The Complete Podcast

Matt and Travis wrap up their Varda journey with a very special guest. Valeria Rotella produced the bible that was used throughout this season: The Complete Films of Agnès Varda from the Criterion Collection. We discuss her own relationship with Varda’s work, her job as a producer for home media, and the box itself – perhaps the best thing Criterion has released to date. We hope you en...

Varda’s final film is the summation of her career – literally. As with her penultimate work, this documentary was prompted by Varda’s daughter Rosalie, who suggested that Agnès tell her own story rather than have someone tell it for her. We discuss the relative structure of this autobiographical work with the earlier Beaches of Agnès, Varda’s evolving reputation as she move...

Varda’s most well-known film from the last two decades of her life, Faces Places is a film collaboration with artist J.R. A warm both of a film, Faces Places is an exploration of the French countryside and the unexpected combination of two very different artists who are nevertheless united in their love of people. Matt and Travis discuss the film’s conventional style – and how un...

A running theme with Varda’s 21st century work is the unusual nature of its conception and/or execution, and From Here to There plays right into this pattern. Created out of Varda’s own recordings of her travels and encounters with artists of all types throughout the world, this miniseries presents Varda as curious consumer and globe-trotting ambassador for the novel and bold. Matt and...

For the 21st episode of season five, Matt and Travis cover one of the most extraordinary autobiographical documentaries in film history, The Beaches of Agnès. We discuss Varda’s love of beaches, her unusual and free-flowing structure, and her uncanny ability to piece it all together in a graceful and intellectually stimulating final package. This is one of Varda’s most complex and popu...

Varda’s 20th feature is as unusual as her stitched-together 19th. Created as an installation piece and converted into a television special, Some Widows of Noirmoutier is a straightforward yet profoundly moving documentary. In this episode, Matt and Travis discuss this oft-overlooked Varda feature, along with her blossoming visual artist identity and the broader work Varda undertook in the th...

Matt and Travis encounter an unusually constructed film: Cinévardaphoto, a set of three shorts stitched together to create a feature that could be shown in theaters and distributed on DVD. The first two of these films, Ulysse and Salut les Cubains, were previously created in the 1980s and 1960s, respectively. We covered these films in episodes 3 and 10, so here we focus on Ydessa. A profile of Yde...

The Complete Varda 18 – The Gleaners and I Matt and Travis move into the 21st century with Varda’s pivotal The Gleaners and I. A massive success upon release in France, Varda’s first digital feature created a media frenzy and helped reenergize the aging filmmaker, catapulting her into the final two decades of her work that produced an extraordinarily productive run of films and a...

Matt and Travis welcome friend of the pod William Remmers to the show to discuss Varda’s final narrative fictional feature, One Hundred and One Nights of Simon Cinema. Created in celebration of the French’s conveniently defined 100th birthday of film, Varda’s movie features an astonishing number of international stars and film references of every kind you can imagine. We discuss...

Varda completed her trilogy of tributes to her husband with the most straightforward of the three: a documentary covering Demy’s career and his impact on cinema. As expected, however, Varda at her most straightforward is still a little off-kilter, so there are as many pleasurable detours as there are dry facts and clips in this loving documentary. We discuss the film’s balance of Varda...

On this episode, we cover an unusual entry in the Complete catalog: not just a bonus feature, but a bonus feature created for someone else’s movie. Varda revisits her husband’s 1967 film The Young Girls of Rochefort on the 25th anniversary of the film’s release, returning to the seaside town where it was filmed for a celebration of the masterpiece that took over its streets in th...

Created in the final months of husband Jacques Demy’s life, Varda’s fourteenth feature is one of her most emotionally resonant and visually sumptuous works. On this episode, Matt and Travis discuss the film’s multi-faceted structure as a fictional recreation of Demy’s childhood, a documentary portrait of Demy as an aging and sick adult, and a visual essay on the ways in whi...

On the thirteenth episode, Matt and Travis tackle the second half of Varda’s diptych with Jane Birkin. After taking a look at our own unease with the subject matter of this controversial fictional film based on a short story Birkin wrote, we discuss the film’s other themes such as the AIDS epidemic, growing older, and 1980s video games. The Complete Social: Facebook  | Find us on Threa...

