The Music Show

Voiceless Mass, by Raven Chacon, can be performed in 'any space of worship with high ceilings and pipe organ' and plays with the amplifying power of a church's architecture, while commenting on the silencing of voices and languages that churches have been active in throughout their history. It won the composer the Pulitzer Prize for music in 2022 and is heading to the Rising Festival in Melbourne....

The American pianist Ruth Slenczynska, who died last week at the age of 101, was a childhood prodigy (although she denies the label). That came at a huge price, including a punishing concert schedule from the age of 4, orchestrated in the main by a tyrannical teacher-father. She went on to be one of the great pianists of the 20th century, playing duets with Harry Truman, touring with Arthur Fiedle...

Scottish composer Anna Meredith creates a meeting place between the concert platform and the rave in her music. Her piece for electronics and string quartet, Tuggemo, takes its name from an archaic English word for a swarm of bees, and demands to be heard loud. It's being given its Australian premiere by Omega Ensemble as part of their Howl concert season. Sophia Brous is an Australian composer ba...

Jeremy Sams is a composer, theatre director and a long-time friend of the show. He's the latest in our series of long conversations with old friends. He joined Andy recently in London to talk about how opera, music theatre and the industries behind the art forms have transformed over the years.  Music heard in the show: Title: Balloon MusicArtist: Royal Philharmonic OrchestraComposer: Jeremy SamsA...

ZÖJ, the collaboration between Gelareh Pour and Brian O'Dwyer perform the opening track from their new album, May The Devil’s Ear Be Deaf, live in the music show studios. The album was recorded at an artists retreat in Banff, Canada, and features music “built on fragility and on the fear of its own erasure." They also talk about performing a live score to a remarkable 1925 silent film, Grass: A Na...

The Mountain Goats started out as a solo project by then-psych nurse John Darnielle recording directly into a boombox in his room. Their latest album (Through This Fire Across From Peter Balkan) is a "full-on musical", complete with french horn and a string section, recorded on what sound like very nice microphones. Darnielle's tastes and influences are esoteric and wide ranging, and so is this co...

Robert Finley's first album was called Age Don't Mean A Thing, which was fitting because he released it in his 60s. Before that, he was a military man and then a carpenter. When he began to go blind he sat down his tools and returned to music - initially the blues - but his latest album Hallelujah! Don't Let the Devil Fool Ya is a gospel album, and a very special one.  Robert is on tour in Austral...

Film composer Bernard Herrmann’s career started and ended with classics: his first film was Orson Welles’s Citizen Kane (1941), his last was Martin Scorsese’s Taxi Driver (1976). But it’s the nine films that Herrmann worked on with Alfred Hitchcock that define his legacy, and in his new book, Hitchcock and Herrmann: The Friendship and Film Scores that Changed Cinema , Steven C Smith examines the w...

There aren’t many bands that are still going after 50 years, but Sparks, who had their first big hit back in 1974 with This Town Ain’t Big Enough For Both Of Us, have seen a renaissance of sorts in the last few years - they wrote a film, starred in a documentary, collaborated with Cate Blanchett, and have released some of their best work. The brothers, Ron and Russell Mael, talk about their shifti...

Tabaran, the 1990 album by Not Drowning, Waving and the musicians Of Rabaul, Papua New Guinea featuring Telek, has been inducted into the National Film and Sound Archive as one of the Sounds of Australia. David Bridie looks back on the album, which saw the band head to Papua New Guinea to work with George Telek for the first time. The music of Australian composer Carl Vine serves as a swan-song fo...

Alan Menken’s name is synonymous with Disney’s 1990s purple patch: a so called ‘renaissance’ of the animation empire’s fortunes, where a run of films starting with 1989’s The Little Mermaid cut through to a new generation. Ahead of a series of solo performances in Australia, he talks to Andy about how he's brought characters to life through songs.  And from the archives, conversations with three m...

We're digging into the archives for a special program looking at the role that music played in the UK miners' strikes: a political, industrial and personal struggle. From Peggy Seeger to Paul Weller, Billy Bragg to brass bands—there's music supporting the striking miners, songs tormenting strikebreakers and tracks referencing (and sometimes sampling) National Union of Mineworkers leader Arthur Sca...

