Noa Kageyama

The Bulletproof Musician

Science EN ↓ 416 episodes

Ever wonder why you can practice for hours, sound great in the practice room, and still be frustratingly hit or miss on stage? Join performance psychologist and Juilliard alumnus/faculty Noa Kageyama, and explore research-based “practice hacks” for beating anxiety, practicing more effectively, and playing up to your full abilities when it matters most.

Author

Noa Kageyama

Category

Science

Podcast website

bulletproofmusician.com

Latest episode

May 10, 2026

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Episodes

Joanna Fong-Isariyawongse: The Science of Sleep for Musicians 10.05.2026

What if one of the most overlooked factors affecting memory consolidation, emotional regulation, practice efficiency, and performance consistency wasn’t a new practice strategy - but sleep? Dr. Joanna Fong-Isariyawongse is a triple board-certified neurologist, sleep specialist, and epileptologist at the University of Pittsburgh, where her work focuses on cognitive performance, sleep, and neurologi...

Paul Baxter: Why Bad Habits Keep Coming Back (And a Faster Way to Change Them) 07.04.2026

Have you ever had the experience of fixing something in the practice room…only to have it come back in performance? Maybe it’s a passage where tension creeps back in. Or a section where your fingers revert to an old fingering. Or some aspect of your technique that you’ve worked hard to fix - until it shows up again at exactly the wrong moment. Why does this happen? In this month's episode, co...

Micah Killion: The One Thing Artist-Level Musicians Do Differently in the Practice Room 08.03.2026

How should musicians actually practice to improve faster? In this conversation with researcher and trumpet professor Micah Killion, we explore what expert musicians do differently in the practice room and what research reveals about effective practice. Micah Killion is Assistant Professor of Trumpet and Brass Coordinator at Montclair State University and former principal trumpet of the United Stat...

How to Start a Performance with More Accuracy (Without the Onstage Warm-Up) 18.01.2026

One of my teachers often used to say that no matter what you’re playing, when you’re on stage, the beginning of a piece is always the hardest part. Not because the opening is more difficult technically, but because we’ve generally been sitting around for a little while, so we’re feeling kind of cold, a little disconnected from our instrument, and nervous and jittery. And it often takes us a minute...

When You Can’t Get Yourself to Start Practicing, Try This 11.01.2026

In some years it feels easier to begin the new year with a lot of energy and enthusiasm. Other years, it can be difficult to get going and build up those new habits that we’d love to develop. Whichever kind of year this is shaping up to be for you, I have a few things planned these next few weeks to help make it a productive one. Today, I have a couple studies to share that look at a popular techn...

The Central Strategy Expert Musicians Use to Practice Difficult Passages 28.12.2025

We all get stuck on problem passages from time to time. And it can be very natural to simply throw more repetitions at it, in hopes that this will eventually unlock something. But in doing so, we end up accumulating more and more incorrect repetitions and reinforcing mistakes. So what’s the alternative? A new study took a rare, close-up, repetition by repetition look at how artist-level musicians...

How a Small Change in Self-Talk Could Improve Performance Under Pressure 21.12.2025

The voice in our head can be an asset at times - but also kind of a jerk at the worst possible moments. And like that one person in the “quiet car” of the train that doesn’t seem to understand the rules, it never seems to be quiet when we need it to. A 2014 study identified a self-talk strategy that led to improved performances, and less post-performance shame and rumination. And it doesn’t requir...

A Learning Method That Outperformed Traditional Practice 14.12.2025

A few months ago, when a sportswriter published an article in The New York Times about an unusual and “revolutionary” practice method that NBA star Victor Wembanyama and other elite athletes and teams (like the World Series-winning LA Dodgers) were utilizing, I started getting emails from musicians, asking if this method, known as the “constraints-led approach,” might apply to practicing music too...

How Much Perfectionism Do You Really Need to Succeed? 07.12.2025

A friend recently asked if it's true that becoming a virtuoso performer requires being a perfectionist. Well, spoiler alert, it's not a simple yes or no answer. And there are a lot of fascinating nuances to explore.  One of which involves performance anxiety, and the question of whether perfectionism increases or decreases nerves. Get all the nerdy details and find out how much perfectio...

Pallavi Mahidhara: On Practicing for Flexibility, Not Perfection 30.11.2025

Playing for other people, whether it’s an audience of one, a dozen, or several hundred, can be a stressful thing! So it’s easy to focus on the negative aspects of performance, like how to manage nerves and avoid mistakes. But performing can also be a real thrill, and one of the most satisfying and meaningful things we do in music. So I thought it might be fun to explore performing and practicing f...

What Happened When Musicians Slept 90 Minutes More 23.11.2025

Sleep and recovery is an aspect of preparation that athletes prioritize, with teams hiring sleep consultants, and many athletes going to great lengths to ensure they’re getting enough sleep. And studies suggest that this investment of time is very much worth their while, when it comes to high-level performance. But how much of a difference would an additional 90 minutes of sleep make when it comes...

Why Being Too Quick to Offer Feedback Could Inhibit Learning 16.11.2025

I remember a lesson many years ago, when my teacher told me that her job was to teach me how to teach myself. So that I would one day no longer need a teacher. I couldn’t have been more than 9 or 10 at the time, so the notion of me teaching myself was hard to fathom. It was difficult enough to just play in tune, never mind come up with my own bowings and fingerings, or making decisions about phras...

