Anything Goes

The first of a three-part program featuring Broadway legend Cy Coleman, composer of SWEET CHARITY, LITTLE ME, WILDCAT and countless pop hits. Coleman discusses his life and career, including his collaborations with wordsmiths Carolyn Leigh, Michael Stewart and Neil Simon as well as directors Bob Fosse and Michael Bennett, among others. He even performs some of his own songs live at the piano recor...

Lyricist and bookwriter Tom Jones and composer Harvey Schmidt discuss their musical theatre collaborations, including their work on the long-running classic THE FANTASTICKS. Jones and Schmidt recount their early days and their collaborations on other shows such as 110 IN THE SHADE, I DO! I DO! and CELEBRATION. They also sing some of their own songs from THE FANTASTICKS. Featured songs: “THE FANTAS...

Charles Strouse, legendary composer of ANNIE, APPLAUSE, GOLDEN BOY, and BYE BYE BIRDIE, recounts his illustrious career. He recalls his work with lyricist Lee Adams and iconic stars like Dick Van Dyke, Mel Brooks, Lauren Bacall, Ray Bolger, and Sammy Davis Jr. Strouse also discusses lesser-known works like IT’S A BIRD, IT’S A PLANE, IT’S SUPERMAN, the Off-Broadway revue MAYOR, and his lyrics for N...

The conclusion of a three-part program featuring legendary writing partners Tom Jones and Harvey Schmidt, known for such amazing shows as THE FANTASTICKS, I DO, I DO, and 110 IN THE SHADE. Jones and Schmidt discuss the success of “My Cup Runneth Over,” developing THE FANTASTICKS, and the show’s subsequent long-running success.   Featured songs: “My Cup Runneth Over” from I DO, I DO, and from THE F...

The second of a three-part program featuring legendary writing partners, lyricist and book writer, Tom Jones and composer, Harvey Schmidt, known for such amazing shows as THE FANTASTICKS, I DO, I DO, and 110 IN THE SHADE. Jones and Schmidt discuss the reception for 110 IN THE SHADE, developing the titular songs and writing “Thousands of Flowers” for I DO, I DO.   Featured numbers: a cut song perfo...

In celebration of the 20th anniversary of THE FANTASTICKS, the first of a three-part program featuring legendary writing partners, lyricist and librettist, Tom Jones, and composer, Harvey Schmidt, known for such amazing shows as I DO, I DO, and 110 IN THE SHADE. In this episode, Jones and Schmidt recount their early days in Texas, working for Julius Monk, and writing the music for 110 IN THE SHADE...

The conclusion of a two-part program featuring Broadway performer and composer-lyricist Micki Grant, known for her score to DON’T BOTHER ME, I CAN’T COPE, YOUR ARMS TOO SHORT TO BOX WITH GOD, and her amazing contributions to WORKING. Grant discusses her writing process, her experiences as a performer, and her collaborations with Vinnette Carroll and Stephen Schwartz. Featured songs: “It’s Too Late...

The first of a two-part program featuring Broadway performer and composer-lyricist Micki Grant, known for her scores to DON’T BOTHER ME, I CAN’T COPE, YOUR ARMS TOO SHORT TO BOX WITH GOD, and her amazing contributions to WORKING. Grant discusses her early days, writing process, experiences as a performer, and collaborations with Vinnette Carroll and Stephen Schwartz. Featured songs: “I Gotta Keep...

Dorothy Fields, daughter of comedy star, Lew Fields, lyricist and librettist of such stage classics as A TREE GROWS IN BROOKLYN, SWEET CHARITY and ANNIE GET YOUR GUN, along with numerous memorable films such as the Fred Astaire/Ginger Rogers SWING TIME and ROBERTA, discusses her life and career. She recounts growing up in a theatrical household, breaking through in the Broadway of the 1920’s, and...

E.Y. “Yip” Harburg, renowned lyricist and book writer for Broadway and film, the writer behind such iconic works as FINIAN’S RAINBOW, JAMAICA, and the film musical, THE WIZARD OF OZ, recounts his illustrious career. Known as the “Master of Whimsy” and “Broadway’s Social Conscience,” Harburg who gave us “Brother, Can You Spare a Dime” among hundreds of other well-known songs, describes his lyric wr...

Thomas Z. Shepard, legendary record producer whose countless cast albums include the Houston Grand Opera production of PORGY AND BESS, 1776, DAMES AT SEA, SUNDAY IN THE PARK WITH GEORGE, SWEENEY TODD, COMPANY, and much more, discusses his career. Shepard describes his typical approach to recording a Broadway cast album, his many collaborations with composer/lyricist, Stephen Sondheim, and his joy...

A look at The Art of Orchestration, featuring four of Broadway’s greatest: Robert Russell Bennett (Show Boat, Oklahoma), Hans Spialek (Anything Goes, On Your Toes), Jonathan Tunick (Company, Pacific Overtures), and Michael Starobin (Falsettos, Sunday in the Park with George). The four artists describe their different techniques and discuss their collaborations with writers and performers to bring...

