The Cinematologists Podcast

This is a free preview of a paid episode. To hear more, visit dariollinares.substack.com Welcome Friends A bonus release this one, for my paying subscribers. I’m currently slammed with back-to-back student tutorials, 9–5, all week long, so new writing is taking a brief hiatus. My drafts folder seems to project a raised-eyebrowed expectancy, with several pieces sitting there in various states of co...

In the second in our early season doubleheader, we present a live Q&A from the Duke of York's Picturehouse in Brighton with Dario talking to the director of American Animals Bart Layton. The discussion touches on the amalgamations of fictional and documentary aesthetics (linked also to Bart's previous Bafta award-winning film The Imposter, the development of a script that changes over time, actors...

Welcome friends. As always, our final episode of a calendar year is a look back at our cinematic highlights, structured around Neil’s and my top ten films lists. We always try to put this in something of a broader context, suggesting the always subjective criteria of judgement that go into our selections and the sense of incompleteness, compromise and general fallibility of ranking one’s artistic...

The final regular episode of the podcast, not just for the season, but yes, for good, is a doozy. Writer Violet Lucca returns to the podcast for the first time since 2017 and for her first full, solo conversation, to discuss her incredible book on David Cronenberg, Clinical Trials (2024, Abrams). I talk to Violet about her process of writing the book, wit in criticism, sex and identity, and the po...

Welcome, friends. I have to admit that I’ve experienced a questionable amount of pleasure in researching for this latest episode of The Cinematologists Podcast. When I say “research”, I basically mean that every evening for the past two weeks I’ve been guiltlessly revelling in the violence, glamour and moral ambiguity of the cinema’s greatest hitmen (and women), assassins, and lone killers. It’s t...

This is a free preview of a paid episode. To hear more, visit dariollinares.substack.com The notion of the cinematic is an oft-floated term: a kind of critical get-out clause for when a writer (or speaker) wants to register approval without getting pinned down. It lets you gesture beyond the prosaic, narrative, structure, even aesthetics (too easily reduced to “mere beauty”), towards something sup...

Gwenno, on the set of her short film, Tresor (2022) [Copyright: Bosena / Alex Fish] We have the perfect theme song for our podcast, courtesy of the musician, artist and writer Gwenno. In Bristol in September, for the Encounters film festival, Neil took some time to chat to Gwenno at length about culture, social media, memory, capitalism and community, to put on [tape] some shared thoughts about li...

As always on The Cinematologists podcast, we like to address topics of salience, but in our own way and in our own time. The death of David Lynch left an irreplaceable hole in the fabric of cinema and, rightly, prompted immediate tributes from collaborators, as well as countless reflections on his status as an artist and filmmaker. The spectre of his influence has found its way into many episodes...

It felt apt that Neil and I were both in London for this year’s edition of the festival. Over the years of The Cinematologists , we’ve covered a range of international events, always striving to capture not just our critical responses to the films, but something of the atmosphere, the resonance of the experience itself. Living in London, I usually don’t feel that full, immersive festival bubble. T...

Filming Don’t Look Now. Copyright: Peter Cassell. Neil and Justin John Doherty have been friends since 1995. To mark thirty years of friendship, in the latest episode of the podcast they talk about Justin’s latest creative peak, an art-book with amazing, never seen before, behind the scenes photos and production artefacts, love letters and conversations, about his favourite film, the Julie Christi...

We are back! Season 22 kicks off with a stellar, loose, multi-layered, melancholic, heated and nervy, shambling odyssey of an episode, which befits the central discussion, centred as it is around the release of Paul Thomas Anderson’s One Battle After Another. The timing of the release of the new PTA is fortuitous as he is a filmmaker that we have circled around over the years, given my love for th...

This special episode of The Cinematologists is a contribution to the Students on Screen  project convened by Dr Kay Calver and Dr Bethan Michael-Fox, to coincide with a special issue of Open Screens they have edited, which explores screen representations of students across a plethora of Global screen media forms. On behalf of The Cinematologists, Neil contributed a paper - drawing from his decade-...

For the final [main] episode of this season, the 21st, we are delighted to welcome writer and podcaster John Bleasdale ( Writers on Film ) to the show, to discuss his excellent book on Terrence Malick, The Magic Hours: The Films and Hidden Life of Terrence Malick . Neil talks to John about his approach to research and interview/archive given the glaring lack of a central subject's voice, Malick an...

