The Klassiki Podcast

We’re a few weeks into season seven, so it’s about time to open up the Kino Club, our watch-along exploration of the Klassiki catalogue. For this edition, I spoke with one of our favourite critics, Botagoz Koilybayeva , who’s written for the Klassiki Journal among many other outlets. As always, we asked Botagoz to pick a film from our library that she hadn't seen before, watch it, then jump on a c...

Russian documentary has been in the limelight following the Oscar win for Mr Nobody Against Putin earlier this year. The film consists of footage covertly shot by videographer Pasha Talankin inside the school where he worked, capturing how the militarisation of the modern Russian state makes itself felt in the classroom. Mr Nobody raises important questions about the ethical and logistical challen...

Last week saw the 124th anniversary of Boris Barnet, one of the most influential filmmakers of the Soviet Union. In Europe, Barnet’s lyrical and humanistic cinema has long been canonised – but in the English-speaking world, he was until recently a more acquired taste. That’s changed in recent years: there have been major retrospectives in Chicago and New York, and our friends at Outskirts Magazine...

Welcome back to season seven of the Klassiki Podcast! We’ve got ten more episodes coming up for you on the past and present of eastern European film, including some reporting from the summer festival circuit and a very exciting screening series coming up for our American friends. Subscribe now to make sure you don’t miss an episode.  One of the highlights of last month’s Cannes festival was the lo...

We’ve reached the end of season six. Thank you to all our subscribers and listeners old and new. We’ll be back in the summer – but in the meantime, don’t forget to subscribe so you don’t miss an episode, and please leave us a review and a five-star rating. Thank you! For this final episode, we’re dipping back in to the archive of writing on the Klassiki Journal for an essay on one of the masterpie...

This week, cinema audiences in London are getting the rare chance to see a selection of films by the great Armenian filmmaker Artavazd Pelechian as part of the Open City Documentary Festival. Pelechian’s work, described by Serge Daney as “a missing link in the true history of the cinema”, cuts across documentary, fiction, and essay film, exploring national and natural history, socialist labour, bi...

It’s been a while since we opened up the Kino Club, our watch-along exploration of Klassiki’s ever-expanding catalogue. We’re putting that right this week with a brand new guest: critic, programmer, and teacher Savina Petkova. As always, we asked Savina to pick a film from our library that she hadn't seen before, watch it, then jump on a call to discuss. Her pick was Getting to Know the Big Wide W...

Last week we launched the latest edition of Klassiki Picks, our series of watchlists curated by our friends in the world of cinema and eastern Europe. In this hot seat this time around is British filmmaker Peter Strickland, director of The Duke of Burgundy, Berberian Sound Studio, and In Fabric, among other weird and wonderful titles. Peter has a special link to the world of Eastern European film:...

When it comes to Central and Eastern European film, few movements loom larger than the Czechoslovak New Wave. Emerging in a period of political liberalisation and protest, the New Wave produced formally and politically audacious films before the so-called Prague Spring was crushed by a Soviet invasion in 1968. 2026 marks 60 years since the release of canonical films like Věra Chytilová’s Daisies,...

This week sees the return of one of the highlights of London’s cinematic calendar: BFI Flare, the largest LGBTQ+ film festival in Europe. One of the world premieres this year is To Dance is to Resist, a new documentary from German filmmaker and musician Julian Lautenbacher. Julian has spent five years travelling to Ukraine to document the personal and professional lives of Jay and Vol’demar, dance...

For many cinephiles, the Central Asian states remain something of a blind spot. A case in point is Uzbekistan, whose film industry stretches back to the silent era, but which rarely comes on our radar in the Anglophone world.  To provide some insight into what it’s like to do the work in this part of the world, this week host Sam Goff speaks with Julia Shaginurova. Julia, together with her partner...

This week sees the one hundredth birthday of Andrzej Wajda, the grand old man of Polish cinema. Until 26 March, Klassiki subscribers can watch Wajda’s epochal double header Man of Marble and Man of Iron, about the history of worker resistance in communist Poland, alongside two of his great literary adaptations: Siberian Lady Macbeth and The Promised Land.  With a career running from the 1950s unti...

For this episode, we’re dipping back in to the archive of writing on the Klassiki Journal for a profile of the Ukrainian filmmaker Roman Bondarchuk, whose deadpan, absurdist comedies cut through the myth-making around his country by investigating the “no man’s land” of his native Kherson region. Bondarchuk’s recent feature The Editorial Office was completed during the full-scale invasion by Russia...