Marc Blitzstein, composer and lyricist noted for THE CRADLE WILL ROCK, THE AIRBORNE SYMPHONY, JUNO, and REGINA, discusses his life and work. He recalls the political controversy around THE CRADLE WILL ROCK, the challenges of bringing it to the stage with director Orson Welles and producer, John Houseman, and his translation/adaptation of Bertolt Brecht and Kurt Weill’s The THREEPENNY OPERA. Additi...

Excerpts from an interview with Jule Styne, famed composer of FUNNY GIRL, BELLS ARE RINGING, GENTLEMEN PREFER BLONDES, PETER PAN and Broadway classic GYPSY. Styne discusses his life and career and performs one of the first songs he ever wrote. The interview took place in 1979 on the occasion of the release of Styne’s biography simply entitled, Jule. The legendary composer recalls his early days in...

Burton Lane, composer of such celebrated Broadway shows as FINIAN’S RAINBOW and ON A CLEAR DAY YOU CAN SEE FOREVER, along with songs for over thirty films including ROYAL WEDDING and BABES IN ARMS, discusses his career. He recounts his early songwriting efforts in Hollywood with Frank Loesser and Harold Adamson, Broadway collaborations with E.Y. “Yip” Harburg and Alan Jay Lerner, writing songs for...

Richard Maltby, Jr., director and lyricist of such shows as STARTING HERE, STARTING NOW, BABY, and the multi-award-winning Fats Waller tribute AIN’T MISBEHAVIN’, discusses his career from his earliest beginnings. He reflects on his work with composer David Shire, having their songs recorded by Barbra Streisand, and the challenges of adapting Fats Waller’s music for the theater. Featured songs: “We...

Sheldon Harnick, acclaimed writer of FIDDLER ON THE ROOF, FIORELLO!, SHE LOVES ME, THE ROTHSCHILDS, and more, shares highlights from his oevre. He speaks about his career beginnings after leaving the Army, the advice he got from his idol, E.Y. “Yip” Harburg, and how he almost didn’t get the job writing for FIORELLO! Harnick talks about Jerome Robbins, finding the overall theme of FIDDLER ON THE RO...

Jim Wann, composer, lyricist, and performer of PUMP BOYS AND DINETTES talks about the Country and American Roots-influenced scores he brought to the stage. He discusses his early work Off-Broadway, including DIAMOND STUDS and HOT GROG, and explains the origins of both the Pump Boys and the Dinettes, and how they eventually made their way to Broadway. A marvelous guitarist and singer in his own rig...

Maury Yeston, composer-lyricist of the Tony-winning musical NINE, talks about his score for the adaptation of Federico Fellini’s film, “8 1/2.” Yeston also discusses his incidental score and song for the original production of “Cloud Nine” Off- Broadway as well as some of the pop songs he has written. Recalling the Broadway production of Nine, he explains writing music for the large, predominantly...

Part two of our conversation with John Kander and Fred Ebb, songwriters for such Broadway shows as WOMAN OF THE YEAR, 70, GIRLS, 70, THE RINK, THE HAPPY TIME, and ZORBA. They talk about their writing process and share several anecdotes about working with luminaries like Hal Prince, George Abbott, Liza Minnelli, Robert Goulet and more. Kander and Ebb share their love of writing together and going b...

John Kander and Fred Ebb, the writing team behind such shows as CHICAGO, CABARET, FLORA THE RED MENACE, are interviewed about their over twenty-year collaboration. They discuss how they first met, the early stages of their partnership, writing special material and how much they enjoy the time they spend writing together. They sing several of their own compositions together and share their experien...

Gretchen Cryer, writer of I’M GETTING MY ACT TOGETHER AND TAKING IT ON THE ROAD, and Carol Hall, songwriter of THE BEST LITTLE WHOREHOUSE IN TEXAS, speak about their careers on the musical theater stage. Cryer details her inspirations and choices for I’M GETTING MY ACT TOGETHER… and sings several songs from the show. She also discusses her collaboration with composer Nancy Ford on the award-winnin...

The legendary book writer of FIDDLER ON THE ROOF and THE BAKER’S WIFE, Joseph Stein, shares his writing process and his insights into what contributes to a good book of a musical. Together with Elisa Loti and Jeff Keller, Stein reads scenes from FIDDLER ON THE ROOF and ZORBA, discusses the challenging task of adapting existing work into musical form, and explains the importance of establishing the...

Composer-lyricist Craig Carnelia talks IS THERE LIFE AFTER HIGH SCHOOL, his contributions to WORKING under Stephen Schwartz, and an un-produced show titled, THE NEWCOMERS. Carnelia takes us through his songwriting process, including how shows evolve and songs are added even after the premiere. A talented performer in his own right, Carnelia performs several of his own songs, some of which have nev...

Betty Comden and Adolph Green walk us through BELLS ARE RINGING, SUBWAYS ARE FOR SLEEPING, FADE OUT – FADE IN, HALLELUJAH, BABY!, ON THE TWENTIETH CENTURY, and A DOLL’S LIFE. They describe their experiences working with composers Cy Coleman and Jule Styne and star performers like Carol Burnett, Judy Holliday, Leslie Uggams, John Cullum and Madeline Kahn. The conclusion of a two-part retrospective...