The Beatles Films Podcast

Leslie Woodhead's 2009 film for BBC Four wasn't his first entry into Beatledom: he also shot the Cavern Club footage in 1962 that we're all so familiar with. He's also spent time making films in Russia, so he's ideally placed for this look at Russian youth's relationship with The Beatles, during the Soviet era and into the early, less scary, Putin era. We look at Russian then-Deputy PM Sergei Ivan...

Paul McCartney's first solo project, other than judging beauty contests, was the score for The Family Way, a 1966 comedy-drama in which a northern English community have an invasive interest in the non-consummation of Hywel Bennett and Hayley Mills' marriage. Is Paul really the chief composer of the score for which he won the Ivor Novello award, or did George Martin do more than "supervise and arr...

We both loved Robert Zemeckis's 1978 debut feature, the story of a group of New Jersey teens trying to get into the Beatles' first Ed Sullivan Show performance in February 1964. We talk about the techniques Zemeckis and his writing partner Bob Gale use here and how a lot of it prefigures their later work, in particular the Back to the Future trilogy. We also discuss how using the Beatles as charac...

The 1988 documentary commissioned by Yoko Ono might have been the jumping-off point for the Lennon legacy project we know today. It shows John at his best, for the most part, and there's not much dissent from the talking heads, including May Pang, Julian Lennon and Cynthia Lennon. We ask why John chose George Harrison to play on How Do You Sleep?, his Paul McCartney diss track, when he could've go...

With the announcement that Sam Mendes is to direct four Beatles biopic films for release in 2027, one from each of the perspectives of John Lennon, Paul McCartney, George Harrison and Ringo Starr, it'd be remiss of us not to speculate wildly about what this might involve. Will it tell the same story four times? Will bits of it only be told from one Beatle's perspective? Will it actually just be a...

Merry Christmas! Here's a festive gift marking 40 years since Paul McCartney's Pipes of Peace video, which recreates the 1914 Christmas Day truce on the Western Front of World War 1. How was this video turned around fast enough to be aired on the BBC six days after shooting? Has Paul got the acting bug after spending half of 1983 shooting Give My Regards to Broad Street? Does his decision to play...

To finish off our fourth season, thrill as our takes on why George Harrison is laughing when Ringo Starr starts playing Octopus's Garden differ slightly. Later we discuss how Let it Be's pacing is affected by showing the finalised songs in full. Would it defeat the purpose to have done this differently? Plus, is John Lennon's claim that the film was set up to make the other Beatles look like sidem...

Now is the winter of our discontent: or is it? Michael Lindsay-Hogg's Let it Be is widely thought a miserable affair, documenting arguments and the breakup of the Beatles. But watching it afresh after Peter Jackson's Get Back in 2021, it doesn't feel so much like that. We ask whether the widespread consensus that it's a negative depiction is actually more a failure of collective memory. What was i...

This 2005 BBC Four documentary, narrated by Paul Morley and featuring contributions from Astrid Kirchherr, Pauline Sutcliffe, Tony Sheridan, Rod Murray and Horst Facher, looks at the life of fifth Beatle Stuart Sutcliffe before his tragic death at 21. It makes the case that he would’ve been a significant artist in his own right, but spends a lot of its time looking at his work with the Beatles, so...

Mad Men's Matthew Weiner paid $250,000 to use the Beatles' Tomorrow Never Knows in season 5, episode 8, "Lady Lazarus". We talk about the licensing of Beatles music in film and TV, which is also referenced in the episode, where the agency is trying to find a song for a Hard Day's Night parody advert. This episode is in August 1966 and we discuss how the characters are feeling the paranoia of the s...

First shown in May 1997 on VH1 and ITV, Geoff Wonfor's promotional documentary for Paul McCartney's Flaming Pie album is a bit of a puff piece, but an interesting one. For context, this is all shot when Linda McCartney is receiving cancer treatment, which the public doesn't know about. We talk about how the film and the album might give insights into Paul's state of mind, and what sort of future h...

Directed by rock doc specialist Patrick Montgomery, 1982's The Compleat Beatles still represents the only real attempt at a feature length documentary covering their whole career, and was a huge success in the early days of the home VHS market. It was released at a time when there was renewed interest in the band after John Lennon's murder, and in the 20-year anniversary of Love Me Do, alongside a...

