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Jason Heath

Contrabass Conversations

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Contrabass Conversations features interviews and performances from top leaders in the world of the double bass. Podcast host Jason Heath dives deep into what makes these world-class artists tick. With 2 million downloads and counting, Contrabass Conversations is the most popular podcast for double bassists. Join the community and experience life on the low end of the spectrum!

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Автор

Jason Heath

Категорія

Music

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contrabassconversations.com

Останній епізод

8 жов 2026

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Епізоди

1164: Eduard Marcu on winning the Lutine Prize 08.10.2026

At just 18, London-based double bassist Eduard Marcu became the first bassist to win Junior Guildhall's prestigious Lutine Prize . Born in Romania and raised in London, Eduard began playing bass at age 10, developed his craft at Junior Guildhall, and performed with the National Youth Orchestra of Great Britain before beginning his studies at the Royal Academy of Music . Eduard joins Jason to talk...

1163: Chris Johnson on Building a Bigger Dream Through Music 01.10.2026

Chris Johnson is a New York–based bassist, educator, and creative force whose career spans the Sphinx Virtuosi , New York City Ballet, the Philadelphia Orchestra, the New York Philharmonic, and a wide range of chamber, commercial, and recording projects. He is also the founder of  Strauss Hauss , a concert series that brings music, food, and conversation together while placing artists and communit...

1162: Jeanette Adams on community, creativity, and the touring life 24.09.2026

Jeanette Adams is a bassist, educator, and member of the nationally touring progressive bluegrass trio Stillhouse Junkies . Raised in Michigan's Upper Peninsula and trained at Lawrence University, she now lives in Colorado, where she performs around 150–200 shows a year and helps expand access to string education through the Aspen Music Festival's educational programs. We talk about the changing l...

1161: Daniel Chiva Sanz on Intonation, Audition Prep, and Daily Mozart 17.09.2026

Daniel Chiva Sanz returns to the podcast to discuss his latest project, Daily Mozart , a new technique book that applies concepts from his School of Patience books to the second movements and minuets of Mozart symphonies. Daniel shares how his work as a performer, teacher, and creator has led him toward a brass-inspired approach to sound, pitch center, and hand-shape precision, and he reflects on...

1160: What Bottesini Really Wrote - Mark Morton's Urtext Editions 10.09.2026

Mark Morton joins Jason to discuss his decades-long project creating practical Urtext editions of Giovanni Bottesini's music. Drawing on 3,656 photographs of manuscripts from the Biblioteca Palatina in Parma, Mark has completed editions of 11 works so far, with the goal of eventually covering all 84 of Bottesini's compositions. He explains how he compares multiple surviving versions, preserves the...

1159: Cole Davis and Jason Heath teach each other bass lessons! 03.09.2026

Cole Davis is a bassist, composer, educator, and the creator behind Better Bass Lessons , where he brings a playful, practical approach to jazz bass education. In this episode, Cole and Jason Heath trade lessons across the classical/jazz divide, building on their previous New Simandl collaboration and digging into Cole's ideas around walking lines, open strings, and groove. Jason then turns the ta...

1158: Neal Miner on Juzeks, Golden Spirals, and the Art of Playing Bass Melodies 20.08.2026

New York City jazz bassist Neal Miner joins the podcast to talk about his new book of original bass-feature compositions , an 11-song collection designed for students and professionals to use in ensemble settings.  Neal shares how longtime collaborator Chris Byars encouraged the project, how the book grew into play-alongs and a  My Music Masterclass , and how his work as a bassist, teacher, compos...

1157: Kathryn Schulmeister on Imagining Hands 14.08.2026

Kathryn Schulmeister joins the podcast to talk about Imagining Hands , her debut solo album on Protomaterial Records . A bassist, improviser, composer, and University of Wisconsin faculty member , Kathryn brings together contemporary music, storytelling, extended technique, and deeply personal experience in a project shaped by her time at UC San Diego, her work with Mark Dresser, and the narrative...

1156: SoJung Kim's journey from Korea to the San Francisco Ballet Orchestra 06.08.2026

SoJung Kim joins the podcast to share her journey from discovering the double bass in Korea to joining the San Francisco Ballet Orchestra . A graduate student at the Colburn Conservatory studying with Peter Lloyd, SoJung has performed with the One Korea Youth Orchestra and Orchestra Ensemble Seoul, spent summers at the Pacific Music Festival and Music Academy of the West , and first came to the in...

1155: Orion Miller on preparation, structure, and trusting the process 30.07.2026

Orion Miller joins the podcast to talk about his path from growing up in New York City to joining the San Francisco Symphony bass section. Orion studied at the Shepherd School of Music at Rice University with Tim Pitts and spent formative summers at places like Tanglewood , Music Academy of the West , and Aspen Music Festival . We dig into Orion's audition journey, including getting cut from the S...

1154: Dominik Wagner on teaching, competitions, and finding your sound 16.07.2026

Dominik Wagner returns to the podcast for a wide-ranging conversation recorded during his visit to San Francisco for the 2026 Golden Gate Bass Camp . A prizewinner for many major solo competitions, Dominik has built an extraordinary career as a soloist, chamber musician, recording artist, and pedagogue, with albums including Giovanni Bottesini - Revolution of Bass , Chapters - A Double Bass Story...

1153: Remembering Don Prell 09.07.2026

Don Prell passed away in 2026 at age 97. Born in 1929, Don went on the road with the Frank Ortega Band, played with people like Buddy Rich and Chet Baker, and was in the original Bud Shank Quartet. He played for the San Francisco Symphony for 30 years and, after retirement, formed his own group called the Sea Bop Ensemble, which played at various San Francisco spots, including the legendary Bay Vi...

