THE BALLAD DODECET- Stories. Songs. Scripture. Broadcast from the edge of eternity.

The Deep Places Are Locked The Closed Well Choir Songs from The Twelve Plates of Witness From the Fraternal Order of the Closed Well comes The Deep Places Are Locked , the first gathered song-cycle of The Closed Well Choir . These songs give voice to Rev. T. R. Oliver Croftbarrel’s recovered sequence, The Twelve Plates of Witness — engraved visions of sealed waters, national memory, buried grief,...

One Throne, One Name is Hymn Number 2 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights . Performed by Silas Creed & The Crescent Hill Conservatory Choir , recorded live in Louisville, Kentucky, this hymn continues the Iron Hymns sound: rugged country gospel, strong male baritone lead, deep male harmonies, low drums, reverent fire, and holy allegiance. This hymn corresponds...

No Other Altar is Hymn Number 3 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights . Performed by Silas Creed & The Crescent Hill Conservatory Choir , recorded live in Louisville, Kentucky, this hymn continues the Iron Hymns sound: rugged country gospel, strong male baritone lead, deep male harmonies, low drums, solemn fire, and holy defiance. This hymn corresponds to the Th...

The Name Is Fire is Hymn Number 4 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights . Performed by Silas Creed & The Crescent Hill Conservatory Choir , recorded live in Louisville, Kentucky, this hymn continues the Iron Hymns sound: rugged country gospel, strong male baritone lead, deep male harmonies, low drums, holy reverence, and the fear of the Lord. This hymn correspon...

Meet Me at the House of God is Hymn Number 5 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights . Performed by Silas Creed & The Crescent Hill Conservatory Choir , recorded live in Louisville, Kentucky, this hymn continues the Iron Hymns sound: rugged country gospel, strong male baritone lead, deep male harmonies, low drums, church-bell weight, and gathered worship fire. Thi...

This House Belongs to God is Hymn Number 6 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights . Performed by Silas Creed & The Crescent Hill Conservatory Choir , recorded live in Louisville, Kentucky, this hymn continues the Iron Hymns sound: rugged country gospel, strong male baritone lead, deep male harmonies, low drums, household faith, and fatherly backbone. This hymn co...

This House Belongs to God is Hymn Number 6 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights . Performed by Silas Creed & The Crescent Hill Conservatory Choir , recorded live in Louisville, Kentucky, this hymn continues the Iron Hymns sound: rugged country gospel, strong male baritone lead, deep male harmonies, low drums, household faith, and fatherly backbone. This hymn co...

Covenant Fire is Hymn Number 8 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights . Performed by Silas Creed & The Crescent Hill Conservatory Choir , recorded live in Louisville, Kentucky, this hymn continues the Iron Hymns sound: rugged country gospel, strong male baritone lead, deep male harmonies, low drums, covenant weight, and faithful fire. This hymn corresponds to the...

The Steward’s Song is Hymn Number 9 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights . Performed by Silas Creed & The Crescent Hill Conservatory Choir , recorded live in Louisville, Kentucky, this hymn continues the Iron Hymns sound: rugged country gospel, strong male baritone lead, deep male harmonies, low drums, field-and-table gravity, and stewardship with backbone. Thi...

Tell It Straight is Hymn Number 10 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights . Performed by Silas Creed & The Crescent Hill Conservatory Choir , recorded live in Louisville, Kentucky, this hymn continues the Iron Hymns sound: rugged country gospel, strong male baritone lead, deep male harmonies, low drums, courtroom gravity, and pulpit fire. This hymn corresponds to...

Enough Is a Hallelujah is Hymn Number 11 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights . Performed by Silas Creed & The Crescent Hill Conservatory Choir , recorded live in Louisville, Kentucky, this hymn continues the Iron Hymns sound: rugged country gospel, strong male baritone lead, deep male harmonies, low drums, gratitude with backbone, and contentment as warfare. T...

Go Tell the Kingdom is Hymn Number 12 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights . Performed by Silas Creed & The Crescent Hill Conservatory Choir , recorded live in Louisville, Kentucky, this final hymn completes the Iron Hymns sequence with rugged country gospel, strong male baritone lead, deep male harmonies, low drums, gospel proclamation, and kingdom fire. This...

www.12Rights.com Breath Belongs to God is the first hymn from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights . This opening hymn corresponds to the First Right: The Right to Life . It begins where all Christian moral reasoning must begin: with God as the giver of life. Before a child has a name, before a cry is heard, before a mother holds that child beneath the morning sky, the...

