The Beatles Films Podcast

More chasing and more studied pointlessness as we head into the film's final scenes. We look at the Buster Keaton influence on the escalating police chase scenes, and ask whether Ringo is actually back where he belongs when he rejoins the group, given that there's been no narrative resolution of his earlier discontent. We look at the filming and editing techniques of the concert scene, and have a...

(Ringo's Theme.) We get on to Ringo Starr's real introduction to the world as an actor, when everyone thought "Hey, he's not bad at this, is he?" In particular he does a great job with Wilfred Brambell in the canteen, convincing us he's slowly becoming persuaded to leave the group. We spend some time parading with Ringo, looking at his interactions with the boy and in the pub. A Hard Day's Night i...

Part 4 takes in three of the film's key solo spots: John Lennon's scene with Anna Quayle, George Harrison in the teen TV show office, and Paul McCartney fronting the Beatles' performance of And I Love Her. A Hard Day's Night is often on BBC iPlayer, although not at the moment, and available to rent on a few streaming services. https://www.justwatch.com/uk/movie/a-hard-days-night There's also a goo...

From the hotel to the TV studio. We see the Beatles at a press event, which revisits one of the film's themes: that Beatlemania persists with or without the Beatles themselves. We get into more class dynamics between Ringo Starr and the sound engineer ("Aren't you being rather arbitrary?") and John Lennon's delivery of If I Fell gets us into discussing whether he could sing love songs straightforw...

Part 2 covers roughly the next 12 minutes of Richard Lester's film. We look at the absurdist downplayed reaction to finding an intruder in your hotel room cupboard, and the generational disconnect in how comfortable the Beatles seem in the nightclub, vs how grandfather can only fit in at the casino by pretending to be someone else. Plus! The class dynamics in Ringo Starr's jump-dancing with a posh...

Come 'ead, then. We start by looking at roughly the first 16 minutes of the Beatles' 1964 film debut. Expect a detailed breakdown of their first dialogue scene in the train carriage ("Who's that little old man?"), and how it establishes straight away through absurdist techniques that these characters don't inhabit a strict reality, giving Richard Lester licence to do more or less what he wants fro...

Ian Hart's third outing as John Lennon was 2013's Snodgrass, adapted by David Quantick from Ian R MacLeod's short story. Aired as part of the Sky Arts Playhouse series, it deals with a Lennon who left The Beatles in 1962 following his refusal to record How Do You Do It. With John now 50, bitter but insisting he did the right thing, it asks: where does creativity go when it has no outlet? We discus...

In Apple Films' 1971 documentary, Ravi Shankar is pondering whether he's diluted his beloved Indian classical music by promoting it to the West, through his association with George Harrison and The Beatles. We look at how the film explores this, and how it emphasises the spiritual connection necessary to perform the music, through techniques like focusing on the musicians' eye contact while playin...

We're in agreement: this is the worst film we've covered. Yes, worse than Sextette. Ringo Starr's role in Frank Zappa's 1971 freakout film seems like it could've gone to anyone: is there a specific reason for using him as a Zappa avatar in this film? We also talk Zappa and free speech: do the arguably puerile lyrics undermine the virtuoso musicianship of Zappa and the Mothers of Invention? And did...

This film is of Mark Lewisohn's 2022 stage show bringing to life what the Beatles did in 1962, enhanced by on-location filming by director Chris Purcell. We talk about how it showcases a performance style and an enthusiasm that belies a reputation for dry historical detail. And quite a bit about Ringo Starr's drumming, as it turns out. You can rent Evolver 62 on Prime Video and Apple TV at the mom...

1972's Imagine was part-longform music video for John Lennon's Imagine and Yoko Ono's Fly albums, and part-bonkers conceptual art film. We try and get to the bottom of it: does it mean anything, and does a work of art's meaning have to be intentional in order to be, well, meaningful? Plus some key themes: mass isolation, intimacy in celebrity, male femininity through submission: sure, why not?&nbs...

We love an iconic Beatle interview, and here's one: the first time two Beatles had been interviewed together on TV since the band split up. It's fascinating for a few reasons. We talk about Ringo's alcoholism (he went into rehab later that year), and how George gently prevents his drunk friend from going too far. Plus some discussion of the When We Was Fab video, which George was there to promote....

