The Long Thread Podcast

A fifth-generation quilter from the legendary community of Gee’s Bend, Alabama, Loretta Pettway Bennett turns well used cloth into her own expressions of color and community. Loretta Pettway Bennett began her quilting journey as a child, threading needles for her mother as she sewed scraps into bedcoverings. The women in the town of Gee’s Bend pieced quilt tops and got together to hand quilt their...

With no background in fiber but a calling to help women in need, Diana Wiley built a thriving organization on handspun yarn, needlefelted gorillas, and a holistic community for over 200 women. Stepping into the Handspun Hope booth at a fiber festival feels like entering a luxury boutique filled with natural fibers, colorful yarns, handmade buttons, and whimsical sculptures. It would be easy to enj...

As Spin Off nears 50 years old, editor Pamela K. Schultz sees herself as the host of a wonderful spinning party that welcomes one and all. Taking a day off from the grind of law school, Pamela Schultz visited an art fair and saw a spinner with a spinning wheel. A longtime knitter, she had resisted suggestions that she learn to spin, but the rhythm of treadling and drafting offered an antidote to h...

Among four-shaft weavers, A Handweaver's Pattern Book is commonly referred to by just the author’s name—Davison—or as “the green book,” a reference to the iconic cover of many of the book’s printings. Since Marguerite Porter Davison first published it in 1944, it has been a foundational reference, the first book that many weavers buy and the one they keep close at hand. Packed with drafts and phot...

Editor, teacher, and shepherd Kate Larson makes the case that every knitter is already part of the farm-to-fiber story—whether they know it or not. Kate Larson is the editor of Farm & Fiber Knits and a beloved teacher of spinning, knitting, and weaving. She took time out from lambing season to talk about the magazine’s goals. Kate Larson isn’t making a magazine only for farmers and handspinner...

Book Club Podcast: Fiber art veterans Susan Bateman and Melissa Parsons compare notes with host Anne Merrow about the books every weaver, spinner, knitter, and crocheter should have on the bookshelf—plus big news about a classic weaving directory. They’re the first books you reach for, the ones you’ll never part with, and the first thing you recommend to every new crafter. If you have only one boo...

Knitters and crocheters know Angela Tong as a designer with hooks and needles, while weavers recognize her work in rigid-heddle and pin looms. Visitors to galleries and artisan markets know her as a potter. Angela thinks of herself simply as a maker, always drawn to creating beauty with her hands. Her first professional job set the tone: after earning a degree from the Fashion Institute of Technol...

Before Ravelry, before knitting podcasts, before the internet fully found its craft obsession, there was Knitty. Amy Sadler shares the inspiration and evolution of the online knitting phenomenon. In the early 2000s, as the internet became part of daily life for millions, Amy Sadler began a knitting blog. The blog movement connected knitters around the world (whether newbies or longtime stitchers)...

What new craft books are can't-miss? Which are the classic reference books that every crafter should have on the shelf? In the Yarn Barn of Kansas Book Club, teachers and book lovers talk about the books they wouldn't be without. Sponsored by Yarn Barn of Kansas Learning how to weave but need the right shuttle? Hooked on knitting and in search of a lofty yarn? Yarn Barn of Kansas has been your par...

Best known for his work with peanuts, renowned agricultural scientist George Washington Carver had a lifelong passion for needlework. Park Ranger Curtis Gregory shares stories about Carver’s interests in handwork and natural dyeing. Born in 1865 near Diamond, Missouri, George Washington Carver is one of the best known and most respected agricultural scientists in the history of the United States....

Gudrun Johnston has a deep legacy in Shetland knitting: her father’s family comes from the islands, and her mother founded a knitwear company that blended contemporary silhouettes with Fair Isle motifs, a business she called the Shetland Trader. But although Gudrun grew up wearing her mother’s designs, she didn’t learn to knit from her. Growing up largely elsewhere in Scotland, she learned the cra...

Christina Garton didn’t get to be the editor of Little Looms by taking weaving too seriously. First introduced to weaving in a class post-college, she joined Handwoven as assistant editor in 2011. She developed her passions for editing and weaving while working on both multishaft and rigid-heddle looms. Although she still loves working on her four- and eight-shaft looms, she was surprised to disco...