Welcome to season six of the Klassiki Podcast! We’re kicking things off by celebrating one of our favourites: Sergei Parajanov. Our new collection Perspectives on Parajanov, available now for subscribers, features the great man’s final two features, The Legend of Suram Fortress and Ashik Kerib. We’re presenting the films alongside Zara Jian’s revelatory documentary, I Will Revenge this World with...

We’ve reached the end of season 5! Thank you to everyone for listening along. We’ll be back in 2026, but for now, happy holidays and speak to you soon. To close out the season, we’re returning to the ever-expanding archive of writing on the Klassiki Journal and an essay on one of the great lost talents of the Soviet studio system. Aleksandr Askoldov only completed one feature film in his career, 1...

Friend of the show Alisa Goruleva is back on the pod this week for the latest edition of the Kino Club, our watch-a-long exploration of Klassiki’s film catalogue. As always, host Sam Goff set Alisa the task of picking a title from our library that she hadn’t seen before to discuss. Her choice this time around was very fitting: An Unusual Exhibition, the 1968 comedy of artistic frustration by the g...

Listeners may remember our conversation earlier this year with Michael Brooke celebrating the centenary of Wojciech Has – one of Poland’s greatest and most misunderstood directors. We’re taking one last opportunity to honour Has’s hundredth anniversary year: right now until Christmas Day, subscribers can enjoy a restored version of his mind-bending masterpiece The Saragossa Manuscript. Adapted fro...

For this episode, we’re dipping back in to the archive of writing on the Klassiki Journal for a profile of the great Romanian director Lucian Pintilie, whose provocative, modernist work bridges the gap between communist-era filmmaking and the New Wave that has defined Romanian cinema in the 21st century. Subject to censorship and exile, Pintilie returned to his homeland in the 1990s to cement his...

Central Asia remains a great blindspot for many Western cinephiles – so we were thrilled to hear about an upcoming season in New York, hosted by the Asia Society in partnership with Anthology Film Archives. Eastern Notions is a celebration of the great Uzbek director Ali Khamraev, one of the true masters of Central Asian cinema, with more than 20 features in a career stretching back to the 1960s....

14 years after her previous feature, Julia Loktev is back with a monumental new documentary project. My Undesirable Friends is her collective portrait of some of the last independent journalists working in Russia in the run-up to, and aftermath of, the full-scale invasion of Ukraine in February 2022. Part One, titled Last Air in Moscow, was shot entirely on iPhone during Loktev’s trips to the Russ...

This week, we’re reopening the Klassiki Kino Club, our watch-along exploration of Klassiki’s ever-expanding catalogue. In the hot seat this time around is Ally Pitts, host of the long-running Russian and Soviet Movies Podcast and confirmed Eastern European film aficionado. Ally’s choice comes from Azerbaijan: Orkhan Aghazadeh’s 2024 documentary The Return of the Projectionist, a portrait of cineph...

As every film fan knows, October is horror season. And while eastern Europe these days is full of horror filmmakers who can mix it with the best of them, this wasn’t always the case: under communism, the genre often struggled to get past state censors. But the idea that there was no horror produced behind the Iron Curtain is a myth. There was in fact a rich tradition in the sixties and seventies,...

The 69th edition of the London Film Festival has just rolled through the capital’s cinemas, bringing a host of filmmaking talents in its wake. Sam headed down to the festival press circuit to speak to two directors in town with their latest films. First we hear from North Macedonia’s Teona Strugar Mitevska, who has been a shining light of Balkan filmmaking for over 20 years. Her latest film is per...

Welcome back! It’s season five of the Klassiki podcast. We’ve got ten more great episodes lined up for you, featuring some exciting interviews, historical deep dives, and a Halloween special later this month. In the meantime, get in touch with us at podcast@klassiki.online .  We’re kicking things off with some science fiction. Boris and Arkady Strugatsky were brothers who dominated postwar Soviet...

We’ve reached the end season four! Thank you as always for listening along. We’ll be back in the autumn, so look out for that and make sure you’re subscribed in your podcast app of choice so you don’t miss out. In the meantime, we want to hear from you. Do you have questions, comments, complaints, or suggestions for the show? You can now email them to us at podcast@klassiki.online . Get in touch a...