Two Reel Cinema Club

It’s the final episode of the Two Reel Cinema Club this week, but what a show to go out on: Film of the Year. We’ve seen a wide range of movies of … variable quality this year, and we’ve compared them to a host of immortal classics. But which will walk away clutching one of our seven awards, including Script of the Year, Scene of the Year and Product Placement of the Year? Featuring no-budget true...

We’re travelling back in time 400 hundred years this episode, to watch the new award-tipped historical drama Hamnet and compare it to an alternative take on Shakespeare, 1990’s Rosencrantz and Guildenstern Are Dead. Two sets of muddy streets, two sets of Elizabethan gowns, two sets of plays within plays. But which film left us dissolved in a puddle? Which film reminded us of Rousseau and Voltaire?...

What a way to end 2025, with the potential sale of Warner Brothers to Netflix hammering another nail into the coffin of cinema. Who are the main players, how much money is involved, and what implications does it have for the wider world? What is the mountain in the Paramount logo? Who could have predicted that the makers of bird documentaries would buy Batman? And why do we reckon that in this bat...

(Warning: discussion of suicide from the start.) Season’s Greetings from the Two Reel Cinema Club as we watch the new Scandinavian drama Sentimental Value with Stellan Skarsgård, and compare it to one of the longest films ever released, Ingmar Bergman’s evergreen and ever festive Fanny and Alexander. Two theatrical families, two beautiful houses, two sets of hidden drama. But which of the two movi...

We often talk about adaptations at the Popcorn Counter, but this episode we’re joined by Inês Braga to ask: is it ever a good idea to adapt a classic? Old books have the advantage of brand recognition, and if they’re out of copyright there are no royalties to pay, but do the benefits outweigh the risks of sullying a much loved property and making the entire audience angry that you’ve done it wrong...

We welcome back screenwriter Inês Braga to this week’s episode, as we watch the new Guillermo del Toro take on Frankenstein, and compare it to maybe the finest Frankenstein in all of cinema, Mel Brooks’ 1974 Young Frankenstein. Two experiments gone wrong, two crazy scientists, two lightning bolts. But which film owes the greatest debt to James Whale? Which film features a barely disguised Peter Th...

Trust the Canadians to save cinema: Cineplex’s new Mystery Monday screenings are hoping to revive the flagging exhibition industry. But do we think it will work? And if it doesn’t, how would we save cinema? Featuring costumed actors, great food, locality, curation, communality, microcinemas, using Netflix’s biggest weapon against it, and finding a teenager who’ll agree to jiggle your seat around w...

A surprising amount of lightning at the Two Reel Cinema Club this week, as we watch the new Yorgos Lanthimos picture Bugonia, and compare it to the Korean film it’s based on, 2003’s Save the Green Planet. Two kidnaps, two investigations, two conspiracy theories. But how do these two films differ? What is it they want to say? Which film is a prime example of ‘scrap of paper film making’? Why did th...

We’re humming along at the popcorn counter this week as we pitch the musical biopics we’d like to see - ones which are a little less bland than some of the music movies we’ve watched recently. Join us as we travel from Canada’s greatest rock trio to the Chairman of the Board, from Jamaica’s tallest export to m-m-m-my Sharona. We get three biopics each, but which is the most obscure? Which is the w...

We’re dancing in the dark this week, as we watch the new movie Springsteen: Deliver Me From Nowhere and then study the film that makes a cameo in that rock and roll biopic, 1955’s The Night of the Hunter. Two bad fathers, two rivers, two tales of growing up poor. But which of the two features the sweatiest man? Which of the two has the most riverside wildlife? Which of the two is wearing twenty un...

We’re doing a bit of fantasy programming at the Popcorn Counter this episode, as we reflect on last week’s encounter with two of the major forces in 21st century Hollywood film making: the Coen brothers and Paul Thomas Anderson. They’ve both straddled the arthouse and the multiplex, and they both have an outstanding body of work behind them. But which do we personally rate? Whose films would we pr...

At last, two good films in one podcast! This week we’ve watched One Battle After Another, the new Paul Thomas Anderson picture with Leonardo DiCaprio, and we’re comparing it to the film that it doffs its revolutionary cap to, 1998’s comedy classic The Big Lebowski. Two stoners, two missing women, two dirty bathrobes. But which film feels out of time? Which film made us reminisce over payphones? Wh...