On the twelfth episode, Matt and Travis welcome longtime Friend of the Show Ericca Long back to discuss Varda’s idiosyncratic portrait of actress, model and icon Jane Birkin. Along with many tangential topics including modern arcades, getting older, and the musical genius of Steely Dan, we discuss the film’s unique blurring of document and fiction and Varda’s insightful use of th...

On the eleventh episode, Matt and Travis welcome Alex Kittle to discuss Vagabond, one of Varda’s most successful and praised films. Alex is a projectionist at the Brattle Theater, one of the greatest and most important repertory theaters in America, in Cambridge, MA. She’s also an accomplished artist as Pan and Scan on Etsy , Ko-Fi , and Behance among other places, with a focus on film...

On the tenth episode, Matt and Travis discuss Documenteur , Varda’s fictional feature pairing with her documentary Mur Murs . A self-described “emotion picture,” Varda’s final film in Hollywood is semi-autobiographical. We discuss the movie’s unique tone merging melancholy and playful meta touches that nod both to  Mur Murs  and the nature of filmmaking in general, al...

On the ninth episode, Matt and Travis discuss Varda’s documentary on the murals of Los Angeles, Mur Murs . Created virtually simultaneously with the fictional film  Documenteur ,  Mur Murs  is a portrait of Los Angeles as a concrete landscape dotted with organic beauty from unusual origins. We discuss the film’s depiction of this much misunderstood city and in particular its marginaliz...

On the eighth episode, Matt and Travis welcome Laura Cannon from the Fatal Femmes podcast to discuss Varda’s self-described “feminist musical,”  One Sings, the Other Doesn’t . We discuss the film’s still-relevant issues confronting women, the unique nature of the friendship depicted in the film, and the film’s powerful emotional impact. The Complete Social: Twit...

On the seventh episode of The Complete Varda, Matt and Travis discuss the charming documentary Varda made for German television in 1975, Daguerréotypes. A simple profile of the shops and their keepers on the block in Paris where Varda lived until the end of her life, the film also served as a challenge for Varda, who restricted herself to a 200 foot range around her flat in order to stay close to...

On the sixth episode of the Complete Varda, Matt and Travis discuss the most obscure film in Varda’s filmography, the 1970 made-for-television film Nausicaa. Censored at the time and surviving only in a work print sent to Belgium (with all other materials destroyed and the film never finished), Nausicaa is the story of Varda’s search for meaning in her own history and the contemporary...

On the fifth episode of the Complete Varda, Matt and Travis discuss another of Varda’s unique explorations, 1969’s Lions Love (…and Lies was added at some point after the initial release). Filmed during Varda’s first stint in Los Angeles, the movie is largely formless and flirts with the line between documentary and fiction in a way that would define much of Varda’s l...

On the fourth episode of the fifth season, Matt and Travis welcome their first guest of the season, the eternally wise and effortlessly cool David Blakeslee of Criterion Reflections, to discuss one of Agnès Varda’s most unusual and idiosyncratic films, 1966’s Les Creatures. We discuss the unusual status of the film as Varda’s most commercial and most experimental movie, along wit...

On the third episode of the fifth season, Matt and Travis discuss one of Varda’s most insidious works of cinematic irony, Le Bonheur . Created in the wake of her international success with Cleo , Varda’s third feature is a joyful evocation of man’s ability to find happiness under any condition.. or a viciously funny and damning critique of the patriarchy, wrapped up in a bright a...

On the second episode of the fifth season, Matt and Travis quickly encounter Varda’s most famous and praised film, the New Wave masterpiece Cléo from 5 to 7 . Made seven years after her debut, Cléo from 5 to 7 is a portrait of a young woman waiting for medical test results and wandering through contemporary Paris in real time. We discuss Varda’s role in the FNW movement, her use of nar...

On the first episode of the fifth season, Matt and Travis begin their discussion of the films of Agnès Varda with her debut feature, La Pointe Courte . Barely screened upon completion but seen by a handful of hugely influential filmmakers and cinephiles, the film is now regarded as the first film of the French New Wave and a pioneering work in all of French cinema. We also discuss Varda’s th...