Six quid and six silver spoons Luke 18:22-23 “So when Jesus heard these things, He said to him, ‘You still lack one thing. Sell all that you have and distribute to the poor, and you will have treasure in heaven; and come, follow Me.’ But when he heard this, he became very sorrowful, for he was very rich.” NKJV  It was Leonard Ravenhill who reminded us that when John Wesley died in 1791, he left be...

Application : Let us note well that the Lord Jesus Christ has already told us that the enemy has sown tares among the wheat. Therefore, in every local church, every Christian charity, and every gathered fellowship, let us expect mixture. Sometimes the tares are obvious, brazen in their contempt; more often they move unseen—looking like the wheat, sounding like the wheat, speaking the language of Z...

Myfanwy (Still You) — performed by Voices of Moriah (Bridgend, Wales) A modern Welsh ballad shaped by memory, voice, and place. This track draws its spirit from the traditional song Myfanwy , but moves beyond it—into something more personal, more reflective, and quietly unresolved. A name carried like a song. A presence that remains, even when everything else shifts. Blending Welsh and English, th...

Jeremiah 39:2-7 (KJV) And in the eleventh year of Zedekiah, in the fourth month, the ninth day of the month, the city was broken up. And all the princes of the king of Babylon came in, and sat in the middle gate…....Then the king of Babylon slew the sons of Zedekiah in Riblah before his eyes: also the king of Babylon slew all the nobles of Judah. Moreover he put out Zedekiah's eyes, and bound...

www.kingdom.rocks 🎵 “Dreams Don’t Break Me” – Kentucky Johnson “Dreams Don’t Break Me” is a modern country power ballad that rises from quiet confession to arena-sized declaration. Built on driving acoustic guitar, wide electric textures, and a chorus that lands like a revival tent shaking in the wind, the song captures the moment when disappointment loses its power. The verses open intimate and...

THE TOWERS OF LIES – a modern and true take on Remembrance Sunday  Don’t put my name on a tower of sighs, where young folks were slaughtered for old rich men’s lies. Don’t carve it neat in your marble and steel — no stone for heroes can sanctify this dread deal. Don’t put my name on your daylight’s mean screen, your pixel-poppies, your “never again” meme. You grieve in fake filters, hashtags, and...

A Song for Modern Remembrance This is not your grandfather’s war ballad. Set against the haunting backdrop of the Hebridean isles and carried by raw folk instrumentation, “A Tower of Lies” is Barra Skies’ fierce lament for a generation betrayed. Blending poetry, protest, and prayer, this track tears away the pageantry of modern remembrance and confronts the uncomfortable truths beneath it. From pi...

The Hamebound men www.wlmp.am Support the show 🎵 The Ballad Dodecet™  - Twelve Stories. One Epic Song. -  🔥 Step Into the Ballad Universe -  Where twelve stories ignite a cosmos. 🌍 A World Across Six Nations-  From the mist-shrouded Highlands of Scotland to the deep hollers of Appalachia, the Ballad Dodecet spans:  Scotland, England, Ireland-Northern Ireland,  Wales, -North America.  Each volum...

Support the show 🎵 The Ballad Dodecet™  - Twelve Stories. One Epic Song. -  🔥 Step Into the Ballad Universe -  Where twelve stories ignite a cosmos. 🌍 A World Across Six Nations-  From the mist-shrouded Highlands of Scotland to the deep hollers of Appalachia, the Ballad Dodecet spans:  Scotland, England, Ireland-Northern Ireland,  Wales, -North America.  Each volume taps into centuries of folkl...

Support the show 🎵 The Ballad Dodecet™  - Twelve Stories. One Epic Song. -  🔥 Step Into the Ballad Universe -  Where twelve stories ignite a cosmos. 🌍 A World Across Six Nations-  From the mist-shrouded Highlands of Scotland to the deep hollers of Appalachia, the Ballad Dodecet spans:  Scotland, England, Ireland-Northern Ireland,  Wales, -North America.  Each volume taps into centuries of folkl...

Support the show 🎵 The Ballad Dodecet™  - Twelve Stories. One Epic Song. -  🔥 Step Into the Ballad Universe -  Where twelve stories ignite a cosmos. 🌍 A World Across Six Nations-  From the mist-shrouded Highlands of Scotland to the deep hollers of Appalachia, the Ballad Dodecet spans:  Scotland, England, Ireland-Northern Ireland,  Wales, -North America.  Each volume taps into centuries of folkl...

Support the show 🎵 The Ballad Dodecet™  - Twelve Stories. One Epic Song. -  🔥 Step Into the Ballad Universe -  Where twelve stories ignite a cosmos. 🌍 A World Across Six Nations-  From the mist-shrouded Highlands of Scotland to the deep hollers of Appalachia, the Ballad Dodecet spans:  Scotland, England, Ireland-Northern Ireland,  Wales, -North America.  Each volume taps into centuries of folkl...