The Directors' Wall

Spoiler alert: Bryan and A.J. are very excited to talk about White Dog (1982), directed by the great Samuel Fuller and co-written by Fuller and Curtis Hanson (we also give away plot details and twists). Paramount executives were expecting this story, about an actress who realizes the dog she has taken in has been trained to attack Black people on sight and the animal trainer who tries to retrain t...

Curtis Hanson is finally back in the director’s chair, from start to finish, and it is for the now quite obscure kids movie The Little Dragons, AKA Karate Kids USA (1979) Unsurprisingly, this is not a movie that comes up in interviews with Hanson so we had a hard time digging up any background or behind the scenes information. Bryan and A.J. try to make sense of this movie about a pair of young br...

It’s time for another great debate about…Francis Ford Coppola’s Megalopolis thanks to Mike Figgis’s documentary Megadoc (2025) which recently debuted on The Criterion Channel. Both Bryan and A.J. loved Megalopolis so we’re predisposed to like a documentary about its making-of, but Mike Figgis crafted an interesting and non-glamourous movie about making a movie. We talk about Figgis’s career and ho...

It’s our 2nd annual Christmas Episode! Our journey through the work of Curtis Hanson brings us to the Christmas crime thriller The Silent Partner. Hanson wrote the screenplay, based on a Danish novel, with the hope that he would direct. Things didn’t work out that way but he did have a hand in completing the film. We talk about Christopher Plummer’s incredible and frightening performance as a psyc...

It’s a drive-in double feature of movies directed by Curtis Hanson, sort of. Before he completely parted ways with Roger Corman, Hanson directed a prologue for Fly Me (1973), Corman’s entry in the sexy stewardess genre. Later that same year Hanson directed a horror film called And God Bless Grandma and Grandpa, but was fired after the producer decided he wanted a movie with a totally different plo...

Curtis Hanson began his directorial career by working for none other than the legendary Roger Corman with the Psycho knock off Sweet Kill (1972). Even though the final version of this movie was not what either Hanson or Corman wanted, it is still an interesting first film and gives us plenty to talk about. We go into how the movie came together, was reshot and retitled, and how the same thing happ...

Season 4 is here and we begin our journey through the career of of Curtis Hanson with his first credited work as a co-screenwriter for The Dunwich Horror (1970). A.J. explains why he chose Curtis Hanson and Bryan provides some background on Hanson’s early life and career beginnings. We discuss how The Dunwich Horror fits into the post-Rosemary’s Baby horror landscape and how it helped Sandra Dee s...

For our Season 3 finale we’re joined by special guest Jenny McKeown to talk about Sofia Coppola’s Priscilla (2023)! We discuss how Sofia handles her first biopic in which the subject, Priscilla Presley is still alive, how her style is a perfect fit for portraying life at Graceland with Elvis without glamourizing it, and how, much as Priscilla lived under Elvis’s shadow, this movie was released und...

This episode we review the feature length reunion of Sofia Coppola and Bill Murray: On the Rocks. Filmed in 2019 but released during the 2020 COVID pandemic, Sofia’s marital comedy and detective story of sorts played only briefly in theaters before ending up on AppleTV+ (though it is thankfully available on DVD & Blu-ray). We discuss the performances and chemistry of Bill Murray and Rashida Jo...

We’re back from an unexpected break, but before we can return to the movies we must first go to the opera for the Sofia Coppola directed production of La Traviata (or more accurately, we watched the Blu-ray). In 2016 Sofia Coppola was hired by the legendary fashion designer Valentino to direct a new production of Verdi’s La Traviata for Teatro Dell’Opera Di Roma and we discuss whether she or Valen...

Sofia Coppola trades modern cityscapes for the Civil War era for her darkest film, visually and thematically: The Beguiled (2017). Based on a novel which was previously made into a movie in 1971 directed by Don Siegal and starring Clint Eastwood, this is (so far) Sofia's only remake. We talk about how Sofia came to make her own version of The Beguiled, the controversy and accusations of whitewashi...

Merry Christmas, Happy New Year, Happy Everything! For our first ever Christmas special we review a Christmas special: Sofia Coppola’s A Very Murray Christmas (2015). At first glance, this Netflix musical Christmas “TV” special about putting on a musical Christmas TV special seems like it is soaked in holiday melancholy but Bryan and A.J. find that it is filled with holiday joy and many of Sofia’s...

