The Music Show

Robert Finley's first album was called Age Don't Mean A Thing, which was fitting because he released it in his 60s. Before that, he was a military man and then a carpenter. When he began to go blind he sat down his tools and returned to music - initially the blues - but his latest album Hallelujah! Don't Let the Devil Fool Ya is a gospel album, and a very special one.  Robert is on tour in Austral...

Film composer Bernard Herrmann’s career started and ended with classics: his first film was Orson Welles’s Citizen Kane (1941), his last was Martin Scorsese’s Taxi Driver (1976). But it’s the nine films that Herrmann worked on with Alfred Hitchcock that define his legacy, and in his new book, Hitchcock and Herrmann: The Friendship and Film Scores that Changed Cinema , Steven C Smith examines the w...

There aren’t many bands that are still going after 50 years, but Sparks, who had their first big hit back in 1974 with This Town Ain’t Big Enough For Both Of Us, have seen a renaissance of sorts in the last few years - they wrote a film, starred in a documentary, collaborated with Cate Blanchett, and have released some of their best work. The brothers, Ron and Russell Mael, talk about their shifti...

Tabaran, the 1990 album by Not Drowning, Waving and the musicians Of Rabaul, Papua New Guinea featuring Telek, has been inducted into the National Film and Sound Archive as one of the Sounds of Australia. David Bridie looks back on the album, which saw the band head to Papua New Guinea to work with George Telek for the first time. The music of Australian composer Carl Vine serves as a swan-song fo...

Alan Menken’s name is synonymous with Disney’s 1990s purple patch: a so called ‘renaissance’ of the animation empire’s fortunes, where a run of films starting with 1989’s The Little Mermaid cut through to a new generation. Ahead of a series of solo performances in Australia, he talks to Andy about how he's brought characters to life through songs.  And from the archives, conversations with three m...

We're digging into the archives for a special program looking at the role that music played in the UK miners' strikes: a political, industrial and personal struggle. From Peggy Seeger to Paul Weller, Billy Bragg to brass bands—there's music supporting the striking miners, songs tormenting strikebreakers and tracks referencing (and sometimes sampling) National Union of Mineworkers leader Arthur Sca...

Zoe Knighton of Flinders Quartet is undertaking a multi-year project with composer Melody Eötvös. It's fittingly called The Eötvös Cycle, and The Music Show will be following this creation of new Australian repertoire over the next five years.  Composer Cassie To has told other people's stories when she's scored for the screen and advertising, but her debut album, Heart Songs, takes her into a dee...

Writing about and scholarship of Bob Dylan tends to focus on the words - he's a Nobel Prize winner for literature, after all - but his music deserves a deeper look too. Between the jangling guitar sound, rusty-hinge vocal stylings, and highly variable intonation, his unpolished and constantly shifting attitude towards performing his own music demands a long conversation with Steven Rings, author o...

Riccardo Tesi and Giua are bringing their melodeon, guitar, and Italian folk tradition to Australia for a series of concerts called Retablos. These are Peruvian magic boxes which create windows into different worlds. Riccardo and Giua join Andy to open a window into their world Points of Inaccessibility, the latest album by Rafael Anton Irisarri, began as an audio-visual improvisation at a former...

Irish singer and multi-instrumentalist Andy Irvine has been coming on The Music Show for over thirty years, so he's the perfect person to start our occasional 2026 series Music Now & Then, in which Andy (Ford) speaks to long-running guests about how the world of music around them has changed over the years. Andy spoke to Andy in front of a gaggle of session-goers at the Gaelic Club in Sydney....

Spanish violinist María Dueñas makes her Australian debut with the Melbourne Symphony Orchestra, playing Beethoven’s Violin Concerto. Signed to Deutsche Grammophon since she was nineteen, her distinctive style of playing, her expressiveness, and her youth have all captured audiences. She talks to Andy about embracing canonical repertoire like Beethoven, and new music like the work she's premiered...

On stage at WOMADelaide, the world's festival on Kaurna Country, Andy hosts bands from Tanzania, Colombia, and India via the USA. The Zawose Queens, La Perla, and Ganavya demonstrate their diverse musical languages in front of a live audience.  The Music Show is made on Kaurna, Gadigal, Gundungurra, and Wurundjeri Woi Wurrung Country Country Technical production by Ann-Marie Debettencor

First discovered as a 17-year-old, Annahstasia found the music industry had a vision for her that she didn't recognise. Leaving the industry behind gave her a chance to find her voice - both metaphorically and literally, with months spent testing various mics and studios to get the right right for her latest album, Tether. While she points to influences like Nina Simone and Bill Withers, Annahstas...