Welcome friends. Thanks for stopping by and welcome to the many new free subscribers that have signed up in the last few weeks. A very special thanks to Helen , Bluetrue , R.J. MacReady , & sukhveer kang for becoming paid subscribers. I really do appreciate your support. Postcards should be coming your way anytime (if you haven’t yet DM’d me your address, please do that if you want a little physic...

This is a free preview of a paid episode. To hear more, visit dariollinares.substack.com Welcome friends, It’s been an somewhat frustrating uneven week of film watching and writing. London’s recent heatwaves have nudged my daily routine into what has become a typical summer cadence - work kicking off around 6am and tapering off by early afternoon. It’s a strategy to placate my internal productivit...

This is a free preview of a paid episode. To hear more, visit dariollinares.substack.com Welcome friends. Thanks for lending me some of your valued attention. This wasn’t the post I intended for today. I’m working on a longer exploration of current debates unfolding on Film Stack—particularly around questions of what Film Stack actually is—and the recent flurry of posts that allude, explicitly and...

With the podcast half-way through its tenth year it is a privilege to welcome back a former contributor to the show - read his piece on Clueless for The New Statesman that coincided with his previous appearance on the show - and long-time champion of The Cinematologists, Ryan Gilbey. Ryan's return is to promote and discuss his new book, the astoundingly good,  It Used to be Witches: Under the Spel...

A decade ago John Maclean made his debut feature, the brilliant Western Slow West (2015).It followed a run of brilliant short films and music videos, as well as some of the late 90s and early 2000s most distinctive music during his time in the Beta Band. Tornado - Set in the rugged landscape of 1790s Britain, Tornado (Kōki) is a young and determined Japanese woman who finds herself caught in a per...

We're back with an episode featuring just Neil and myself discussing a cinematic topic we both are invested in: The crime/heist genre. The core of this chat is an examination of how the structures of the genre intersect with social, racial, and economic contexts in four specific films. Sparked by our shared admiration for Justin Kurzel's The Order, we trace the lineage of socially conscious crime...

In late March 2025 we screened Oliver Stone's 1991 epic myth of 1960s America, The Doors, at Newlyn Filmhouse at the invitation of regular Cinematologist, filmmaker Mark Jenkin. The conversation following the screening covered Jim Morrison and the band, 1960s America, Vietnam, film form and the longstanding influence of the film on Mark's work, up to and including his new film, Rose of Nevada, due...

As part of this year's Kinoteka Polish Film Festival, currently running in London, Michael Brooke has curated a complete retrospective of the criminally under-known Polish director Wojciech Has. The retrospective, starting from the 1st April 2025 and featuring screenings at the BFI and the ICA, contains Has's short and feature film work in gorgeous restorations. There are talks and events around t...

For the latest episode we are honoured to share a recent talk at Falmouth University's School of Film & Television by Rod Stoneman titled 'Amongst Artistic Forms of Thought'. Rod's talk discussed different and often radical uses of film form to move the art form and audience thinking into different, not literal, not factual, non information-driven places. To illustrate his talk he drew on a nu...

It was an absolute joy to welcome actor, director, producer and writer Mario van Peebles to The Cinematologists Podcast. In London to show his new film Outlaw Posse as part of the Black Rodeo season at the BFI, I was able to talk with him and his son Mandela, who also stars in the film, about his lifelong interest in Westerns, particularly in the often cliched, often forgotten role of African Amer...

We are really excited to be collaborating with the BFI once again, particularly for an episode on Belgian auteur filmmaker Chantal Akerman as they begin an in-depth retrospective of her work. In the autumn of 2022, Akerman's masterpiece Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles, was voted the greatest film of all time in Sight and Sound Magazine's once-a-decade poll.  We covered that mo...

We kick off season 21 and the tenth year of The Cinematologists with a special conversation with Belgian filmmaker Tim Mielants about his work on recent release, Small Things Like These, written by Enda Walsh (Hunger) and starring and produced by Cillian Murphy. In the conversation, Neil and Tim discuss film form and style, particularly the use of close-up, space and the Gothic, masculinity, grief...