The 5 Best Films of Every Year Ever

Paul Gagliardi, Teaching Associate Professor of English at Marquette University, selects almost entirely comedy shorts for his 1913 highlights, although they connect with his proto-expressionist feature pick in that they all contain morbid underbellies. And diving into the comic commentary of these works, intended or not, reflects a few things about audience reception to movies and politics of the...

Michael Gebert is the founder and co-moderator of NitrateVille , the online discussion site about vintage films of the silent era through the 1950s. Looking ahead to the advancements soon to come, his selections of almost all features demonstrate editing and performance style shifts, which branched off in slightly different ways in countries like America, France, and Sweden. Michael is host of the...

Julie K. Allen, professor of Comparative Arts and Letters at Brigham Young University, is the author of Screening Europe in Australasia . So it makes sense that her selections, each from a different country, would embody the transnational dynamic of silent film just before the outbreak of World War I. Julie is also the author of Icons of Danish Modernity , Danish but Not Lutheran , and The Silent...

This is the 100th episode and just two weeks past the second anniversary of The 5 Best Films of Every Year Ever! It’s a special episode made even more so by Shelley Stamp, Distinguished Professor of Film & Digital Media at the University of California, Santa Cruz. She literally wrote the book on Lois Weber so it makes sense that pioneering filmmaker’s landmark 1913 film factors into the conver...

1913 is considered by many to be a milestone year in the development of film grammar and industry. And it perhaps is, as is set up by this context-setting introduction and the conversations with guests to come for this season! Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1913! Films mentioned: The Adventures of Kathlyn (1913) - Francis J. Grandon What Happened to Mar...

Although the 1912 season introduction asserted that “Hollywood was incoming,” the top picks for the year (fueled by a record number of submissions from guests!) is mostly made up of old power players, even if that power would recede in short order. Indeed, both that dynamic and the fact that all of the most popular selections are shorts may change in the near future! Visit the5bestfilmsofeveryyear...

Film historian and cultural critic Paul (PT) Klein’s work focuses on American filmgoing cultures. So even when discussing his sole foreign pick, the conversation dives into audience reception to his selections, then and now, in addition to the various aesthetic strengths of each of his movies. PT’s writing has appeared in Film Atlas, Film Matters, Foglifter, Metro Weekly, and more. His work can be...

Silent film accompanist and composer Stephen Horne has already composed for or accompanied a couple of his five multinational picks for 1912. But besides discussing the general aesthetic pleasures of his selections, he also ruminates on how he could approach playing for both these grounded features and short trick films (they were still hanging in there!). Stephen is a house musician at London’s B...

Marsha Gordon, Professor of Film Studies at North Carolina State University, mostly highlights two directors credited with advancing film narrative with four picks. But she also sings the praises of a certain work of stop-motion animation, one taking this season by storm for both guests’ and listeners’ submissions. Marsha is the author of Becoming the Ex-Wife: The Unconventional Life & Forgott...

As Founding Director of HippFest , Scotland’s first and only silent film festival, Alison Strauss is especially knowledgeable about the history of Scottish filmmaking and -going, as represented by three of her picks. But the conversation, which concludes with outlandish animation, also addresses the preponderance of short films in an era of increasingly long ones. Alison works as Falkirk Council’s...

Tanya Goldman, Assistant Professor of Film at Missouri State University, has a strong interest in what could variably be called “nontheatrical movies,” “minor cinema,” “useful films,” and other such phrases, reflected by her two concluding picks dealing with sponsored films, whether by social progress groups or farm equipment manufacturers. But much of the conversation concerns morbid humor, wheth...

1912 seems to offer more threads of industrial, technological, and social changes in the global film industry than the previous few years, but maybe just because a few still recognizable names can essentially “headline” this season. The threads introduced in this intro, and many more, will be picked up by five guests to explore just how exciting the period is becoming. Films mentioned: Queen Eliza...

The introduction to this 1911 season made a big point (or did it?) that the features have begun, and although the majority of the five most selected films from guests and listeners indeed operate in that mode, the vast majority of selections in general still conform to the time’s global film industry norm of one or two reelers. They reflect, or foreshadow, how quickly the cinematic form was evolvi...