Based on Lars Saabye Christensen's 1984 book, a huge success in Norway, it's another coming-of-age story! Why does teenage Beatles fandom dovetail so well with this genre? We look at the use of the music in the film, which secured the rights to use a few Beatles songs, as well as how successfully it marries up the four teenage boy characters with their respective Beatles. You can rent the film che...

Given a short cinema release in April 2026, this film remixes and restores John Lennon and Yoko Ono's 1972 One to One concerts at Madison Square Garden, New York, John's only full-length post-Beatles concerts. We look at the context: this is shortly after the release of Sometime in New York City, an album which hadn't gone down well with fans or critics. Does this explain the seeming audience reli...

In 1972, Paul McCartney's original 1961 Höfner bass guitar went missing. Then he got it back! Is there enough for a whole BBC documentary in it? Well, as we'll see, this film tells the story very well, but maybe the story itself is a bit unsatisfying. Still, a decent line-up of talking heads, including Paul himself, Klaus Voormann and Elvis Costello. What's not to like? Especially if you're into w...

Morgan Neville's new documentary, released in conjunction with MPL and with Paul McCartney's cooperation, covers the 1970s and what Paul did next after leaving The Beatles. It could've been a hagiography. But anyone who's seen it will have noticed it allows a lot more criticism of Paul than you'd expect. We look at the reasons for this and the effect of it: is this a Paul acknowledging his shortco...

Time for some wild speculation, now we've got a lot of the Beatle wives and fifth Beatle candidates' casting confirmed. We look in particular at Saoirse Ronan as Linda McCartney, and discuss the film Foe, in which she and Paul Mescal played a couple living in an isolated setting. A bit like Paul McCartney and Linda's Scottish farmhouse exile? We've been watching lots of films featuring the ca...

Happy Christmas! Let's have a look at Dave Mullins' film, co-written with Sean Ono Lennon, which won Best Animated Short Film at the 2024 Oscars. We discuss the animation techniques, including use of the Unreal Engine, and talk about how John Lennon and Yoko Ono's Christmas song Happy Xmas (War Is Over) came about in 1971, and how it came to be used in the film. Watch the film on YouTube: https://...

What did we expect from the new episode? Well: the big decision here is not to include any new interviews with Paul McCartney and Ringo Starr from the 2020s. We discuss the effect that decision has on this episode, and on how it rounds off the series as a whole. Does the episode work as a general making-of-Anthology, or as a patchwork of unused clips from the other eight episodes? And is there any...

They couldn't let it lie, could they? Well, fair enough: The Beatles Anthology felt like a sleeping giant for Apple: gathering dust on a lot of fortysomethings' DVD shelves when it could be out there, brand spanking new and showing a whole new generation how great these guys were. And of course these episodes have been altered: we talk about what's new, and what's been removed and why. Plus there'...

It's part 2 and we're getting into it: what were the standout performances? There's a lot to choose from: Eric Clapton, Billy Preston, Ringo Starr and Paul McCartney all had a go, but what motivated their song choices? We also discuss Paul in particular: less secure than Ringo in his relationship with George Harrison, it's fascinating to watch Paul tread carefully through his contributions, and we...

As reluctant as he famously is to talk about it, Steven Cockcroft, one half of the Nothing Is Real podcast, attended the George Harrison tribute concert on 29 November 2002. So when it came to discussing the 2003 concert film we thought, Who better to invite on as a guest? Part 1 of our conversation touches on our memories of George's death in 2001, how Steven got a ticket, which artists were conf...

Ringo Starr and Harry Nilsson playing Merlin (yes, the wizard) and the son of Dracula: what could possibly go wrong? Well, a fair bit as it turns out: some baffling choices are made and it can't quite make up its mind what it is, but at least Ringo enjoyed being a producer, didn't he? No, not really. Still, he had a bar in his Apple Films office, at least. Watch the film in this fairly ropy VHS tr...

It would've been remiss, having just covered the German Paul is Dead, not to do a quick bonus episode on this lovely little short from British writer-director George Moore. He imagines a Lake District writing retreat in which the Beatles wake up after a drug-fuelled night to discover Paul McCartney is dead, and go about trying to recruit local shepherd Billy Shears as a replacement. We talk about...

We really enjoyed Hendrik Handloegten's 2000 film, which uses fandom and the old Paul is Dead mystery trope to great effect in a coming-of-age story. Tobias maybe has some stuff going on at home, and at 13 is on the cusp of noticing girls, and the film perfectly shows how kids get obsessed and wilfully believe outlandish things because the fantasy is more appealing than reality. We go down the rab...