Scriptnotes Podcast

John and Craig analyze the iconic 1995 comedy Clueless. A contemporary adaptation of Jane Austen’s Emma set in Beverly Hills, Clueless follows protagonist Cher as she tries to do ‘good’ through make-over montages and match-making attempts. We discuss how the movie sets up the characters in the first ten minutes, why Cher’s voiceover works so well, and how Clueless ushered in a new era of teen movi...

John and Craig discuss the other stuff screenwriters write, from beat sheets to scriptments and everything in between. The differences are sometimes subtle, but each can have value — in the right circumstance. After that, they dip into the mailbag (24:23) for questions on TV bibles, writing while traveling, and using “I” in titles. Premium subscribers: stick around for a bonus se...

In this bonus episode for premium subscribers, John hosts a Q&A with Sam Mendes and Krysty Wilson-Cairns to discuss their new film 1917. They discuss writing a war film without exposition, turning psychology into behavior, and portraying emotional processing in real-time. They also answer audience questions on having a separate technical script and the challenges of editing a single-shot film....

John and Craig use Thanksgiving break to finally answer some long-gestating listener questions, ranging from writing television with act breaks to keeping your drafts organized. Plus we’ll look at two moves by the US Justice Department and their impact on screenwriters. In this week’s bonus segment, we do a meme! We’ll compare and reflect on our beliefs at the start and end of the decade. Links: S...

John and Craig welcome writer/actor/producer/director Seth Rogen (Superbad, Knocked Up, Good Boys) to the podcast. They discuss Seth’s writing process, evolving with a creative partner, and the cinematic origins of 420. Seth then joins them for another edition of How Would This Be a Movie? looking at stories ranging from corruption, cattle mutilation, and geriatric thieves. Links: 420 origins acco...

The original post for this episode can be found here . John August: Hello and welcome. My name is John August. Craig Mazin: Yes, my name is Craig Mazin. John: And this is Episode 414 of Scriptnotes, a podcast about screenwriting and things that are interesting to screenwriters. Today on the podcast it’s How Would This Be a Movie with four terrific stories in the news that maybe, just maybe, could...

John and Craig host How Would This Be a Movie with four stories in the news covering ice-cream truck wars, female rangers, and deadly in-laws, imagining how they could become feature films. We also answer listener questions about narrators, personal crises, and song titles. Links: The Shadows Casting Call John is looking for a 15 year old blind actress for the lead role — please help by shar...

John and Craig host a new round of How Would This Be a Movie. Instead of three stories in the news, this time they tackle three articles from Wikipedia to look at what you get using just those facts versus using a more detailed article. We also answer listener questions about real-life subjects, showing your work and applying the Mazin method to television. Links: Addiction & Mental Health Pan...

In a Scriptnotes first, Craig hosts a solo episode presenting his general theory on screenwriting. He covers the central dramatic argument, the ‘why’ behind plot points, and of course, provides some umbrage on common script diagrams. Good luck, and go torture your heroes! Links: Scriptnotes LIVE on June 13th at the Ace Hotel with Melissa McCarthy, Ben Falcone, Alec Berg, Rob McElhenney, and Kourtn...

John and Craig welcome back writer/director Chris McQuarrie (Valkyrie, Jack Reacher, the last two Mission: Impossibles) to celebrate the 400th episode with a new round of ‘This Kind of Movie.’ Given our success saving the romantic comedy, we focus on other movie genres that aren’t getting made anymore and discuss how to bring them back. From sports comedies to erotic thrillers, we examine the clas...

John and Craig welcome back Andrea Berloff (World Trade Center, Straight Outta Compton) to talk all things sound: how it works on the page, on the stage, and in the mixing room. Andrea shares her experience working with sound for her upcoming directing debut, The Kitchen. We also follow up on WGA developments and deep dive Craig’s feelings on matzah. Links: WGA Lawsuit #WGAMix led by screenwriter...

John and Craig welcome back Can You Ever Forgive Me? director Marielle Heller to discuss the challenge of creating a hero the audience can root for while also establishing that the character must change. We also answer questions from listeners about conflicting notes, meet-and-greets, and true-life stories. Links: WGA Video Explaining ATA Negotiations Can You Ever Forgive Me? A Beautiful Day in th...