1152: Noa Eve on Late Bloomer, Edgar tuning, and finding your own musical lane 02.07.2026

Noa Eve (NoaBass) joins the podcast to celebrate the long-awaited release of *Late Bloomer ,* a debut album that blends virtuosic arco playing with the rhythmic grit of bluegrass, old-time, and acoustic music-making. We talk about the "10 years in the making" arc from Jason first hearing Noa play in the Bay Area to recording the album over three intense days in Portland, plus what it takes to brin...

1151: Hal Robinson on technique, teachers, and tools that work 25.06.2026

Hal Robinson joins the podcast for a wide-ranging conversation on bass pedagogy, sound, and the practical fundamentals that actually move the needle. Hal reflects on his path from early studies with Paul Ellison to a career that spans major orchestras and shares how working alongside influential musicians like François Rabbath and Edgar Meyer helped shape a flexible, student-first teaching philoso...

1150: Mary Ann McSweeney on Broadway Bass, Fado Roots, and the Reality of Subbing 18.06.2026

Bassist, composer, and educator Mary Ann McSweeney joins Jason to talk about a career that spans Bay Area roots, L.A. training, and the demanding, ever-shifting world of Broadway and studio work. Mary Ann shares how piano and violin shaped her musicianship, what it took to become a stronger reader, and much more Enjoy, give Mary Ann a follow on Instagram , and check out this feature of her on YouT...

1149: Caleb Quillen on auditions, orchestral sound, and leading by example 11.06.2026

Caleb Quillen returns to the podcast to talk about the path that took him from growing up in Sugar Land, Texas, to principal bass of the Boston Symphony Orchestra. Along the way, he reflects on formative teachers, including Dennis Whittaker and Paul Ellison, the influence of the Boston bass tradition, and much more. Check out our text/media version of this conversation and our interview with Caleb...

1148: Georgia Wartel Collins on Practice, Texture, and Creative Freedom 04.06.2026

Photo credit: Oscar Benjamin Berg Bassist, improviser, and genre-crosser Georgia Wartel Collins joins us today to talk about the winding path that led her to New York, via Gothenburg, Trondheim, and Amsterdam, and how a deeply musical family shaped everything from early street performances to a life that's always moved freely between styles. Georgia also shares how rock and grunge became real crea...

1147: Unsung Songs - David Bowden Goes Solo 28.05.2026

Glasgow-based bassist David Bowden joins the show on release day for Unsung Songs , a solo double bass record shaped by years of gigging and arranging. David talks about coming up in London before moving to Glasgow for the Royal Conservatoire of Scotland, finding a creative home in Scotland's close-knit jazz scene, and how folk music and "sounding like yourself" became central to the way he thinks...

1146: Twelve Bees in a Jar - Rosie Moon's Dragonetti Waltzes on Three Strings 22.05.2026

Rosie Moon joins us today to share the story behind *Twelve Bees In A Jar , her* multi-year Dragonetti project exploring his music on gut strings, a three-string bass, and a convex "Dragonetti" bow. Rosie talks about how a chance encounter with a bow at a UK bass shop kicked off a deep dive into historical equipment, technique, and the surprisingly big that happens when you take a string off the i...

1145: Bowen Ha on his audition process 14.05.2026

Bowen Ha joined the San Francisco Symphony at the start of the 2024–25 season after training at Juilliard with Timothy Cobb and Harold Robinson, and appearing as a substitute with major orchestras. Born in Shanghai, Bowen's path ran from piano to cello and finally to bass, through Interlochen, the Shanghai Conservatory's affiliated program, and Juilliard. We dig into the nuts-and-bolts of what cha...

1144: John Goldsby on Big Band Bass 07.05.2026

John Goldsby returns to the podcast to celebrate Big Band Bass , a project that spotlights the double bass at the front of the band alongside the legendary WDR Big Band and arranger/conductor Bob Mintzer . We talk about what it felt like to close a 30-year run in one of the world's rare full-time jazz ensemble jobs, and how stepping away has opened up space for hand-picked gigs, home projects, and...

1143: Professional Instruments Aren't Luggage with Valentina Ciardelli 30.04.2026

Valentina Ciardelli , double bass professor at Trinity Laban Conservatoire of Music and Dance and an active performer/educator, returns to the podcast to talk about a project that goes way beyond the practice room: fixing the chaos of traveling with large instruments. Check out Valentina's work and latest updates on her website . We dig into Valentina's advocacy work to create clearer, non-discret...

1142: Slow Water, Deep Grooves with Stephan Crump 23.04.2026

Stephan Crump is a Brooklyn-based bassist, composer, and educator whose work moves fluidly between groove, spacious sound-worlds, and collective improvisation. We dig into the making of Slow Water , the magnetism of deep feel, and how growing up in Memphis—and spending a lot of life near the Mississippi—shaped the way Stephan hears music as ecology, storytelling, and energy in motion. We talk abou...

1141: Gut Strings and Time Travel - Michał Bylina on Early Music 16.04.2026

Michał Bylina is a Polish bassist and composer whose work bridges early music performance and new music for the instrument. In this conversation, Michał shares how a love of the past pulled them toward gut strings, Baroque style, and the Vienna bass tradition, plus the path from studying in Kraków to a year studying in Brussels with Korneel Le Compte. We dig into Michał's composing process, from w...

1140: Isaac Trapkus on Rosin, Hidden Manuscripts, and Open-Source Music Tools 09.04.2026

Isaac Trapkus is a bassist with the New York Philharmonic, rosin maker , and developer of Monkey Wrench DB —a tool that syncs sheet music PDFs with YouTube performances. He's also the creator of a free urtext-style edition of the Koussevitzky Double Bass Concerto, based on a previously unknown personal score copy he discovered at the Library of Congress. We cover a wide range of topics: Isaac's ye...

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