The Rough Cut

Editor – Joe Murphy and Music Editor – Scott Hedrick Resident Evil editor Joe Murphy and music editor Scott Hedrick join The Rough Cut to discuss the picture and music editorial work behind Zach Cregger's reinvention of the legendary survival-horror franchise. For Joe, the film marks his third consecutive collaboration with Cregger following Barbarian and Weapons , while Scott brings a background...

Editors – Chris Chandler and Devin Dulany The Musical editors Chris Chandler and Devin Dulany discuss cutting a dark comedy that turns professional frustration, romantic jealousy and middle-school theater into an increasingly elaborate act of revenge. For Devin, the project began years earlier when he edited the original AFI short that eventually became the feature, while Chris brought a backgroun...

Editor – Phil Hignett Finding Emily editor Phil Hignett returns to The Rough Cut to discuss cutting a romantic comedy built around music, timing, chemistry and the difficult balance between letting a joke land and giving a relationship enough space to feel real. Working with director Alicia MacDonald, Phil helped shape a film that draws on the pleasures of the classic British rom-com while giving...

Editor – John Axelrad, ACE The End of Oak Street editor John Axelrad, ACE returns to The Rough Cut to discuss cutting a science-fiction thriller that takes an ordinary suburban family and abruptly removes every familiar rule of the world around them. Working with writer-director David Robert Mitchell, John had to balance large-scale spectacle and mystery with a story that remains grounded in the r...

Spider-Man: Brand New Day Editors – Nat Sanders, ACE; Harry Yoon, ACE and Gina Sansom Spider-Man: Brand New Day editors Nat Sanders, ACE, Harry Yoon, ACE and Gina Sansom join The Rough Cut to discuss helping director Destin Daniel Cretton take Peter Parker into a deeper, more grounded chapter of his story. Nat and Gina began the film together during production, with Harry joining them for the dire...

Editor – Payton Koch For Avatar: The Last Airbender editor Payton Koch, this job offered a very different kind of editorial challenge from his Emmy-nominated work on Only Murders in the Building . The series has to move between large-scale action, visual effects, martial arts, comedy, mythology and coming-of-age drama, often within the same sequence. It also has to satisfy a fanbase that knows thi...

Editor – Greg Ng BACKROOMS editor Greg Ng joins The Rough Cut to discuss cutting a film built around liminal spaces, analog horror, slow-burn tension and the challenge of turning an internet-born phenomenon into a feature-length cinematic experience. Directed by Kane Parsons, BACKROOMS expands on the world Parsons first created through his viral YouTube videos, where endless yellow corridors, fluo...

Editor – Greg O'Bryant Tuner editor Greg O'Bryant returns to the podcast to discuss cutting a film that is part crime thriller, part romance, part character study, part music movie and part very compelling argument for keeping your ears covered in New York City. Directed by Academy Award-winning documentary filmmaker Daniel Roher, Tuner stars Leo Woodall as Niki, a gifted piano tuner whose hyperse...

Widow's Bay Editors – Isaac Hagy, ACE; Kyle Reiter, ACE and Jen Bryson The editors of Widow's Bay may not live on a cursed New England island, but after years of working together across shows like Atlanta , Station Eleven and Mr. & Mrs. Smith , Isaac Hagy, Kyle Reiter and Jen Bryson have developed the kind of shared creative history that makes them feel right at home in one. Created by Katie Dippo...

Spider-Noir Editors – Jennifer Barbot, ACE; Tirsa Hackshaw, ACE; Eric Kissack, ACE and Geraud Brisson, ACE Although the editors of Spider-Noir may have all arrived at the series through different paths, they quickly found themselves working toward the same goal: shaping a superhero story that functions first and foremost as a noir detective tale. For Jennifer Barbot, Tirsa Hackshaw, Eric Kissack,...

Editors - Laura Zempel, ACE and Lauren Connelly, ACE Although BEEF - Season 2 editors Laura Zempel and Lauren Connelly are working together for the first time, this is Laura's second season working on the series.  But despite being new to one another, Laura's and Lauren's talents seamlessly combined to tackle a complex, character-driven "slow burn" with multiple storylines that required a delicate...

Editor - Brian Philip Davis Hokum  editor Brian Philip Davis teams up once more with director Damian McCarthy.  Prior to this film the two joined forces to craft McCarthy's supernatural thriller, Oddity .  This time out, they double down on the dread and jack up the jump scares to keep audiences on the edge of, and often a few feet above, their seats. Written and directed by Damian McCarthy, Hokum...

Editor - Nena Erb ACE and Asst. Editor Gioia Caruso Wonder Man editor Nena Erb and her assistant Gioia Caruso first worked together on the R-rated road trip comedy, Joy Ride. A film that could not be more different than the grounded, character driven tv series, Wonder Man .  Making the dramatic jump in tone and style from Joy Ride to Wonder Man might have been a daunting task for other editorial d...

