Critical and Curious

The final chapter in the Fast and Furious story has begun. Fast X, directed by Justin Lin, features the return of family members from the past, new family members like Lil B and Abuelita, and a new villain that mirrors Dom in a myriad of ways. We talk about what Jason Momoa brings to the franchise, the dramaturgical integrity across nearly a dozen films, and the increasing   absurdity of stunts an...

In the third and final installment of Season 2 Episode 13, we discuss John Wick: Chapter 4 . Although the film is the longest (169 minutes), John Wick only utters 380 words, a strategy by Keanu's own design revealing his vision for the character. We describe how – by removing himself from the dialogue and in some cases the screen all together – the audience is encouraged to question the simplistic...

In the second installment of Season 2 Episode 13, we discuss Keanu's reprisal of Neo in Matrix Resurrections (2021). We debate the goals of the film, both from the perspective of the audience as well as from the perspective of Lana Wachowski and Keanu Reeves. Although the film was widely considered the "worst" in , and what it means for the discussion of Keanu's agency. We talk about the new Thoma...

In the first supplemental episode of Season 3, we return to where we began: West Side Story (2021) directed by Stephen Spielberg, starring Rachel Zegler, Ansel Elgort, Ariana DeBose, and Rita Moreno. We discuss the evolution of mainstream social awareness over the past 60 years and how this impacts the production and meaning of the film (a phenomenon Charisse refers to as "historical HD"), includi...

We return to Season 1 of our podcast to discuss The Fast Saga (AKA F9), which features the return of director Justin Lin along with Han and other characters from films past including Sean Boswell and Twinkie (F3), Stasiak (F4, F6), Queenie and Owen Shaw (F7, F8), and Cypher (F8) as well as John Cena as Dom's brother Jacob. We talk about the flashbacks that summarize 30 years of the Toretto family...

In Part 1 of Season 2's Episode 13, we discuss the revival of Theodore "Ted" Logan in Bill and Ted Face the Music (2020). Bill and Ted continue to struggle as musicians, husbands, and now fathers, but it's clear that Ted's experiences have diverged from Bill's somewhere in the 30 years since their bogus journey, a sly but important narrative point. More importantly, we fawn over Billie and Thea, m...

In this Season 2 supplemental episode, we return to our star study of Keanu Reeves with a focus on his cameos in Always Be My Maybe and Toy Story 4 . Released within weeks of each other in 2019, Keanu's characters are deeply flawed yet delightfully unaware in both films, continuing his embrace of the beta male and commenting on mediated expectations. Along with brief mentions of Keanu (2012) and T...

Bob and Charisse went to see  F9: The Fast Saga  in the theater together this weekend, breaking an almost 18-month long quarantine from the theater. In a quick post-movie debriefing after the movie, we discuss why we think people  need  to see F9 and what excites us most. Charisse also made tote bags to celebrate the occasion. Comment with your favorite scene from  F9  by July 9 to get your own Cr...

We discuss Hobbs and Shaw (2019) in this Season 1 supplemental episode, Dwayne The Rock Johnson, Jason Statham, Vanessa Kirby, and Idris Elba star in this off-narrative comedic extension of the Fast and Furious universe that elaborates and parodies many elements of the franchise. The hilarious antagonism, the existential villains, and the conflict between the family you have and the family you mak...

Our final episode discusses Aleta Chappelle's Romeo and Juliet in Harlem (2017). Crowdsourced and shot on site, it is the first and only version to feature a cast composed entirely of people of color. As our only female director this season, Chappelle brings an innovative approach to the story by featuring Harlem as a character to create some of the best scenes in the film, and embracing the femin...

In this season's penultimate episode, we discuss Carlo Carlei's Romeo & Juliet (2013) written by Julian Fellowes (Downton Abbey). Fashioned as the millennial Romeo and Juliet, it features teen stars Hailee Steinfeld, Kodi Smit-McPhee, and Ed Westwick alongside Damian Lewis and Paul Giamatti. Despite the A-list cast, the beautiful scenery, sets, and costumes, and some very striking photography, the...

Since its release in 2011, Gnomeo & Juliet has become a post-postmodern classic. This 3D computer-animated fantasy romantic comedy directed by Kelly Asbury and written by a team of ten writers, features an overwhelming mashup of Romeo & Juliet, Elton John songs, and pop culture references. However, the film's refreshing take on essential elements - the initial meeting, the balcony scene, the weddi...

