The Blank Chat

FINNEAS has been scoring for film and television for a few years now, and he's the first to say he's still figuring it out. In this conversation, Charles sits down with the composer and producer to talk through what the process actually looks like: building the wall-to-wall opening cue for Beef Season 2, navigating temp music when the benchmark is Bach, going back through a composer&apos...

We're back to talking soundtracks! Our lovely guest this time is Music Supervisor, Tiffany Anders, who began her music career as a recording artist in early 2000s New York and translated an obsessive love of music and records into music supervision for film, television, and commercials. Anders is versatile at her post, sourcing songs that span generations and genres, something she got to do a...

British recording artist Chris Clark has been blending classic instrumentation into electronic production for over two decades — solo, collaborative, and increasingly in film and television. His latest work is a score for We Bury the Dead, a fresh spin on the zombie genre that matches the film's ambition. Chris joins Charles to dig into the score, the project, and the current state of music f...

Dave Porter’s music has been the soundtrack to Vince Gilligan TV shows since day one Breaking Bad. With the enrapturing new show Pluribus, Porter has been given the gift of a completely blank canvas to paint on. The journey has only just begun and Porter’s cues have once again been the guide rails through another one of Gilligan’s bizarrely novel plunges into the What If. Dave returns to talk abou...

Right after the conclusion of TASK, one of the best shows of the year and the second chapter in the Brad Ingelsby "Delco" expanded universe (we hope) Charles spoke with composer Dan Deacon, whose phenomenal score lifted the show to unexpected heights. SPOILERS

Over his thirty years of scoring for film and television, Theodore Shapiro has been one of the most consistently reliable composers in delivering emotional and tonal evenness and depth to his various projects. Yet his recognition, and appreciation of his talent have never been greater thanks to his Emmy winning score for the hit show Severance. Executive Producer and Director Ben Stiller is right...

Right in time for the Halloween run-up, we're talking horror scores with emergent composer for the genre, Cornel Wilczek. His scores for Talk to Me, Bring Her Back, and most recently, Together, have added a fresh voice to the lineage in three distinct expressions. Wilczek gets into why horror films are saving cinema, locating his personal line of extremity, and also shares a very cool story a...

New kind of artist alert! The Blank Chat welcomes another member of the music department into the mix. Charles speaks in depth with Emmy winning Music Supervisor Trygge Toven about the glory of old school soundtracks, his award winning and recognized series work for Fallout and Westworld, and how music supervision for film and TV goes way beyond liking all genres of music.

In this episode, acclaimed composer and synthesist Kaitlyn Aurelia Smith traces how changing environments, like her new locale of Lisbon, spark a sense of neutrality and openness, fueling innovation far from the ambition-driven cities of the US. Kaitlyn shares formative experiences with sound awareness, a kind of synaesthesia where music is felt as much as heard, and how time spent in nature nurtu...

Carlos Rafael Rivera's score music is a reliable conduit of shivers and chills. The Emmy and Grammy winning composer's signature graceful style has amplified the drama of shows like The Queen's Gambit, Hacks, and Godless and his passage through the rigors and rewards of academia have made him a true student and teacher of his craft. You might be surprised how much of this goes out t...

We're launching The Blank Chat podcast with Hrishikesh Hirway, well known as the creator and host of the best music podcast out there, Song Exploder . Less well known – for now – as a score composer. Hirway and host Charles Steinberg have a revealing talk about cracking the code of music journalism with Song Exploder and how Hirway seized the opportunity to score his first major feature film...