Ron Sexsmith is a Canadian singer-songwriter who more than earns the title of tunesmith with his melodies and storytelling. He's back on The Music Show to talk about his latest album Hangover Terrace, about finding his voice eight albums into his career, and being a songwriter's songwriter. Uncategorisable is how we like them on The Music Show and Mary Coughlan is certainly that. The Irish singer...

Marisa Anderson says she learned to play the guitar three times. Once, as a young learner of classical guitar as a child. Then, being exposed to folk music at university, and, finally, when she threw away standard tuning about fifteen years later. On her latest album, The Anthology of UnAmerican Folk Music, she has taken inspiration from the record collection of Harry Smith and created her own ver...

It's the hundredth birthday of György Kurtág, one of the most revered and increasingly performed of living composers. Cellist Steven Isserlis and baritone Benjamin Appl have both worked closely with the Hungarian composer on his rarefied music, and they tell Andy about his humour, high standards and a commitment to work that finds him currently composing a new opera in between taking Latin and Man...

British Japanese composer Ben Nobuto's Hallelujah Sim. opened the BBC Proms in 2024, garnering a roaring, standing ovation (a rare feat for a world premiere). His musical vocabulary, which marries precise chamber music sensibilities with video game sound effects and electronic multitracking, is unique in the universe of contemporary composition. He joins Andy to unpack his composition process and...

Carlo Gesualdo was a Renaissance composer, a prince, and a murderer. His sacred music, including his Tenebrae Responsoria, is a strange collection of settings full of dissonance and chromatic moving parts. AJ America is the Artistic Director of Luminescence Chamber Singers, and she joins Andy to talk about how the gory details of Gesualdo's life translate to the music. Blinky Bill is a Kenyan musi...

Gillian Welch and David Rawlings are one of the great couples of Americana, with a catalogue that stretches back decades. Along the way they've put their stamp on the classics of American folk, and created more than a few classics of their own. On the twenty-fifth anniversary of Time (The Revelator), they're heading back to Australia to show off their latest collection of new material: Woodland. T...

Lachlan Skipworth, one of Australia's most beautiful compositional voices, has a very unusual new double concerto - for trumpet and clarinet - set to premiere with Omega Ensemble. He tells Andy how a series of 'joyful and uplifting' commissions added a new string to his bow. And Thomas William Smith & Mara Schwerdtfeger from the ambient collective Worlds Only share why they prefer to exist in...

Andrea Keller is not only a pianist, composer, bandleader and educator, she's also the Jazz Ambassador at this year's Clarence Jazz Festival, celebrating its 30th year. She joins Andy to talk about creating a web of collaborators in her Transients series.  Ian Thompson's book, Synths, Sax and Situationists, examines the music of the French underground that began with the Paris 'events' of May 1968...

Tim Finn and Neil Finn have worked together in a number of guises over the years: Crowded House, The Finn Brothers, and guesting on each other’s solo projects. But it all began with Split Enz, and there’s something about that music that keeps bringing them back together. Neil and Finn reminisce about their early collaborations, explain how a setlist comes together, and share how The Eagles were a...

Lucy Dacus is now perhaps best known for being one third of boygenius, one of the great sad girl groups of all time. But her latest album, Forever is a Feeling, is bursting with romantic joy. On her way to Australia for a series of shows, she talks to Andy about finding its lush sound, performing it live, and about singing for Zohran Mamdani’s mayoral inauguration in New York City. Útóipe Cheiltea...

Singer and actor Ursula Yovich joins Andy to talk about Nina Simone. Yovich has been taking on Simone's music for a show at Sydney Festival and she explores what set Simone apart, what part of her story she wanted to tell, the continuing importance of Simone's politics, and the cost to an artist to perform and share themselves on the stage. And Toshi Maeda, from the Australian punk band Mach Pelic...

From a teenage band driving up and down the coast in a station wagon to one of the biggest Australian bands of all time, Midnight Oil survived on the backbone of drummer, founding member, and songwriter Rob Hirst. Hirst, who has died at the age of 70, was a frequent guest on The Music Show, both as an Oil and with his blues band the Backsliders, and we remember him with a selection of appearances,...