Casper Tybjerg, Associate Professor of Film Studies at the University of Copenhagen, selects five films that reflect the advancement of narrative cinematic drama. Whether they offer visual and emotional spectacle or crusading social messages, his picks demonstrate the international refinement of the cinematic medium. A scholar of Danish and international silent film, Casper is the co-editor of the...

Eva Hielscher, head of film-related collections at Deutsches Filminstitut & Filmmuseum , selects a wholly international survey of 1911 films, jumping from country to country and genre to genre. This heterogeneous view of the year ranges from French comedy and animation experiment shorts to an Italian epic and German feature…and a document of a historic expedition! Eva is also co-artistic direc...

Thomas Christensen is Curator at the Danish Film Institute, so it stands to reason that all of his selections hail from Denmark. All but one of them come in at “feature length” (and from the same director) as well, reflecting the country’s place in advancing film grammar, subjects, and character psychology at a crucial transitional time. Thomas also serves on the Executive Committee of the Europea...

Patrick Friel, educator and programmer, is very interested in non-narrative and experimental film. Therefore, his five selections totally fit into those designations (well, with one semi-exception), but each of them offer totally different visual experiences and intentions. Patrick is currently an Adjunct Professor of Instruction at Columbia College Chicago and has previously taught at the School...

Kathy Feeley, professor of history at the University of Redlands, wrote Mary Pickford: Hollywood and the New Woman , so it makes sense that two of her picks center the film icon and pioneer, still in the early years of her career. But the rest of Kathy’s selections also paint a picture of women’s contributions before and behind the camera in an era before mass corporatization and the sidelining of...

1911 really feels like the beginning of the feature film. Oh sure, it didn’t suddenly define the output of the global film industry, but ambitious experiments from Italy, Denmark, Russia, and only very tentatively, America, sat alongside narrative, as well as plenty of non-narrative, successes and intriguing failures in the short form. Visit the5bestfilmsofeveryyearever.com/list to submit your top...

Hopefully you’re not too tired of hearing about how 1910 and its surrounding years are part of a transitional era, but this season’s conversations also revealed how diverse the global medium was at the turn of a new decade with offbeat modes, genres, and subjects. With a record slate of submissions from listeners, in addition to the guests’ selections, 1910’s collective list paints a broad picture...

As Executive Director of San Francisco Film Preserve , Kathy Rose O’Regan works hard to highlight our shared film heritage. Her five picks certainly paint a picture of the international nuances of 1910 filmmaking, with each hailing from a different country and operating in a different narrative mode (or lack thereof). Kathy also served as the Senior Film Restorer for San Francisco Silent Film Fest...

Kynan Dias, Assistant Professor at University of Nevada, Las Vegas, is no stranger to podcasting as co-host, with Lester Ryan Clark, of a series of film history podcasts on the TruStory. FM network . His picks reflect some of the conversation surrounding this 1910 season regarding literary adaptations and real-world impact, but the discussion finds new angles to explore, including a landmark work...

Laura Horak, Professor of Film Studies at Carleton University, is the author of Girls Will Be Boys: Cross-Dressing Women, Lesbians, and American Cinema . Therefore, most of the conversation addresses the transgression, or lack thereof, of films that depicted such changes in dress, a rich topic represented by four of her five picks. Laura is also the director of the Transgender Media Lab and Transg...

David Morton, Lecturer at the University of Central Florida, is the author of Motion Picture Paradise: A History of Florida’s Film and Television Industry . With this expertise in mind, the opening of the conversation covers the American film industry’s halting migration to the southern state, but moves on to American migrations to other locations and censored films. David received his Ph. D. in T...

Ned Thanhouser is president of Thanhouser Company Film Preservation and grandson of film pioneers Gertrude and Edwin Thanhouser. It makes sense, then, that he and Tristan discuss the founding of his family’s studio, which released its first film in 1910, but they also move on to Ned’s picks of classic literature adaptations and controversy. Ned directed the 2014 documentary The Thanhouser Studio a...