Zoe Knighton of Flinders Quartet is undertaking a multi-year project with composer Melody Eötvös. It's fittingly called The Eötvös Cycle, and The Music Show will be following this creation of new Australian repertoire over the next five years.  Composer Cassie To has told other people's stories when she's scored for the screen and advertising, but her debut album, Heart Songs, takes her into a dee...

Writing about and scholarship of Bob Dylan tends to focus on the words - he's a Nobel Prize winner for literature, after all - but his music deserves a deeper look too. Between the jangling guitar sound, rusty-hinge vocal stylings, and highly variable intonation, his unpolished and constantly shifting attitude towards performing his own music demands a long conversation with Steven Rings, author o...

Riccardo Tesi and Giua are bringing their melodeon, guitar, and Italian folk tradition to Australia for a series of concerts called Retablos. These are Peruvian magic boxes which create windows into different worlds. Riccardo and Giua join Andy to open a window into their world Points of Inaccessibility, the latest album by Rafael Anton Irisarri, began as an audio-visual improvisation at a former...

Irish singer and multi-instrumentalist Andy Irvine has been coming on The Music Show for over thirty years, so he's the perfect person to start our occasional 2026 series Music Now & Then, in which Andy (Ford) speaks to long-running guests about how the world of music around them has changed over the years. Andy spoke to Andy in front of a gaggle of session-goers at the Gaelic Club in Sydney....

Spanish violinist María Dueñas makes her Australian debut with the Melbourne Symphony Orchestra, playing Beethoven’s Violin Concerto. Signed to Deutsche Grammophon since she was nineteen, her distinctive style of playing, her expressiveness, and her youth have all captured audiences. She talks to Andy about embracing canonical repertoire like Beethoven, and new music like the work she's premiered...

On stage at WOMADelaide, the world's festival on Kaurna Country, Andy hosts bands from Tanzania, Colombia, and India via the USA. The Zawose Queens, La Perla, and Ganavya demonstrate their diverse musical languages in front of a live audience.  The Music Show is made on Kaurna, Gadigal, Gundungurra, and Wurundjeri Woi Wurrung Country Country Technical production by Ann-Marie Debettencor

First discovered as a 17-year-old, Annahstasia found the music industry had a vision for her that she didn't recognise. Leaving the industry behind gave her a chance to find her voice - both metaphorically and literally, with months spent testing various mics and studios to get the right right for her latest album, Tether. While she points to influences like Nina Simone and Bill Withers, Annahstas...

Ron Sexsmith is a Canadian singer-songwriter who more than earns the title of tunesmith with his melodies and storytelling. He's back on The Music Show to talk about his latest album Hangover Terrace, about finding his voice eight albums into his career, and being a songwriter's songwriter. Uncategorisable is how we like them on The Music Show and Mary Coughlan is certainly that. The Irish singer...

Marisa Anderson says she learned to play the guitar three times. Once, as a young learner of classical guitar as a child. Then, being exposed to folk music at university, and, finally, when she threw away standard tuning about fifteen years later. On her latest album, The Anthology of UnAmerican Folk Music, she has taken inspiration from the record collection of Harry Smith and created her own ver...

It's the hundredth birthday of György Kurtág, one of the most revered and increasingly performed of living composers. Cellist Steven Isserlis and baritone Benjamin Appl have both worked closely with the Hungarian composer on his rarefied music, and they tell Andy about his humour, high standards and a commitment to work that finds him currently composing a new opera in between taking Latin and Man...

British Japanese composer Ben Nobuto's Hallelujah Sim. opened the BBC Proms in 2024, garnering a roaring, standing ovation (a rare feat for a world premiere). His musical vocabulary, which marries precise chamber music sensibilities with video game sound effects and electronic multitracking, is unique in the universe of contemporary composition. He joins Andy to unpack his composition process and...

Carlo Gesualdo was a Renaissance composer, a prince, and a murderer. His sacred music, including his Tenebrae Responsoria, is a strange collection of settings full of dissonance and chromatic moving parts. AJ America is the Artistic Director of Luminescence Chamber Singers, and she joins Andy to talk about how the gory details of Gesualdo's life translate to the music. Blinky Bill is a Kenyan musi...

Gillian Welch and David Rawlings are one of the great couples of Americana, with a catalogue that stretches back decades. Along the way they've put their stamp on the classics of American folk, and created more than a few classics of their own. On the twenty-fifth anniversary of Time (The Revelator), they're heading back to Australia to show off their latest collection of new material: Woodland. T...