Tonebenders Podcast

In this episode we talk about the expressive sound world of The Rings of Power series on Prime. Supervising Sound Editors Robert Stambler and Damian Del Borrello as well as Sound Designer Paula Fairfield, tell us about living up to the legacy of the original trilogy, building ambiences for fantasy scenes, designing creature vocals and making magic sounds that feel organic. This is our final episod...

In this episode we talk with the presidents of The Motion Picture Sound Editors (Mark Lanza) and The Cinema Audio Society (Karol Urban) about the various reasons for joining these organizations. Show Notes: https://tonebenderspodcast.com/214---should-you-join-mpse-and-cas/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Host This Episode: Timothy Muirhead To learn more about The Motio...

Andor, the latest Disney+ series from the Star Wars universe, is an exciting series for sound design. Supervising Sound Editors David Acord & Margit Pfeiffer tell us about building crowds with emotion, creating massive action sequences and the special moments when no sound at all is the scariest possible sound. Get tickets for the upcoming MPSE Golden Reel Awards at https://www.mpse.org Remember t...

For our 3rd and final episode in our series on Sound Design for Documentaries we talk with the director and sound team behind the magnificent David Bowie doc Moonage Daydream. They talk about rebuilding all the music from the original 24 track recordings, making the crowds feel realistic/immersive, merging extensive sound design into iconic songs and cleaning up archival dialog so it can cut throu...

This talk with the sound team behind director Sarah Polly's new film, Women Talking, was recorded on location at Formosa Studios in Toronto. The film offered some surprisingly difficult sound issues, including an incredibly tricky dialog clean up and edit. Predominantly in a single location, sound was left to tell the story outside those walls. Supervising Sound Editors Jane Tattersall & David McC...

In this episode we have two absolutely all-timers join us for a fun talk about their long standing working relationship and their earliest memories of going to the movies. After that we dig deep into the soundscape of The Fablemans, director Steven Spielberg's latest and most personal film to date. Show Notes: https://tonebenderspodcast.com/210---gary-rydstrom--andy-nelson-from-the-fabelmans/ Podc...

For the first time in a long time, all 4 Tonebenders hosts get together to hang out and play a game of audio post production based trivia. Tim, René and Mark go head to head in attempting to answer Teresa's oddball quiz. Feel free to play along at home!? Lots of laughs and general fun as we wrap up our most successful year yet. Thanks to everyone for listening in 2022. If you missed our year end b...

We are joined by 5 members of the audio team on the epic Playstation game: God Of War Ragnarok. We discuss the tricky things they did for the mix of the game, how the massive amount of work was distributed, the amazing foley and lots lots more. Michael Kent, Stephen Schappler, Bryan Higa, Beau Jimenez and Alex Previty tell us everything! Show Notes: https://tonebenderspodcast.com/208---god-of-war-...

Paul Hsu (Sound Designer) and Dave Flynch (Supervising Sound Editor) talk about their work on the new Film "Nanny". This Blumhouse production, by first time director Nikyatu Jusu, is full of moody and creepy sound design as the film teeters between reality and the supernatural. Show Notes: https://tonebenderspodcast.com/207---nanny-with-paul-hsu--dave-flynch/ Podcast Homepage: https://tonebendersp...

We are joined by the sound team from the excellent new film, The Woman King. Production Sound Mixer Derek Mansvelt, Supervising Sound Editor Becky Sullivan and Re-Recording Mixer Tony Lamberti tell us about making the battle sequences sound extra visceral, and how the dial and battle chants went from being captured on set, through sound editorial and finally onto the mix stage. Show Notes: https:/...

In the second episode of our Documentary Sound Focus series we talk about the mesmerizing film, The Territory. Director Alex Pritz and composer Katya Mihailova are joined by co-sound designers Peter Albrechtsen and Rune Klausen for this in depth talk. We dig into The Territory's use of subjective sounds, what the jungle really sounds like and the blurred lines between sound design and music (and l...

We talk with Supervising Sound Editor, Sound Designer & Re-Recording Mixer Johnnie Burn about the amazing sounds in director Jordan Peele's recent film: Nope. Johnnie tells us about designing winds to evoke something more sinister, using ATMOS to its fullest and creative ways of making alien vocals. Show Notes: https://tonebenderspodcast.com/204---nope-with-johnnie-burn/ Podcast Homepage: https://...

We have gathered the sound people behind some of the most impressive recent musicals to appear on screen. They talk about the many challenges the genre presents and how they triumphed against them. West Side Story, Tick Tick Boom, In The Heights, Schmigadoon, High School Musical: The Musical and many more productions are represented and discussed. Even if you think you are not generally a fan of m...