In the pandemic, Bob and Charisse go back in time to discuss Shakespeare in Love, the 1998 Oscar Best Picture starring Gwyneth Paltrow and Joseph Fiennes, written by Marc Norman and Tom Stoppard. We originally thought it was a film built around Romeo & Juliet but not a true Romeo & Juliet story. We were wrong. The film is not only a retelling of our classic tale, it retells Shakespeare himself by...

We discussed Jonathan Levine's Warm Bodies (2013) in March 2020, just as COVID began to ravage the US, but the conversation is just as relevant 8 months later. From playing with the traditional components of Romeo and Juliet to adding a common enemy, the film hilariously adapts the Bard and postulates how love is both comic and tragic even in the apocalypse. One of Bob Thompson's favorites, the fi...

Set in a military academy, Alan Brown's Private Romeo (2011) is a love story between two young men where Don't Ask Don't Tell is the ancient grudge forbidding this pairing, even though it is never mentioned. Brown liberates the text from its minimum daily requirements and embraces a brilliantly pedestrian approach - jumping between a high school class struggling with Romeo & Juliet to the struggle...

The 2008 independent film David & Fatima sets Romeo and Juliet in Jerusalem and frames the story as a microcosm of the longstanding religious and ethnic conflicts in the region. Producer Luigi (Kari) Bian and director Alain Zaloum's combination of  history, social commentary, and romance swings between cliché and profund. However, the narrative decisions that openly defy the original text offer an...

Romeo Must Die (2000) is a hip hop martial arts mashup starring Aaliyah and Jet Li. Despite Bob's desire to detach this movie from the original text, Charisse insists that this reimagining complicates the rivalry by fleshing Ladies Montague (Kai) and Capulet (Mac) and sacrificing Po (Mercutio) and Colin (Tybalt) early on. We also read Aaliyah as a real-life Juliet, whose onscreen kiss with Jet Li...

In this episode, we take a sharp detour away from Hollywood representations of traditional romance to discuss  Tromeo and Juliet  (1996), a grotesque RomCom by Troma Entertainment, an indie production company. If you can get past the dismemberment and incest, the film features a tongue-in-cheek read of the sexuality of secondary characters and a (T)Romeo and Juliet who take control of their lives...

Baz Lurhmann's 1996 Romeo + Juliet , starring Leonardo DiCaprio and Claire Daines, along with John Leguizamo, Paul Rudd, Pete Postlethwaite, Paul Sorvino, and Harold Perrineau, was one of the highest grossing adaptations of the story. We discuss Luhrmann's unique visual style and his unabashed hodgepodge of traditionalism, pop culture, and current events, from Mexican Catholicism to The Graduate t...

In the midst of the social unrest of 1968, Zeffereli's adaptation of Romeo and Juliet discards the social commentary established by West Side Story , and focuses instead on the simplicity of teenage lust.   We discuss the embrace of the original text and Elizabethan style and the strategies of storytelling in what would come to be one of the most critically acclaimed versions of Romeo and Juliet.

In the first episode of the third season, Charisse and Bob describe why Romeo and Juliet is the ultimate postmodern fodder and the process of tackling 1 story across 10 (eventually 12) different iterations. They then focus on how  West Side Story  (1961) – by foregrounding the racial climate of the time – launched the understanding of  Romeo and Juliet  as a blank canvas on which current events co...

In the final episode, we discuss Reeves' newest long-term project, John Wick with three films to date, John Wick (2014) , John Wick Chapter 2 (2017) , John Wick Chapter 3: Parabellum (2019) . We explore the fetishization of violence, the complexity of forgiveness and vengeance, and the march toward absurdity that inevitably accompanies franchise films. With John Wick, Keanu proves that he is the h...

In this episode, we discuss Generation Um... (2012) and Knock Knock (2015) , two films from wildly different genres with common themes. In both films, Keanu plays an aging man eager to reclaim his youth opposite two younger women eager to offer themselves as solutions to his midlife crisis. Charisse L'Pree and Lani Diane Rich of Chipperish Media discuss the goals of film, gendered roles, and the d...

In this episode, we discuss Keanu's embrace of East Asian legends and the free will of warriors in  Man of Tai Chi  (2013) and  47 Ronin  (2013). Despite geographic similarities, the two films are wildly different in their storytelling and authenticity: whereas the former features Keanu taking a back seat to the world of Tiger Chen in his directorial debut filmed mostly in Chinese, the latter feat...

In this episode, we discuss Keanu Reeves' other worldliness in Constantine (2005) and The Day The Earth Stood Still (2008). Both of these stories are adaptations of earlier content, and, in choosing these films, Keanu repeats his status as reluctant savior, continues to problematize the concept of free will, and embraces the jadedness that he has been "dress rehearsing" for decades. We talk about...