Continuum Music Studio

What Would Bach Have Done in a Dub Studio? If anyone from the late Baroque period belongs in a dub studio, it’s Johann Sebastian Bach . Not necessarily because of style — but because of belief. If you want to hear why Bach belongs in a dub studio, listen to the opening of the First Cello Suite . (One of my personal favourites as a budding cellist) One line. No harmony stated — only implied. Repeti...

Foreword — How to Use This Book The Continuum Approach is not a method. It does not replace existing teaching traditions, schools, or technical systems, nor does it ask the learner to abandon repertoire, notation, or discipline. Instead, it operates alongside chosen methods, offering a pedagogical framework through which those methods may be used more humanely, more intelligently, and with greater...

iServalan™ Music, listening, and the Continuum Approach: Exploring sound across genres, eras, and performance cultures — from Baroque to punk, hip-hop to minimalism — without hierarchy or haste. 🎧 Podcast & essays: 🎻 Music School https://iservalan.gumroad.com/l/concervatoire? https://iservalan.gumroad.com 📚 Books & long-form work by Sarnia de la Maré FRSA: https://www.amazon.co.uk/store...

iServalan™ Music, listening, and the Continuum Approach: Exploring sound across genres, eras, and performance cultures — from Baroque to punk, hip-hop to minimalism — without hierarchy or haste. 🎧 Podcast & essays: 🎻 Music School https://iservalan.gumroad.com/l/concervatoire? https://iservalan.gumroad.com 📚 Books & long-form work by Sarnia de la Maré FRSA: https://www.amazon.co.uk/store...

 Music as Occupation (Why disciplined attention leaves little room for self-destruction) Music does not make people virtuous. It makes them  busy in a particular way .Learning an instrument occupies the brain fully. Not briefly, not passively, but over long arcs of time. It demands attention, physical coordination, memory, listening, and emotional regulation simultaneously. Few other activities re...

What Would Chopin Have Done If Johnny Rotten Asked Him to Stand In One Night?(Public Image Ltd., not the Sex Pistols, this is my fantasy, and it was PIL who put the art into punk like no other).  If you want to hear why Chopin belongs at that gig, don’t start with tthe pomp and cerenony. Start with the Prelude in E minor . Nothing explodes. Nothing resolves neatly. The weight comes from staying wh...

What Would Mozart Have Done If He’d Been Dropped Into a Grime Night?  People underestimate Wolfgang Amadeus Mozart because they confuse charm with lightness. Mozart is funny, yes. He’s elegant, yes. A frivolous dandy?....How very rude. But underneath that is a musical mind that moves faster than almost anyone who ever lived. If you think Mozart is polite, listen to the final movement of the  A-maj...

Robert S. Carr wrote a poem titled "Beethoven," published in Weird Tales magazine in August 1927, and it's available as an audio recording on LibriVox as part of a poetry collection, showcasing the American fantasy/sci-fi author's work beyond his well-known novels like The Rampant Age.  Key Details: Author: Robert Spencer Carr (1909-1994). Work: A poem. Publication: Weird Tales, August 1927. Avail...

 Who Would Win X Factor: Bach, Mozart, Chopin, Liszt or Rachmaninov? It sounds like a parlour game. But like most good parlour games, it reveals something uncomfortable about how we judge art. If the five great composers were dropped—anachronistically—onto a modern televised talent show, who would take the crown? Not who is the greatest composer. Not whose music lasts the longest. But who would wi...

Beutiful #spokenword iServalan™ Music, listening, and the Continuum Approach: Exploring sound across genres, eras, and performance cultures — from Baroque to punk, hip-hop to minimalism — without hierarchy or haste. 🎧 Podcast & essays: 🎻 Music School https://iservalan.gumroad.com/l/concervatoire? https://iservalan.gumroad.com 📚 Books & long-form work by Sarnia de la Maré FRSA: https://w...

 Using the Body in Music (Why rhythm is learned before it is explained) Before music is something you do, it is something you coordinate. Long before a child understands beat, bar, or tempo, they already know weight, balance, anticipation, and release. They know how it feels to jump, to pause, to sway, to freeze. Rhythm lives there first—in the body’s timing—long before it lives on the page. This...

 Teaching Tempo as Sensation, Not BPM (Why time must be felt before it can be counted)Tempo is usually introduced as a number.60 BPM. 80 BPM. 120 BPM.Neat. Measurable. Reassuring. And completely insufficient. Because tempo is not, first and foremost, a calculation. It is a bodily agreement. A shared sense of how long something takes, how much weight it carries, and how urgently it wants to move fo...