Small textile towns were once common in New England, with stout brick buildings harnessing the power of the region’s water to mill yarn and cloth. The Colony family had been owners of a mill in Harrisville, New Hampshire, since before the Civil War, but by the mid-twentieth century, such factories had begun to disappear. In 1970, 53 mills closed in New England, the Colony family’s among them. John...

The picture of a flock of primitive-breed sheep, the last of their kind, living on an island off the northeast coast of Scotland, has a certain romance to it. Plenty of knitters, spinners, fiber artists, and citizens of the modern world might idly dream of living on such an island and tending such a flock. With no background as a farmer and only a few years as a shepherd, Jane Cooper decided to br...

When you picture lace, what comes to mind: an old-fashioned once-white piece of Victorian embellishment? The elegant, possibly itchy decoration on a wedding gown? If you are a needleworker, you might picture an array of bobbins leashed to a cluster of pins and arrayed on a pillow, or a tatting shuttle, or a steel crochet hook. All of these images would be correct—but capture the tiniest slice of t...

Laverne Waddington discovered weaving by accident—bike accident, to be precise. Recuperating from a mountain biking crash in Utah, she discovered a book on Navajo weaving and was immediately intrigued. A local exhibit of Diné textiles enthralled her, and she set about learning to weave in the Navajo style. Returning to Patagonia, where she had been living, she built a simple loom and explored weav...

When Jen Simonic and Masey Kaplan’s friend lost her mother, she had the challenge of going through her mother’s things while grieving her loss. Among her posessions was something almost every crafter has at least one of: a work in progress. Jen and Masey had each finished projects for bereaved family members before, but neither of them could take on this one, a pair of crocheted blankets for two v...

As a college student and weaver, Amy Oxford fell in love with the punch-needle method of rug hooking almost by accident, a surprising benefit from a babysitting gig. She followed her interest from doing piece work on existing designs to creating large commissioned rugs in her own business. In 1995, she started the Oxford Company to sell supplies and education for punch needle crafters worldwide. T...

At an unexpected juncture in her life, artist Jordana Munk Martin turned to the legacy of her grandmother’s trove of textile books. Edith Wyle founded the Craft and Folk Art Museum in Los Angeles in 1973, curating unconventional exhibits and instilling a love of art in her family. Her granddaughter found inspiration and comfort in the books, then opened the library for other artists to explore. Th...

Fiber artist Mary Anne Wise first went to Guatemala hoping to collect local textiles and inspire her own practice. Just one visit wasn’t enough, and she visited several more times, eventually offering a class in rug hooking to local women artisans. Although the women didn’t have a rug-hooking tradition, they did have abundant material: tons of tee shirts from “donations” that are often shipped to...

Sahara Briscoe has a challenge for you: Do more with yarn. Knit your spinning, spin your knitting, rug hook with yarn, paint on your swatches, embroider with yarn, and question your assumptions about what your stash is for. Working from a compact Bronx studio, Sahara can’t be easily classified under any label ending in -er except New Yorker. She spins, weaves on all kinds of looms, dyes, knits by...

In the history of wool, Spain means Merino, the legendary finewool sheep so prized that their export fell under royal control. From their Spanish origins, Merino genetics formed the basis of wool breeds around the world. The foundations of most finewools, especially in Australia and the United States, count Merino as a major contributor. Apart from Merino, the Spanish sheep carried by colonizers t...

This is Anne’s Book Club, a spotlight episode of the Long Thread Podcast where we share conversations about exciting new craft titles. This episode features three new books from Storey Publishing: The Stitched Landscape by Anna Hultin, The Handsewn Wardrobe by Louisa Owen Sonstroem, and Knitting Cowlettes by Safiyyah Talley. You’ll hear a conversation with each of the authors, followed by an excer...

Sarah Pedlow was enjoying an artist’s residency in Budapest when a museum visit changed the course of her artwork and her career. In the Ethnographic Museum, displays of traditional clothing and dowry goods from Hungarian villages showed an extraordinary variety of skills. Many of the intricately embroidered pieces spoke to an earlier time—although some had been created not that long ago. One type...