Fewer Repetitions….But More Rapid Progress? 09.11.2025

Whether we’re baking a cake, driving to a new restaurant, or putting together a puzzle, we can usually get to the goal more efficiently and effectively if we have a clear idea what the destination looks like. I think we all know that the same is true for learning a new piece of music too - but often, this is not actually what our practice looks like. While we might have a pretty good idea what we...

Ida Kavafian: Habits That Separate Good Musicians from Great Ones 02.11.2025

This episode with violinist Ida Kavafian is packed with key points about effective practice, plus fascinating nerdy details about bowing and fingering principles, references to specific passages in the Sibelius concerto, Schubert Fantasy, Beethoven’s Kreutzer sonata, a clever hack for playing fifths in tune, and so much more. And if you’re not a string player, don’t worry - many of the principles...

Can Memorizing Music Make You a More Expressive Performer? 26.10.2025

One of the arguments often made for why we should memorize music, is that performing from memory facilitates more expressive performances. But is that really true? There's not a lot of direct data that speaks to this question, but there are some clues here and there, suggesting that the answer might be a little more nuanced than a simple yes or no.  Get all the nerdy details right here: Can M...

Two Approaches to Memorization (Beware: One Could Leave You Stranded!) 19.10.2025

Memory can often feel like a mysterious, unknowable phenomenon. Something that happens magically by itself at times, with great effort at others, and sometimes deceives us by abandoning us suddenly when we need it most! We’ve worked on unpacking various aspects of memory over the last couple weeks - with Jane Ginsborg two episodes here and why pianists can have more difficulty than other musicians...

A Hidden Reason You Forget Music on Stage 12.10.2025

Mistakes on stage are never fun, but missing a note here or there, or playing out of tune is over and done with pretty quick. Having a memory slip on stage is a whole other level of discomfort. 😳 It’s one of the things that makes many musicians most anxious about performing. Researchers have taught us a ton in the last couple decades about how the best memorizers memorize music. And so I thought...

Jane Ginsborg: On Building Stronger and More Reliable Musical Memory 05.10.2025

Talk to anyone who has ever performed from memory, and you’ll probably get a story of a time when their memory failed them. For instance, I remember a time, perhaps in elementary school, when I got lost in a piece on stage, and rather than stopping and looking over the pianist’s shoulder to see where I was, just started making stuff up, until I could figure out where I was. It wasn’t a very fun ex...

How to Use Focus Cues to Play More Freely on Stage 28.09.2025

A pianist once told me the last thing their teacher said at their final lesson after years of study: “Now forget everything I ever told you.” Not exactly the parting wisdom you’d expect, right? But hidden in that odd-sounding advice is an important mental shift that could help you play with more freedom and confidence under pressure. Get all the nerdy details in today's episode. Or, get the t...

Is There Hope for the Most Anxious Performers? 21.09.2025

One of the questions that I'm often asked, is the question of whether performance psychology can be helpful to those whose performance anxiety is a little more severe than most. Well, a 2023 study looked at that exact question actually. And it even gives us some insight into which specific mental skills or strategies might be most helpful to work on in cases like this. Get all the nerdy detai...

How to Get Your Mind in the Right Place Before Going On Stage 14.09.2025

Staying in a good mental and emotional state before performances is critical to playing up to our abilities when it counts. And we're probably going to be less likely to shy away from performance opportunities too, if we have more control over how we feel in the leadup to auditions and concerts. But how does one do this? What can we do in the hours and minutes before a performance to get into...

Graham Fitch: On Playful Practice and Muscle Memory You Can Trust 07.09.2025

When you think of practicing your instrument, what are some of the first words that come to mind? Are the words “fun” or “playful” anywhere on your list? 🤣 For most of my life, practicing felt an awful lot like memorizing my multiplication tables. A lot of mind-numbing repetition, and not much fun. We know that mindless drudgery doesn’t make for very effective learning, of course - but what is th...

Does Aiming for Perfection Actually Hurt Performance? 31.08.2025

Ever worry that excellent performance might not be “good enough?” And maybe you've assumed that aiming for perfection is a safer bet? You’re not alone, for what it's worth!  But it's always interesting to get some actual data on this sort of thing, so a team of researchers conducted a series of studies to see if striving for perfection had benefits beyond aiming for excellence. The...

Could Performance Anxiety Be Causing Students to Quit? 24.08.2025

There are a lot of reasons why someone might decide to quit music at some point along the way. But could performance anxiety be one of them? Indeed, performance anxiety can feel pretty uncomfortable! And it’s one thing if we still sound pretty good on stage regardless, and have a positive experience of performing overall. But when we get nervous and sound like just a shell of ourselves in performa...

Worried About a Performance? 4 Reasons Why (And How to Stop) 17.08.2025

Worrying is never much fun, but it’s especially not fun in the leadup to a performance or audition. And even more so when we get stuck in a “worry loop” and can’t seem to get ourselves out of it. It’s a little like the time my family visited Paris when I was a kid, and my dad got stuck in the roundabout around the Arc de Triomphe. I don’t know how long we drove around and around, but I do know tha...

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