 The Continuum Approach vs Formula Rhythm (Why living music bends time—and why platforms cannot tolerate it)Formula rhythm treats time as a grid. The Continuum Approach treats time as a field. That single distinction explains almost everything we are hearing—and not hearing—now. In formula-driven music, rhythm is fixed in advance. Tempo is locked, quantised, corrected, and preserved. Beats are eng...

 Is the Driving 4/4 Beat a Pneumatic Drill of Lazy Music-Making?  The short answer is: sometimes. The honest answer is: only when nothing else is happening. (Caveat, unless you are the drummer.)A driving 4/4 beat is not inherently lazy. It is a tool. A powerful one. But like a pneumatic drill, its value depends entirely on why it is being used—and what is being built. The problem begins when pulse...

You heard the saying “Jazz is just good music played badly.” But is it true? It sounds like a throwaway line. A pub joke. A polite insult dressed as wit. But it reveals something deeply uncomfortable: many people hear risk as error. Jazz does not aim for polish in the way classical performance does. It aims for presence. The note is not sacred because it is correct; it is sacred because it is chos...

 How Music Affected Drug CultureMusic did not invent drugs, of course it didn't. And drugs did not invent music. But they do seem to be socially symbiotic, often to devastating effect. Artists, musicians, and performers, particular famous ones, seem to battle with addictions. The temptations of the road, of loneliness, of too much money, coupled with a genius mind, seem to create the perfect storm...

iServalan™ Music, listening, and the Continuum Approach: Exploring sound across genres, eras, and performance cultures — from Baroque to punk, hip-hop to minimalism — without hierarchy or haste. 🎧 Podcast & essays: 🎻 Music School https://iservalan.gumroad.com/l/concervatoire? https://iservalan.gumroad.com 📚 Books & long-form work by Sarnia de la Maré FRSA: https://www.amazon.co.uk/store...

iServalan™ Music, listening, and the Continuum Approach: Exploring sound across genres, eras, and performance cultures — from Baroque to punk, hip-hop to minimalism — without hierarchy or haste. 🎧 Podcast & essays: 🎻 Music School https://iservalan.gumroad.com/l/concervatoire? https://iservalan.gumroad.com 📚 Books & long-form work by Sarnia de la Maré FRSA: https://www.amazon.co.uk/store...

iServalan™ Music, listening, and the Continuum Approach: Exploring sound across genres, eras, and performance cultures — from Baroque to punk, hip-hop to minimalism — without hierarchy or haste. 🎧 Podcast & essays: 🎻 Music School https://iservalan.gumroad.com/l/concervatoire? https://iservalan.gumroad.com 📚 Books & long-form work by Sarnia de la Maré FRSA: https://www.amazon.co.uk/store...

Why Serious Composers Should Not Use AI as a Creative Tool There is a growing pressure on composers to embrace AI as a creative partner—an insistence that resisting it is nostalgic, elitist, or fearful of progress. This framing is false. Serious composers are not rejecting technology; they are rejecting the misrepresentation of authorship. AI may be useful in processes. It can never be justified a...

 Before the First Note: Why We Begin With Understanding, Not InstructionEvery serious learning journey has a beginning point. Not a timetable. Not a method book. Not a demand. A beginning. The Continuum Approach begins before sound. Before scales, before reading, before technique — we begin with relationship. Because no instrument is neutral. An instrument is a body. It has weight, shape, resistan...

🎧 Why Ten Minutes Is Enough — And Why We Distrust That Idea iServalan | The Continuum Approach Ten minutes sounds like an insult. After all, Chopin didn’t get to where he was on ten minutes a day. Beethoven probably never said, “Just do ten minutes — I’ve got too many cat videos to watch on my phone.” (You guessed it. My personal weakness.) Ten minutes sounds like something you say when you are n...

🎧 Learning an Instrument as an Adult, Taking the Leap iServalan | The Continuum Approach Learning an instrument as an adult is not the same act as for a child. It requires a different kind of commitment — not louder, not grander, but quieter and more deliberate. It begins with a decision that some part of your life is allowed to belong to you, even when you are tired. Even when nothing is left at...

https://iservalan.gumroad.com/l/concervatoire? iServalan™ Music, listening, and the Continuum Approach: Exploring sound across genres, eras, and performance cultures — from Baroque to punk, hip-hop to minimalism — without hierarchy or haste. 🎧 Podcast & essays: 🎻 Music School https://iservalan.gumroad.com/l/concervatoire? https://iservalan.gumroad.com 📚 Books & long-form work by Sarnia...

 🎧 January Is for Repair, Not Reinvention | iServalan | Continuum Approach  Take it slowly — but like you mean it. January has developed a reputation it doesn’t deserve. It has become the month of declarations, of dramatic before-and-after stories, of reinvention. New body. New habits. New identity. As if everything that came before December 31st is to be discarded like packaging. But that isn’t...