The Partially Examined Life Philosophy Podcast

The golden-voiced son on Richard and Linda is more tied to '50s/'60s rock and country than he his to his parents' folk influences, and he's recorded ten albums of tuneful, straightforward but highly idiosyncratic rock and country tunes since 2000. We discuss "Come Back" (and listen at the end to "So This Is Heartache") from Never Be the Same (2026), "Move At Speed" from Heartbreaker Please (2020),...

In light of The Mandalorian and Grogu (and the Disney+ Darth Maul cartoon), we (Mark, Lawrence, Sarahlyn, and Al) check back in with Star Wars. Is it now "just another franchise"? Does the movie meet expectations? What's the right volume of Star Wars media? Are the cartoons good? What variety of creators and genres is there room for? Should anyone bother with the books and comics? Get more at pret...

Continuing on Ch. 2 of Hegel's Faith and Knowledge (1802) , plus some of the material being critiqued from Kant's Critique of Judgment (1790), chiefly sec. 76 and 77. Kant's third critique is not just about beauty but about apprehending nature, and he claims that as humans, we can only understand natural objects by seeing them as purposive (i.e. teleologically): An organism has a healthy state tha...

Mark and Mary are joined by Andrea, an Italian teacher with a broad performing background who's written a book of philosophical, poetic aphorisms called Think Town : self-help reflections and directives about fear, ego, happiness, etc. There's a long history of aphorisms in philosophy, and philosophy invented the self-help genre, but how does philosophy work given the lack of argumentation? We exp...

We read part of The Dialectic of Enlightenment (1944), specifically the parts about Homer's epic as an allegory for the merely apparent triumph of modernism (capitalism, instrumental reason) over myth (savagery, magical thinking). Subscribe to Closereads (and get a link to this text to read along) at  patreon.com/closereadsphilosophy ; follow us there via the free tier to part two and many other e...

Continuing on Faith and Knowledge (1802), Ch. 1 and 2. We start off by discussing how beauty might give us a window into things-in-themselves according to the Romantics, who were in part following Kant's lead. Also, what version of the ontological argument for the existence of God does Hegel believe? We try to figure out what Hegel is praising in Kant's positing of synthetic a priori claims, and y...

Richard played with art-rock band Japan from 1975 through their five albums, then continued to collaborate with members of that group, releasing several increasingly atmospheric albums as Jansen-Barbieri, Jansen-Barbieri-Karn, Rain Tree Crow, et al. He joined Porcupine Tree in 1995 and has played on their 20+ albums, and began putting out ambient solo releases in 2004 (perhaps seven albums' worth...

In light of the new, well-acted and well-shot BBC/Netflix adaptation, we discuss William Golding's 1954 novel Lord of the Flies and its previous (1963, 1991) adaptations. Featuring Mark, Lawrence, Sarahlyn and Al. What do we think of the updates made for this retelling? Its pacing? Its repeated close-up shots of kids' silent faces? Is this per usual obviously inferior to the novel, or does it actu...

On Faith and Knowledge (1802), Ch. 1 and 2. Famously, Kant critiqued Reason to effectively forbid theology and metaphysics, and a young G.W.F. Hegel was not happy about that. He argues against the reduction of Reason to merely applying to the realm of experience, which makes religion merely a subjective, insubstantial matter. Hegel thought he could do better. Get more at partiallyexaminedlife.com...

Your four hosts review the critiques of modernity, try to figure out where Kant fits in, and then discuss Habermas' characterization of Nietzsche's anti-Enlightenment project. If you're not hearing  the full version of this part of the discussion , sign up via one of the options described at  partiallyexaminedlife.com/support .  

We are REELING from our REDACTED episode , and so we talk about the lessons we learned from that and start thinking about what it is to be out of one's comfort zone: how do fear and ego issues interact? Is playfulness a lack of professionalism? Are both arrogance and humility products of fear? Plus, cutting-edge surgery reality shows, Schrödinger's hostile cat and Dr. Brenda's sentient food sample...

We read part of The Dialectic of Enlightenment (1944), specifically the parts about Homer's epic as an allegory for the merely apparent triumph of modernism (capitalism, instrumental reason) over myth (savagery, magical thinking). Homer is odd for H&A because even stylistically, the epics present a mixture of cultures: They glorify violence, but their form is very ordered, and their very popul...

Continuing on on The Philosophical Discourse of Modernity, Ch. 1, 2, and 5 with guest John Ganz. We further discuss Habermas' characterizations of Hegel's take on modernity and eventually get to Adorno and Horkheimer, whose dismissals of modernity Habermas thinks go too far. Get more at partiallyexaminedlife.com . Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus di...