Sofia Coppola once again takes us on a tour through Los Angeles wealth but this time it’s with The Bling Ring (2013). Based on the unbelievable but very true story of a group of celebrity obsessed teenagers who easily break into different celebrities’ mansions and steal lots of stuff, Sofia’s adaptation touches on many of her favorite interests and themes. Bryan and A.J. discuss whether Sofia’s st...

We are in need of a great debate about…Francis Ford Coppola’s Megalopolis (2024). After literally decades in the making, Coppola’s ambitious passion project finally made it to theaters and gave us a lot to talk about. We (briefly) go over the long production history, the critical and poor box office performance, and how we were surprised by our own reactions. We also talk about the performances, t...

To help us breakdown Sofia Coppola’s “experimental” film, Somewhere (2010), we are joined by special guest Jenny McKeown, programmer and host of the A Woman of Taste film series. After the large scale production of Marie Antoinette (2006), Coppola took a scaled back, minimalist approach to her story about a listless movie star reconnecting with his daughter. We talk about Sofia’s further lean into...

Spoiler Alert! The M. Night Shift is back! Bryan and A.J. went to the movies for the latest M. Night Shyamalan experience: Trap. Following Siskel & Ebert rules we didn’t reveal our thoughts until recording began and it turns out… we each had a different M. Night Shyamlan experience. We talk about Josh Harnett’s great performance, the curious casting of Haley Mills, and the not-exactly-twists t...

Thanks to the success of Lost in Translation, Sofia Coppola was able to cash in her “I won an Oscar” chip and make an ambitious, big budget movie about Marie Antoinette. The catch…she did her way. This movie was booed at the Cannes Film Festival and was heavily criticized for its use of modern music, lack of French accents, and breaking from the traditional biopic format. However, it now seems tha...

Bryan and A.J are enjoying relaxing times with Suntory Time and Scarlett Johansson and Bill Murray in Sofia Coppola’s Lost in Translation. A hit with the critics, audiences, and the box office, this offbeat indie comedy earned 4 Oscar nominations (winning only 1 for Sofia Coppola’s screenplay), and more than 20 years later still provides us with a lot to talk about. We discuss Bill Murray’s career...

Sofia Coppola’s debut feature, The Virgin Suicides (2000), certainly stood out from other movies about teenagers when it was released and remains just as enigmatic today giving us a lot to talk about. Bryan and A.J. discuss the movie’s background (including the Making Of, directed by Sofia’s mother, the late Eleanor Coppola), its arthouse approach to teenagers on film, the great performances from...

At long last we arrive at Francis Coppola’s (as of now) most recently released film, Twixt (2011) and close out season 2. We discuss Coppola’s return to the horror genre, the great, eerie dream sequences, what aspects of Twixt remind us of the films of Coppola’s early mentor, Roger Corman, and how this is a surprisingly personal film for Coppola. We also pick out all of the references to Edgar All...

On this hot, humid summer day, Bryan and A.J. discuss Francis Coppola’s return to the director’s chair after a decade away, Youth Without Youth (2007). This thematically ambitious, low-key arthouse film about an elderly man who regains his youth, and supernatural powers of sorts, after being struck by lightning is not only a curious choice for a comeback but also marks the beginning of a distinct...

A peculiar grab-bag episode for a peculiar time in Francis Coppola’s career. After The Rainmaker Coppola would not direct another movie for 10 years but he was involved in the post-production of not one but two movies released in 2000: The Fantasticks, based on a long running musical, and the quasi erotic sci-fi thriller, Supernova, starring James Spader and Angela Bassett. Coppola acted as a sort...

A Knock at the Cabin from M. Night Shyamalan brings us out of hiatus and we return to being The M. Night Shift to discuss his latest horror/thriller. Bryan and A.J. talk about what works (stylistic choices, the cinematography, but most of all Dave Bautista’s excellent performance), what doesn’t work (nearly everything else), and how Shyamalan put his stamp on yet another adaptation. Naturally, we...

This episode we are joined by special guest Andras Jones (of Radio8ball and co-host of The World is Wrong podcast, along with Bryan) to discuss Francis Coppola’s adaptation of John Grisham’s The Rainmaker (1997). More than just a courtroom drama, this overlooked entry in Coppola’s filmography represents the end of a chapter for Coppola’s Hollywood career and provides a lot to discuss. We begin by...