Editor - Joel Negron ACE, Sound Designers - Erik Aadahl and Ethan Van der Ryn Project Hail Mary editor Joel Negron says that one of the first calls that he makes when he signs on to a new film is to his trusted colleagues in audio post, Erik and Ethan.  And for more than fifteen years the trio has collaborated on a wide variety of films, including the Transformers franchise, Jungle Cruise and Coca...

Editor - Tim Squyres, ACE Mike & Nick & Nick & Alice editor Tim Squyres has over three decades of experience working with directors such as Ang Lee, Robert Altman and Jonathan Demme.  But his latest film marks the first time collaborating with writer/director BenDavid Grabinski.  Together the two navigated the tonal minefield of blending action, comedy, romance and a little time travel, to deliver...

Axel Geddes ACE, Tony Greenberg, Chloe Kloezeman, Geoff Sledge, Ayesha Johannes The Hoppers editing team of Axel, Tony, Chloe, Geoff and Ayesha understand better than anyone, that in the world of animation, creating a captivating film involves more than just drawing and animating characters. It requires a deep understanding of storytelling, editing, and collaboration.  Not to mention the occasiona...

Editor - Nigel Williams How to Get to Heaven From Belfast  editor Nigel Williams once again finds himself cutting with showrunner Lisa McGee.  Having first worked with McGee on her hit series, Derry Girls , the two are back together for a show that features Lisa's well-known witty dialogue and quirky characters, but this time all wrapped up in a mystery. How to Get to Heaven From Belfast is an eig...

Editors - Arthur Tarnowski ACE, CCE and Véronique Barbe CCE After years of working in different cutting rooms across Montreal, Heated Rivalry editors Arthur Tarnowski and Véronique Barbe are finally skating on the same line for showrunner Jacob Tierney. But bringing the "spicy" subject matter of Rachel Reid's book series to tv audiences would be no small feat. It required the editors to find the r...

Editor - Michael P. Shawver Sinners editor Michael Shawver has enjoyed a long and productive relationship with his former USC classmate, director Ryan Coogler.  Together the two have collaborated on Fruitvale Station , Creed , Black Panther , Black Panther: Wakanda Forever and now Sinners .  Their past experience on both VFX-heavy films like Black Panther, as well as socio-political dramas like Fr...

Editors - Skip Macdonald ACE, Chris McCaleb ACE and Joey Liew The PLUR1BUS editing team of Skip, Chris and Joey have worked together for 15 years on Vince Gilligan's Breaking Bad , Better Call Saul and now his new sci-fi hit for Apple TV+.  With that kind of shared experience the three have established a creative "hive mind" of their own, while still demonstrating their individual talents as story...

Editor - Stacey Schroeder ACE Editor Stacey Schroeder ACE admits she knows nothing about magic, but you wouldn't know it from the amazing slight of hand she demonstrates when cutting a movie.  Coming into this film never having worked with director Ruben Fleischer before, and also being new to the franchise, Stacey had to rely upon her past experiences in comedy and action to hit all the right not...

Editors - Esther Sokolow, Glenn Garland ACE and Matthew V. Colonna ACE IT: Welcome to Derry editors Esther, Glenn and Matt had never worked together prior to the new HBO series, but quickly formed a family bond that translated into a fun and creative cutting room.  Their antics included scaring unsuspecting tourists taking the Warner Brothers tram tour past their offices.  And you know what Jack T...

Editor, Myron Kerstein ACE WICKED: FOR GOOD editor, Myron Kerstein ACE finds himself in familiar post-production territory after taking a short break to enjoy the success of the first film in this two-part adaption of the musical megahit.  This brief respit included Myron receiving an Oscar® nomination and an ACE Eddie win for his efforts.  But this time out, Myron faces the challenge of closing o...

Editor - Evan Schiff ACE Frankenstein editor Evan Schiff ACE first began his journey as an assistant editor on Del Toro's Pan's Labyrinth (2006). Over the next, nearly two decades, Evan would establish himself as an action movie editor to be reckoned with.  He would flex his cutting chops on films like John Wick: Chapter 2 (2017), John Wick: Chapter 3 - Parabellum (2019) and Bob Odenkirk's action...

Editor - Nathan Schauf KPop Demon Hunters editor Nathan Schauf was already a trusted teammember at Sony Pictures Animation (SPA) when has was asked to "lend a hand for a bit" on this new action-comedy musical. Not long after, lending a hand turned into leading the way, with Nathan leaning on his years of experience cutting animation to help craft the film into a worldwide hit that would become Net...