The Rialto Report

In this era where everyone seems to be chasing follows, likes, shares, and clicks I have to admit I try not to look at which Rialto Report interviews have had the biggest audience. The reason is simple: I’ve wanted to cover all people from the golden age of adult film, regardless of their notoriety, because all stories are interesting and informative, big or small, famous or unknown. But if you re...

The 1980s and 90s adult film A-lister Jeanna Fine passed away 6 months ago way too young. A few weeks after that, we shared an interview I started with Jeanne but never got to finish. It was mostly about what led Jeanna to get into the adult industry – and the discussion was rounded out by a recording Patrick Kindlon of the band the Self Defense Family shared with us. If you haven’t heard th...

In the first part of my interview with Tanqueray, we heard the striking story of Tanqueray’s early life – long before she became such as viral sensation on social media as a result of her appearances on Humans of New York. She was called Stephanie and she’d had a tough upbringing, raised by a strict single mother in an all-white upstate New York area, and then a teenage pregnancy, an unfortunate r...

Back in 2014, a woman called Stephanie contacted me at The Rialto Report . She described herself as ‘a designer of erotic costumes’ and shared some memories of the old days when she said she’d made garments for many people in the early adult film business. Vanessa del Rio , Gloria Leonard , Bambi Woods , and others, she said. I must admit I didn’t follow up very quickly – after all, I reasoned, is...

The former adult film star Tiffany Clark passed away this week. Some might say this comes with the territory when you cover an industry that began almost 60 years ago. But while Tiffany started in the business in 1979, she was only 18 at the time and just 65 when she died of cancer. Others might ask why I would be sad about somebody I interviewed once almost 10 years ago. But I lucked out with Tif...

Memory is a tricky thing. Small details can burn brighter than some of life’s defining events. The act of recall and the power of suggestion can fundamentally alter the content of our recollections. Experiences that seem like they should be tattooed onto our psyches can be lost to time.  And memory can be selective. Whether that’s by conscious choice, subconscious bias, or pure forgetfulness varie...

Zebedy Colt is one of least likely characters we expected to feature in a podcast interview when The Rialto Report first began. For a start, Zebedy passed away in 2004 at the age of 74, after a wildly varied and peripatetic acting career that had started with small parts as a child actor in Hollywood in the 1930s and continued on to regional theater and summer stock across the country, including s...

Back in the day, everybody seemed to have an opinion about Ron Jeremy – and maybe that was part of his appeal. He was probably the most ubiquitous of all male adult film stars, and certainly the most polarizing. In the early days of The Rialto Report , I was keen to interview him. My interest has always been in tracking down stories from the golden age of adult cinema that have never been revealed...

In 1964, Lorey Kaye, a twenty-year-old from New Haven, CT, moved to Manhattan to start a new life in the big city. Lorey was a fresh-faced, dark-haired hippie, who attracted attention as much for her headstrong, determined, street smart attitude as for her striking good looks. She was hired as a waitress in a new nightclub that had just opened in Times Square – called Steve Paul’s ‘The Scene...

In  ‘Taxi Driver’ (1976), Travis Bickle railed against social decay, moral corruption, and the depraved filth he perceived in the near-bankrupt New York City of the mid 1970s. An insomniac, alienated Vietnam War vet, his taxi trips revealed the city to him as a “sewer” filled with “scum” that needed to be “cleansed”. Around the same time, another taxi driv...

It all started over thirty years ago. I thought it would be interesting to track down people who’d been involved in the very first adult films because I was intrigued to learn what they remembered about the time – and find out how the experience had affected their lives afterwards. Bear in mind, this was over 30 years ago, before the era of social media, search tools, and online databases, so I ha...

Jeanna Fine passed away last month. If you’re a regular listener to The Rialto Report , you’ll know that we like to interview a person from a different angle. It’s a more intimate and personal exploration, rather than just revisiting someone’s fleeting moments on camera. And it can be a challenge to convince someone to open up in that way. Sometimes it’s quick and easy to persuade a person t...

Regular listeners will know that over the last few years, I’ve spoken to many female adult film actors who were active from the 1960s through to the late 1980s, and, as interesting as their experiences were, it also made me intrigued to find out what it was like to be a male in the business during the same time. So a few months ago, I contacted actor/director/agent and X-rated film producer, Bud L...

