a unique sweet spot between RAD ballet, contemporary dance, Kylie and the year’s hottest movie: she is the choreographer of Barbie. Greta Gerwig’s film includes delirious dance sequences led by Margot Robbie’s Barbie and Ryan Gosling as Ken. Those scenes chart the film’s trajectory – in Barbie, dance really does matter. Jennifer has also choreographed...

The RAD’s flagship event, the Margot Fonteyn International Ballet Competition, gives young dancers a chance to learn from top professionals. This year’s coaches include Endalyn T Outlaw – dancer, educator, choreographer and Dean of the School of Dance at the University of North Carolina. Endalyn’s career is incredibly varied – she performed with the Dance Theatre of Harlem and in the original Broa...

‘Living in the movement’ is the motto of Australian Royal Academy of Dance teacher Mitchell Rayner. Enjoying and fully inhabiting your movement is a fantastic goal for anyone in dance. Mitchell came to dance training relatively late but progressed quickly, joining the Australian Ballet. He retired from the company in 2016, and re-trained as a dance teacher with the RAD, taking his philosophy of li...

Alice Oseman’s work stops hearts – in a good way. They capture the delirious rush of first love, above all in the Heartstopper series – online, in books, and onscreen – which has become a sensation. Heartstopper is also all about young people finding ways to express themselves, creatively and emotionally, becoming the people they want to be – ideas that resonate with the RAD’s own ethos. But also:...

Wayne McGregor, one of the world’s leading choreographers, is an ideas man who makes abstract thought into thrillingly visceral dance. His collaborations are prodigious – from his own contemporary dancers to the world’s great ballet companies, and in film, fashion and more. He discusses his latest premiere for the Royal Ballet, his programme for the Venice Biennale and his game changing collaborat...

Why Dance Matters often meets people whose interest in dance sits alongside expertise in a completely different field. Merritt Moore’s talents seem especially unlikely: she’s a Harvard-trained physicist who dances with robots. She is also a professional ballerina, performing at the highest level (most recently with Boston Ballet). Can the rigours of the ballet studio meet the intellectual challeng...

The new season of Why Dance Matters opens with one of the great ballet princes – David Hallberg, star dancer and now artistic director of Australian Ballet . The epitome of classical elegance, in his memoir, A Body of Work , he writes feelingly about being a boy who dances, and a dancer who yearns for perfection, even when at the height of a career as a principal at both American Ballet Theatre an...

In an exciting bonus episode of Why Dance Matters, we meet the choreographer Dame Arlene Phillips as she receives a special honour at the Olivier Awards, marking a career packed with achievement. A dance legend, Arlene made her name with her racy dance troupe Hot Gossip in the 1970s, before becoming a major player in musical theatre, starting with Andrew Lloyd Webber’s Starlight Express. As she ap...

Giles Terera is no ordinary actor. He won an Olivier Award as Aaron Burr in the UK premiere of the all-conquering musical Hamilton, writing a book about his creative journey. Last year, he played two very different roles at the National Theatre: as Shakespeare’s tragic hero Othello, and as a designer in 1930s Harlem in Blues for an Alabama Sky. He also writes songs and his play, The Meaning of Zon...

Francesca Harper, Artistic Director of Ailey II, is back where it all began. She trained at the Alvin Ailey School, where her mother, Denise Jefferson, was director for 26 years. She has also choreographed for Alvin Ailey American Dance Theater, and now leads Ailey II, which fosters new generations of shining talent and will visit the UK later this year. Francesca has enjoyed an astonishingly vari...

Ana Maria Campos is a Royal Academy of Dance teacher from Brazil. She has travelled widely and lived in several different countries – dance and dance teaching are wonderfully portable skills. As an RAD examiner, she also visits dance schools all over the world – how does she calm the nerves of young dancers and help them give their best? And as someone who has dedicated their career to dance and h...

Raphael Ng began his career in the ballet studio – only to leap effortlessly into high finance. Based in Singapore, Raphael threw himself into ballet, contemporary and Chinese dance, taking part in international shows and competitions – but when exploring how to manage his money as a student, he caught an excitement for the financial world. Now a fund manager, he discusses the invaluable transferr...

In this episode, we visit the Royal Academy of Dance’s global headquarters in London to meet its new chief executive – the ebullient Tim Arthur. Tim’s previous experience is dizzyingly varied – he arrives at the RAD via senior roles in theatre, publishing and finance, working with companies like Time Out and Virgin Money. Why did a dance organisation feel like the logical next step? We also explor...

Tiler Peck, one of the world’s great ballerinas, opens the new season of Why Dance Matters. The California-born dancer is a reigning star at New York City Ballet, where she has been a principal since 2009, and is also a director and choreographer in her own right. Feted for her innate musicality and formidable work ethic, audiences respond to her warmth and enthusiasm. She commissions her own prog...

Benjamin Zephaniah   In the last episode of this series of Why Dance Matters , we meet a poet – the resonant, rousing, heart-stopping Benjamin Zephaniah. Benjamin’s specific dance connection is that he’s recorded the narration for Rambert’s acclaimed new stage production based on Peaky Blinders , the cult period crime drama. As a celebrated performance poet, he’s used to making language, voic...