Welcome to Jeopardy at the Popcorn Counter this week, where we’re pretending to be Alex Trebek with twenty movie related answers, but can you guess the questions? Some of them are doable … and some of them are frankly not. Do you know your Mount Rushmores from your Nostromos? Play along and see if you can beat our score. If you enjoyed the show, find us on social media: BlueSky: @tworeelcinemaclub...

Success is hard to measure in life, but easy to measure in comedy: does it make you laugh or not? After enduring Spinal Tap II last week we’re returning to some of our favourite comedies at the popcorn counter. But what is in our top five, and do we have any overlaps? How does Justin Trudeau fit in to all this? Are popstars funny? Where did we go for Andrew Curtis’ birthday party? And is there a c...

For those about to rock, we salute you this week, as we put on our poodle wigs and tune up our Gibsons to watch the new comedy feature Spinal Tap II: The End Continues and compare it to the film that started it all, 1984’s This Is Spinal Tap. Is the old film still funny? Does the new film live up to its predecessor? Which film sets up gags it never pays off? Which film has the cleverest cameos? An...

Join us as we sit in the darkness at the popcorn counter this week and muse on why Noir seems to be the second most enduring genre in all of cinema. After jiggling our brains a little, we think we can come up with a significant noir film from every decade of the last ninety years. But have we ever tried to write a noir project? And how do noir mysteries trace their origins to bible stories...? If...

We don’t know why a detective for hire is called a private dick, but we’ve certainly seen plenty of sexy investigators this week. We have watched the new Ethan Coen 'lesbian B-movie' Honey Don’t, starring Margaret Qualley and Aubrey Plaza, and we’re comparing it to Howard Hawks’ 1946 film noir that it tips its hat to, The Big Sleep with Humphrey Bogart and Lauren Bacall. Two gumshoes, two sets of...

Are there are any nepo-babies in the mainstream film industry? Perhaps we should be asking if there are any successful people who aren’t? We started making a list sitting at the popcorn counter this week and soon ran out of ink. But out of all the nepo-babies that we’ve seen at the movies over the last few years, why is Michael Douglas our most admired? We look back at his career and ask how he ma...

We seem to be stuck in a loop reviewing films called ‘War of the Something’, because this week we’ve watched the new Olivia Coleman Benedict Cumberbatch comedy The Roses, and we’re comparing it to the Kathleen Turner Michael Douglas version of the same story, 1989’s The War of the Roses. Two divorces, two fighting couples, two ruined houses. But which one of these films wants to be Who’s Afraid of...

We’re dressed as clowns at the Popcorn Counter this week, as we talk about the crossover between comedy and horror. Why did so many of the most successful contemporary horror directors, including Zach Cregger, Jordan Peele and John Krasinski, get their start in comedy? What are the differences between the two forms, and how are they more similar than you might think? And what’s the single most hor...

Weapons is our new film this week, the sophomore feature from sometime sketch comedian Zack Cregger. It may have a great cast, a great premise and some great scares, but can it stick the landing? We’re comparing it to a film from 1995 that shares its premise and a lot more besides, The City of Lost Children. But which one is best described as Lynchian? Which one is stacked with zany action? Which...

This week we dress up for concert night and dare to ask the question: how is it possible to not like John Williams? We scan through some of our favourite movie soundtracks and try to figure out what makes a good one. How broad is Hans Zimmer’s career? Why do we consider the gold standard to be Bernard Herrmann? What’s the best thing about Tron Legacy? What’s the right word to use to describe an It...

‘Damn!’ That’s what Ice Cube says about two hundred times in tonight’s new film, the Amazon Original feature War of the Worlds. It’s not often that you see a film that confesses, ‘It’s worse than you think,’ in the actual publicity material. But is this new sci-fi non-action picture really as bad as the online chatter claims? And how does it compare to the 2005 version of the same story, Steven Sp...

For once we actually agree with Martin Scorsese: there has been an observable degradation in the experience of going to the cinema over the last few years. But is it, as Marty suggests, the fault of unruly audiences? Or is our theory correct, that exhibitors are making things worse? Join us at the popcorn counter this week as we discuss some of the patents we’ve seen recently that are actively try...

(Warning: Spoilers for Superman from the start...) We’re seeing double at the Popcorn Counter this week, as we take note of the cultural trend in cinema of actors playing more than one role in a movie. Everyone’s doing it: Superman, Sinners, Mickey 17 and Saturday Night have all used this trick in the last few months. But it’s hardly a new phenomenon. Who did it first, who did it best, who did it...