The adult film business is unique in that it has usually focused on women as the figureheads and main stars, and therefore often relegated men to the background. Over the last years, I’ve spoken to many female adult actors – from the 1960s through to the late 1980s, and it’s been interesting to see how their memories, experiences, and lives were affected as the sex film business changed.  Bu...

In 1979, Dennis Posa was on the verge of stardom. Against all odds, as Dennis Parker, he’d just released a disco record on a major recording label and was managed by the same team responsible for many of the biggest disco acts of the time. I say, against all odds, because less than 10 years earlier, he’d been a college dropout, the product of a difficult childhood on Long Island who struggled with...

I’ve always loved movies, especially the films I grew up with in the 1970s. I was seduced by their gritty realism, social commentary, complex characters, and a more honest portrayal of the human condition. And I was fan of that generation of film stars too: always surprising, sometimes conflicted figures, artists more than the celebrities that we have today. Movie genres seemed less important to m...

This past week I phoned Paul Thomas , former adult performer and film director, also known as PT. I’m heading out to LA shortly and was calling to set up a date with him and his wife. Seeing the two of them when I’m out west is one of my favorite things. It starts sitting together in their backyard under the Los Angeles sun, catching up on what’s been happening since my last visit. Then strolling...

Years ago, I first saw the 1970s adult film Barbara Broadcast (1977) on the big screen, and it made a big impression. In the film, there’s a scene which shows a man standing behind an industrial kitchen worktable, a shirtless, mustached piece of beefcake that was Wade Nichols . Rugged yet pretty. Lean, toned, and handsome. He looked like the Marlboro man from the distant plains, if that cowboy had...

Who was the original actor cast in the lead role of the golden age blockbuster, The Devil in Miss Jones (1973)? Not Georgina Spelvin , the talented doyenne of adult films who starred in many pre-video era features, first in New York then in California, and who was the eventual star of the film as ‘Miss Jones.’ No, Gerard Damiano first chose another actress, Sue Flaken , to fill the role, only to c...

In the first part of our interview with Susan Hart , we heard about Sue’s early years in 1970s Los Angeles, growing up in a strict Catholic family, running away from home when she was 15, and becoming involved in a bad relationship. She escaped – into the army of all places, before finding a different kind of home, of sorts, as a prolific performer in the early adult video industry. But what is un...

Perhaps one of the less obvious aspects of The Rialto Report is that it may lead to the impression that people involved in the adult industry forty or fifty years ago are all pretty comfortable talking about their pasts and have led serene lives, free of incident, since they stopped making sex films. After all, our podcasts and interviews are filled with people talking pretty openly about their ex...

Previously on Chasing Butterflies – Stories of Cubans in Exploitation-Era Florida: After Dolores Carlos ’ retirement from acting in South Florida nudie films in the late 1960s, she still remained close to her circle of Cuban filmmaker friends, and none more so than José Prieto , Greg Sandor , and Rafael Remy . They would still meet regularly, and all three took an active interest in her daughter M...

Previously on Chasing Butterflies – Stories of Cubans in Exploitation-Era Florida: You may remember Marcy Bichette ’s start in life from our earlier episodes: she was born Marcelle Denise Bichette in St Petersburg, Florida in August 1950 to a young married couple who had distinctly different ambitions in life. Her father, Maurice Bichette, had married looking for a settled, quiet existence, but he...

Previously on Chasing Butterflies – Stories of Cubans in Exploitation-Era Florida: Manuel Conde had lived several lives even before he moved to Miami, Florida. He’d been born José Conde Samaniego in 1917 in Galicia, in northern Spain, though his family fled to Cuba after General Franco’s fascist coup d’état in the 1930s. And then, in 1959, Castro overthrew the government and enforced Communi...

Previously on Chasing Butterflies – Stories of Cubans in Exploitation-Era Florida: Dolores Carlos was from a fiercely Cuban family, even though she was born in Tampa, Florida in October 1930, and never visited her country of origin. Her Cuban heritage and good looks, not to mention her patriotism, came from her father, Gus, and grandfather, Carlos, who had run the family’s cigar making business. G...