Peter Jackson's music video for Now and Then, and the 12-minute short documentary film by Oliver Murray, Now and Then: The Last Beatles Song, were both released this week. What do we think of the techniques used, and what does the amount of restored footage point to? Plus! Is the song a Beatles song? If a song features all four Beatles, does it automatically sound Beatley? And AI: will it kill us...

Jon Lefkovitz's 2014 film Rubber Soul recreates – very faithfully – John Lennon and Yoko Ono's 1970 Rolling Stone and 1980 Playboy interviews, juxtaposing them and showing how John's thoughts on issues like drugs, fame and The Beatles changed over the intervening decade. We talk about the artistic value of recreating something exactly, and how that might play into Beatles fans' expectations and de...

That's right, we couldn't put it off any longer: it's the Bee Gees' towering hubris of 1978. We spend some time unpicking Robin Gibb's contemporary quote in which he confidently predicted that the Bee Gees' version would effectively make the original Sgt Pepper obsolete, and we talk about rock operas and how this one is structured. We delve into its interesting backstory involving Brian Epstein co...

We have a look at May Pang's documentary about her relationship with John Lennon, just released digitally and on blu-ray on 13 October 2023. We talk about perspectives and whether or not there's such a thing as "the truth" in a documentary, and whether that matters. Also we discuss how Yoko Ono comes across in this film and how a critical depiction fits into contemporary Beatles fandom. We intervi...

Our attention turns to 1981's Caveman, starring Ringo Starr, Barbara Bach, Shelley Long and Dennis Quaid. We discuss where Ringo is in his life and career at this point, the shadow cast over the production and release by John Lennon's murder, and how Ringo's physical and expression-based performance measures up in a film without dialogue. Also, while it's fair to say neither of us thought it was C...

We're opening season four with one of the big hitters: Martin Scorsese's 2011 George Harrison documentary. George's life gets a proper going-over for three hours, and we talk about how the film approaches his spirituality and how it relates to familiar religious themes in Scorsese films. This is an interesting film for the calibre of talking heads it attracts, Scorsese's milkshake very much bringi...

To celebrate 50 years since the film's release we've got together with our friend and James Bond authority Neil Alcock for an episode on Live and Let Die. As we'll hear, the theme song by Wings represented a gear shift and a new direction for Bond themes, away from big band singers and towards rock. Was Paul McCartney instructed to write elements into the song to fit the film's theme? We also talk...

In part two we close out our third season with some good old-fashioned British magic realism. Is Yellow Submarine a magic realist piece, and if so are the submarine or the Beatles themselves the conduit for the magic? Plus! We discuss its eastern European influences, and talk about the failed Robert Zemeckis remake, how far it got, and the technological and industrial reasons why it didn't go any...

In the first part of our season finale we're discussing 1968's Yellow Submarine, the Beatles' animated film and, as we outline, their only musical. We talk about how the project came about and how much the Beatles were involved (spoiler alert: not much), as well as the choices made in their characterisations, and what that says about their public personas at the time. We also talk a lot about the...

Who doesn't love Love? We're talking about the documentary about the Cirque du Soleil show The Beatles: Love. The film is an official Apple product and has talking head input from Paul McCartney, Ringo Starr, Yoko Ono, Olivia Harrison, Neil Aspinall, George Martin and Giles Martin. So why isn't it more widely known? We discuss how Apple moved on from here and became the legacy-preserving machine i...

Here's a companion piece to last week's episode. In David Trueba's 2013 film, set in Spain in 1966, English teacher Antonio and two young hitchhikers take a road trip to Almeria where he hopes to meet John Lennon on the set of How I Won The War. Starring Javier Cámara, Natalia de Molina and Francesc Colomer, Living is Easy with Eyes Closed won several Goya awards and was Spain's official submissio...

Onto John Lennon's solo acting debut in Richard Lester's How I Won The War, best known for John having written Strawberry Fields Forever in Spain while shooting it. We talk about how John is a significant figure to cast in a film commenting on the British class system, and how he and the film upend your expectations. Green, green, green! Watch the trailer: https://youtu.be/d8cK7Z78o8k Watch a hand...

We discuss the 2000 CBS TV movie in which Elizabeth Mitchell played Linda McCartney and Gary Bakewell reprised his Backbeat role as Paul McCartney. It's pretty corny of course, and there's a lot wrong with it, but there are positives, and we discuss how much you should expect from a TV movie, and talk about how its budget seems to have been applied. Did John Lennon throw a brick through Paul's win...