John welcomes WGA negotiation committee members Chris Keyser and Angelina Burnett to answer listener questions on what’s happening and what to expect. They offer insight into the history of the issues and new tools the Guild is rolling out for staffing season. We also follow up on the Disney/Fox 2000 merger, why we won’t be saying ‘baby writers’ anymore, and upcoming meeting dates for the WGA. Lin...

John and Craig examine the final moment in movies, what they do and why they change so often. We also take on vaccines, corruption, and extreme weather in another installment of ‘How Would This be a Movie’ and follow up on important upcoming meetings for the WGA. Links: Aladdin in theaters May 24th! Chernobyl first episode on HBO May 6th. Unvaccinated Boy Got Tetanus , and Ohio teen defies parents...

John and Craig welcome back Aline Brosh McKenna to talk about what she learned producing four seasons of Crazy Ex-Girlfriend. Aline shares the importance of trusting your gut, building school spirit, and empowering the voices around you. We’ll also talk about Emma Thompson, agency-affiliated producers, and more. Links: Emma Thompson’s open letter to Skydance. Episode 175 Transcript A Very English...

John and Craig proudly welcome back former Scriptnotes producer Megan McDonnell to tell her journey from film student to getting staffed on her first television show. We then review a batch of Three Page Challenge submissions, covering how to keep your audience engaged, build tension, and earn interesting characters. Plus, follow up on the WGA and recent Bones ruling. Thank you to our Three Page C...

John and Craig invite back Chris Keyser, co-chair of the WGA’s 2019 Agency Agreement negotiating committee, to discuss the issues. Specifically, they look at the difference between “packaging” and “packaging fees,” and the impact of agencies acting as writers’ employers. John then welcomes Michelle Satter to introduce Co//ab, the new online community from Sundance. Michelle shares how they’ve made...

John welcomes Matt Selman, executive producer of The Simpsons, for a deep dive look at the three-year process of developing a single episode from initial idea to the finished product. We discuss the role of the writers room, the table read, producer notes, animatics, and the impact computer animation has had on The Simpsons workflow. Set in the 90’s, “The Clown Stays in the Picture” spoofs high co...

John and Craig head north to host Scriptnotes Live in Seattle. They welcome Emily Zulauf to discuss the process of pitching projects at Pixar, creating stories with heart out of pure misery, and when to admit you “don’t have it” and start over. We also hold our own Open Writing Assignment and play a game with the audience to create two new movie pitches. Then we answer questions about theme and wh...

John and Craig host a live show at the WGA Theatre with a deep dive look at The Princess Bride. They discuss how the “abridged” structure brings us only the best parts of the story and what this means for the characters and world: less exposition and more time for the fire swamp, R.O.U.S., and the pit of despair. From the frame story to the myth of the Dread Pirate Roberts, The Princess Bride shap...

The original post for this episode can be found here . John August: Hello and welcome. My name is John August. Craig Mazin: My name is Craig Mazin. John: And this is Episode 384 of Scriptnotes, a podcast about screenwriting and things that are interesting to screenwriters. Today on the podcast we’re going to talk about plot holes and why sometimes you’re better off leaving them than trying to fix...

John and Craig discuss when and how to break screenplay orthodoxy, from experimental formatting to narrative misdirects. They also examine why it’s important that your characters create, communicate, and break plans. We also address follow up from our Raiders of the Lost Ark deep dive, and respond to questions about shared and international writing credits. Links: The Seattle Live Show is on Febru...

John and Craig dive into plot holes: why they happen, how to fix them, why not to fix them, and how to turn them into opportunities. We also respond to listener questions on outlining, servicing many storylines, and what screenwriting challenges go under-appreciated. Links: Join us for the WGA’s Princess Bride screening on January 27th. The Seattle Live Show is on February 6th! You can now preorde...

John and Craig talk about the trope of “Never split the party,” and why, as a writer, you often want and need to divide up your characters to better explore relationships, propel the story forward, give actors something to do, and simply fit everyone in the frame. We also follow up on screenwriting scams, sequences, websites, and liking things that others don’t. Links: Join us for the WGA’s Prince...

John welcomes Derek Haas (Chicago Fire, 3:10 to Yuma, 2 Fast 2 Furious) to talk about writing accurate portrayals of different jobs, and when to sacrifice reality for storytelling. They also share their time-management strategies in honor of those New Year resolutions to get writing done. We also answer listener questions about the necessity of entertainment lawyers, how to keep your energy high p...