The Sharp Notes with Evan Toth

Tonight we’re very pleased to welcome Nabil Ayers: a writer, podcaster, record store co-founder, label executive, musician and someone whose life and work sit directly at the crossroads of music, identity, memory, and family. Nabil is the president of Beggars Group, one of the most important independent label groups in the world, with a roster and history that includes artists such as The National...

Rhino Records began the way so many great record stories begin: with a little bit of money, a lot of taste, and a store full of people who believe that - above it all - it’s the music that matters. In this episode we speak with Richard Foos, co-founder of Rhino Records, about the independent shop that became one of the most important reissue labels in music history. Before Rhino was a catalog powe...

Arturo Sandoval has lived several musical lives: Cuban-born trumpet virtuoso, Afro-Cuban jazz pioneer, Dizzy Gillespie protégé, composer, bandleader, and one of the most decorated musicians of his generation. He is a multiple Grammy winner, a Grammy Lifetime Achievement Award recipient, a Presidential Medal of Freedom recipient, and a Kennedy Center Honoree. And still, after all of that, he remain...

Today, we return to one of the most discussed albums in pop history: The Beach Boys’ Pet Sounds. Nearly 60 years after Brian Wilson assembled its world of harmonies, longing, bass lines, sound effects, and impossible emotional detail, Interscope-Capitol’s Definitive Sound Series is preparing a new mono One Step edition sourced from analog tapes connected to the revered 1972 Brother/Reprise pressin...

What does it mean for a musician to be free? Not free as a slogan, or a genre label, but truly free: free to search, free to return, free to follow a sound across a lifetime. Alan Braufman has been asking that question, in one form or another, for decades. Born in Brooklyn in 1951, Braufman became part of the New York free music community in the 1970s, connected to the downtown loft jazz scene, wh...

Jarrod Lawson returns at an interesting moment in his career. With Just Let It , his third studio album, he’s not simply refining the sound that first brought him attention, he’s reshaping it. Long associated with a polished blend of soul, jazz, and R&B, Lawson leans into something more expansive here, pulling in hip-hop textures, contemporary production, and a wide circle of collaborators. Th...

Mikaela Davis makes music that feels grounded, but never predictable. She has built a singular voice around the harp, and she uses it as a real expressive force, not as an ornament. On her new album Graceland Way , that voice carries the listener into a world shaped by atmosphere, instinct, and reflection. Made with close collaborators Dan Horne and John Lee Shannon in a hillside home studio in Lo...

There’s a version of Spin Magazine that most people remember. The 1990s disruptor. Irreverent, artist-driven, willing to challenge the norms of mainstream music coverage while helping define the alternative music conversation in real time. For me, it was essential reading. At a moment when many magazines felt increasingly commercial, Spin made space for something weirder, without losing its grip o...

There’s a version of Frank Hannon most listeners think they know. As co-founder and lead guitarist of Tesla , his playing helped define a more grounded, blues-informed alternative to the excess of late ’80s hard rock. Melody over flash. Feel over spectacle. But my entry point wasn’t the studio records. It was Five Man Acoustical Jam . I wore that CD out as a kid. It reshaped what a rock band could...

Welcome to The Sharp Notes Podcast . I’m Evan Toth, and this episode was recorded live in front of an audience at The Sharp Notes record store inside the Garden State Plaza in Paramus, New Jersey . My guest is author, journalist, and vinyl-world lifer Larry Jaffee , a guy whose career has basically been one long field recording of the music business, from punk chaos to pressing plant logistics. La...

We welcome back a familiar and always thoughtful voice in music criticism and biography, Jude Warne . With the recent paperback release of her acclaimed authorized biography America: The Band , and the arrival of her deep-dive study Lowdown: The Music of Boz Scaggs , Jude joins us at a moment when her work continues to expand its reach and sharpen its focus. We have spoken together a few times now...

This episode is a little different, because what you’re about to hear was recorded live, in front of an audience, right here inside The Sharp Notes record store at the Garden State Plaza in Paramus, New Jersey. You might catch the room in it: few laughs, knowing nods, and shoppers walking past our front window.  My guest is author and music journalist Alan Light . Over the years he’s written as a...