In our first of 3 episodes focused on Sound Design for Documentaries, we talk to the sound team & director of the NatGeo Doc - Fire Of Love. Sound Designer Patrice Leblanc and Re-Recording Mixer Gavin Fernandes talk about working with the film's Director, Sara Dosa, to create the sounds of the many volcanos in the film. Most of the film is built from archive footage that was originally shot withou...

We talk with the audio team behind the smash hit film Top Gun Maverick about making the film sound bombastic and loud while also letting smaller sounds, like the pilots breathing, play prominently to build tension. Sound supervisors Al Nelson, James Mather and Bjorn Schroeder are joined by re-recording mixers Chris Burdon and Mark Taylor explain the whole audio post process from field recording je...

Andreas Franck and Bent Holm join us to talk about their work as Supervising Sound Editors and Re-Recording Mixers on director Ruben Östlund's amazing new film - Triangle of Sadness. They tell us about how they used sound to juxtapose expected emotions and add lots of humour. A major scene in the film involves a yacht caught in a massive destructive storm, but we never see an exterior shot, leavin...

We talk with Thomas Rex Beverly about his amazing field recording trip to Greenland to capture the sounds of remote glaciers. He tells us about lowering microphones into ice crevasses, and what it takes to record the sounds of glaciers calving into the arctic ocean. Show Notes and pictures: https://tonebenderspodcast.com/199---recording-glaciers-with-thomas-rex-beverly/ Podcast Homepage: https://t...

We talk with the sound team from our favourite show of the year – The Bear. They tell us about how they built the chaos of the restaurant kitchen in the series, editing dialog where everyone is yelling at the same time in a small space, and the many, many grocery store trips the foley team had to go on to create all the food sounds in the show. Steve Giammaria (re-recording mixer/supervising sound...

We dig deep into the rarely talked about art of running a successful Loop Group session. Oscar winning Supervising Sound Editor Nina Hartstone, Dialog Supervisor Brian Bowles, ADR/Loop Group Recording Engineer Bobby Johanson and Game Dialog Designer Tim Atkins take us through everything you need to know to run your own Loop Group session. Show Notes & Full Transcript: https://tonebenderspodcast.co...

We talk with Supervising Sound Editors Bonnie Wild and Mac Smith, as well as Sound Designer Kim Patrick about the supernatural sounds Moon Knight. They talk about creating creature vocals, dreaming up a new super hero's signature sounds, and deciding what the disembodied voices of gods should sound like. Show Notes & Full Transcript: https://tonebenderspodcast.com/196-the-sound-of-moon-knight/ Pod...

Supervising Sound Editor Craig Henighan, and sound editors Lee Gilmore, Angelo Palazzo and Katie Halliday take us behind the iconic sounds in Season 4 of Stranger Things. We dive deep into the the grandfather clock, Yuri's plane and helicopter, the voices of the Demobats and vines and lots, lots more. Show Notes & Full Transcript: https://tonebenderspodcast.com/195-the-sound-design-of-stranger-thi...

In this episode we talk with the sound team behind the dialog on Season 4 of Stranger Things. Ryan Cole (Dialog Supervisor), Michael Clark (Production Sound Mixer), Korey Pereira (Dialog Editor) and Jill Purdy (Dialog Editor) talk us through the voyage all the dialog took from set to mix stage. The miracles of Vecna's voice, organizing session templates for use with multiple editors and tackling s...

In this episode we talk to the sound team behind The Beatles documentary, Get Back. The challenges they faced to get these decades old recordings into shape were immense, They were forced to develop their own software, with machine learning, to clean up the audio and the results are amazing. In addition to audio clean up, the project presented a multitude of other hurdles as well. Brent Burge (re-...

In this episode we talk to the sound team behind the new Halo TV series, with Supervising Sound Editor Jane Tattersall, Re-Recording Mixers Matthew Chan and Lou Solakofski as well as Sound Designer Brennan Mercer. They tell us about their ATMOS workflow from sound editorial to remote playbacks, their philosophies behind making ambience tracks feel full of life and the many different voice treatmen...

We are joined by Kai Paquin to talk about the Mid/Side microphone shootout he posted on his sound blog recently. The specific microphone models compared are: Schoeps MK41 // MK8, Nevaton MC59 // MC59-8, Sennheiser MKH 8050 // MKH 30, and Sennheiser MKH 40 // MKH 30. You can download the audio files of Kai’s recordings to hear the results for yourself at: https://paquinsound.blogspot.com/2022/01/ms...