We discuss the career of Meryl Streep in light of The Devil Wears Prada 2, insofar as we (Mark, Lawrence, Sarahlyn, and Al) have a hold of it; she's been in over 65 films! Is she really the best actor on the planet? Did Prada need a sequel? We all brought in our own experiences with her catalog, touching on Sophie's Choice, Kramer vs. Kramer, A Cry in the Dark, Adaptation, The Iron Lady, Death Bec...

On Jürgen Habermas' The Philosophical Discourse of Modernity (1985), featuring guest John Ganz.  Habermas defines modernity as Enlightenment ideals, discusses what's wrong with them (subjectivity), how Hegel argues constructively that a social element needs to be added this this, and how many other critics (e.g. Adorno, Nietzsche, and Foucault) instead argue more destructively against Enlightenmen...

Tom was an integral member of the Greenwich Village early '60s folk scene (playing originals regularly before Bob Dylan did). His tunes have been covered by Dylan, Pete Seeger, Joan Baez, Johnny Cash, Willie Nelson, Dolly Parton, Harry Belafonte, and many others. He received a lifetime achievement Grammy in 2009. We talk about "Rebel Gal" from Together Again (2026) (a collaborative album with John...

Continuing on Rameau's Nephew, getting further into Rameau's philosophy and practices and trying to figure out what this anti-hero can tell us about ethics, given that he displays the virtue of being candid about his own vices. We talk about "trade idioms" (unethical practices that we consider normal), education, and music. How does this reading relate to Hegel (who quotes it directly)? Get more a...

On Ch. 2 "The Honest Soul and the Disintegrated Consciousness" in Sincerity and Authenticity (1972). This chapter focuses on a reading of Diderot's Rameau's Nephew and what Hegel made of it in the Phenomenology, so it's essentially for us a second opinion re. what we've been talking about on The Partially Examined Life . Read along with us . Watch this as unedited video . To get future parts, subs...

On Denis Diderot's Rameau's Nephew, a dialogue written in the 1760s. Is virtue necessary for happiness, or in the real world, is vice necessary to get by? Diderot's character Rameau argues the latter: that philosophical morality is problematic, and our imperative is prudence, which in Rameau's case involves a lot of clownish deception and (ironically) truth-telling. Get more at partiallyexaminedli...

We discuss Steven Knight's six-seasons-and-a-movie historical crime show Peaky Blinders, featuring Mark, Lawrence, Sarahlyn, and Al. Does the show live up to its initial excellence? It's got a great emotional premise (post-WWI PTSD), and there's a ridiculous amount of gravitas among the cast, but do the heists undermine this heft? It's OK if you haven't seen the show; we hold off on spoilers for q...

Alan released two albums with folk-rock band Knots and Crosses in the early 90s, put out one solo album, then became a recording engineer and earned a PhD in ethnomusicology. He released three albums between 2010-2019 fronting Birdsong at Morning and put out two more solo albums. We discuss "Just Like Water" (and listen at the end to "Somewhere There's a Train") from Floating on the Dreamline (202...

Concluding on "Culture and its Realm of Actuality," in Hegel's Phenomenology via sections 519-526. We get into some of the ironic psychology here: In giving loyalty to the king, the nobles actually boost themselves qua givers. They should be grateful to the king to get wealth back from him, but being dependent on the king makes them resentful. The result is duplicitous people resenting those they...

BJ is an LA improviser/actor/TV host (who teaches wounded warriors among others), and he chats with Mark and Mary about migratory patterns, TV shows that date you, how to draw in students, the realness of birds, and playing unsafe characters. Scenes include a forced-Fargo college experience, improv class on the roof, spying on birds, and keyboard warriors. Plus Marge and Larry. Hear more at philos...

We discuss the hard sci-fi film Project Hail Mary, which along with The Martian (2015) was based on a novel by Andy Weir and adapted by Drew Goddard. Mark, Lawrence, Sarahlyn and Al consider how hard we actually like our sci-fi, the directors of these films (by Lord/Miller and Ridley Scott respectively), how the books got adapted, Weir's other work (Artemis, some webcomics, etc.), and more. How do...

Continuing on Hegel's Phenomenology, "Spirit" chapter, now up to sections 511-526, which finishes off the sub-section of "Self-Alienated Spirit" called "Culture and its Realm of Actuality." Whereas in our last discussion, obeying the state (public power) ran counter to hoarding wealth (private power), at this stage, the two converge, because the state gets concentrated in a single monarch who both...