This episode’s guest is one of those rare studio minds who makes the control room feel less like a workplace and more like a laboratory with excellent taste. Sylvia Massy is a producer, mixer, and engineer whose credits stretch from punk grit to arena-scale rock and beyond. Her name is often spoken as she produced Tool’s Undertow , but her story doesn’t start with platinum plaques. It starts in th...

Some conversations begin with music. This one begins with language. A little French. A little English. When this interview takes place, it's a late night in Brussels, where the streets are quiet, the restaurants are closing down, and Lucien Fraipont (fray-pon), who records and performs under the names Robbing Millions and DUID , is generous enough to stay awake a bit longer and talk about his...

There are musicians who treat tradition like a museum, and then there are musicians who treat it like a passport. Stéphane Wrembel belongs firmly in the second category. You may know his work from the soundtracks to Midnight in Paris or Vicky Cristina Barcelona , those melodies that drift in from another time but somehow land right in your lap. His newest release, Django New Orleans II: Hors-Série...

Independence in music is usually described as freedom. In practice, it is a long sequence of decisions that can’t be outsourced. Writing the songs. Recording the tracks. Producing the record. Paying for the mistakes. Owning that outcome. That path has shaped Tamar Berk’ s career from the start. Working largely outside the industry’s infrastructure, she has built a body of work defined by personal...

For nearly three decades, Steve Stanley has been one of the quiet architects behind how we remember mid-century American pop. His work as a reissue producer and archivist has revived artists who slipped through the cracks of the industry machine, restoring not only their music but the cultural scaffolding around it. From Del-Fi to Rev-Ola to his own Now Sounds imprint, Stanley has built a body of...

It’s a remarkable moment to be a record collector. Music lovers have never had more ways to hear their favorite albums in whatever format feels right: hi-res files, streaming on the move, the whole buffet. And yet, there’s a meaningful difference between a solid pressing and a pressing built to be the definitive document of an album. Audiophile labels have chased that ideal for decades: each worki...

There are people who make great sound feel less like a secret society and more like an open door. Bob Hazelwood is one of them. He is the Director of Engineering and Product Development at Andover Audio, and his career runs through many major players in the industry. He grew up in South Jersey, built his first amplifier at fifteen, and has been chasing better sound ever since. He loves working wit...

Everyone agrees that music and the arts are essential — they make us smarter, more empathetic, more human. You’ll hear it in every school mission statement, every campaign speech, every conversation about what “really matters” for kids. And yet, walk into most public schools and the first thing on the chopping block is still the music program. It’s as if we all nodded our heads in agreement and th...

There’s a question that’s been circling the music world for a while now — and it’s only getting louder: how does a new artist actually get heard today? Because if you look around, the industry that once thrived on risk and discovery now seems to cling to nostalgia like a life raft. Major labels and festival lineups read like a roll call of the same veterans — the safe bets, the proven draws — whil...

This episode feels like a meeting across time — the past, present, and future of vinyl commerce sitting down for a conversation. On one side of the table, there’s Chad Kassem — the founder of Acoustic Sounds, Analogue Productions, and Quality Record Pressings — a man whose passion for high-fidelity sound and meticulous craftsmanship helped revive the vinyl industry when nearly everyone else was go...

Be honest — when was the last time you listened to a record all the way through, without checking your phone? No notifications. No scrolling. No playlists on shuffle. Just… listening. In a world that never stops pinging, Discogs — yes, the massive online music database and marketplace — is asking us to do something radical: to step away. On October 18th, they’re launching a global initiative calle...

Few albums in the history of rock music have had a journey as unlikely—or as triumphant—as Odessey and Oracle . Recorded at Abbey Road Studios in 1967 during the final months of the original Zombies, the record was released only after the band had already broken up. And yet, what emerged from that bittersweet moment was a British psych-pop masterpiece: an album that gave us “Time of the Season,” a...

Few musicians have had as wide-ranging an impact on popular music as Steve Porcaro. As a founding member of Toto, his synthesizer work helped define an era—on hits like “Africa,” “Rosanna,” and “Hold the Line.” But his influence doesn’t stop there. Steve co-wrote “Human Nature,” one of the most enduring tracks on Michael Jackson’s Thriller, still the best-selling album of all time, and he became a...