Stories in Colour

Have you ever wondered whether pink really is for girls and blue for boys? In our final episode of series two, Beks is joined by Dr Vien Cheung, Associate Professor at the University of Leeds, and National Gallery Educator Ed Dickenson to explore the surprising, gendered history of pink and blue. We trace the rise of fashion's 'shocking pink', the cultural impact of the Barbie movie, and the endur...

Today we're on a hunt with artists through time, searching for the blackest black. We’re after the deepest blacks, the most accurate blacks and the most atmospheric blacks. Beks is joined by artist Stuart Semple to help answer questions such as: is black really a colour and how do we see the colour black? Step back in time to the Palaeolithic era to discover ancient cave paintings at the Lascaux c...

You might have heard of men like Isaac Newton or Johann Wolfgang von Goethe, but who were the pioneering women writing on colour theory? To answer that question, we’re joined by cultural historian Alexandra Loske and The Colour Club founder Zeynep Sagir. Together, they uncover the lives of figures like Martha Gartside, Emily Noyes Vanderpoel and Carry van Biema. From intricate colour grids to radi...

How do the colours artists choose – and the ways each of us experience them – help us find a story? Join Beks and author Chloë Ashby as they take a closer look at how to ‘read’ colour in some of the National Gallery’s most iconic paintings. From Van Gogh to Caravaggio, they examine how different artists use colour to guide narrative, shape meaning and even evoke emotion. Whether you’re an art love...

A teenage chemist’s accidental discovery didn’t just revolutionise colour history – it sparked a viral Victorian colour craze! Cultural historian Kassia St Clair joins Beks to uncover the story of mauveine – the world’s first synthetic aniline dye. Practically overnight, this striking purple became a mass-market sensation. Mauve reshaped Victorian fashion and left a legacy that stretches all the w...

What makes two volcano-born pigments so dangerous? Hint: they weren’t scorching hot when artists used them. Orpiment and realgar both contain arsenic, a foe we’ve previously faced on ‘Stories in Colour’. From volcanoes to ancient alchemical practices, art historian Evie Hatch joins Beks to uncover the origins and histories of these orange and yellow pigments. Together, they discuss how orpiment an...

Travel with us beyond the sea to look at ultramarine , a pigment that was once even more precious than gold. In this episode, writer Victoria Finlay joins Beks for a discussion on how researching ultramarine took her to Afghanistan. She journeyed to the blue mines where you can find lapis lazuli, the semi-precious stone ultramarine comes from. Along the journey, we pause to look at some of the Nat...

Welcome back to a new series of 'Stories in Colour'. To kick off, we’re tackling one of the topics we received the most questions about − synaesthesia. Join Beks and this week’s guests, composer Dr Deborah Pritchard and leading expert on synaesthesia Professor Jamie Ward, as they set out to answer questions such as: What is synaesthesia and what might yellow sound like? We are also joined in the s...

What does colour sound like? Why was mauve the brat green of the Victorian era? And is pink really just for girls? Welcome back to another series of 'Stories in Colour', the National Gallery's vibrant podcast. Join us on a journey that travels from mines in Afghanistan, to the East End of Victorian London. Hear from curators, scientists, historians and artists, for fresh perspectives and unexpecte...

When the artist Louise Nevelson immigrated to America as a child, she was told that ‘the streets... would be paved in gold’. Obviously, they weren’t, but that hasn’t stopped modern artists turning pretty much everything else golden. Even a toilet. Join National Gallery Courses and Events Programmer Caroline Miller, Associate Curator of Contemporary and Modern Priyesh Mistry and host Beks in the fi...

When did gold become a colour? In this episode we journey from the majestic mosaics of the Byzantine era to the brilliantly burnished panel paintings of the early Renaissance to answer this very question. Join Laura Llewellyn, National Gallery Curator of Italian Paintings before 1500, art historian and educator Ben Street and National Gallery host Beks on this sparkling adventure. Together, they d...

Welcome back to Stories in Colour ! And welcome to the first episode of our new miniseries in which we'll be telling the story of a rare, sparkling and glistening colour – or should we say material? Join Nelly von Aderkas from the National Gallery’s Scientific department and host Beks as they dive into the ancient origins of gold! From colliding supernovas to the tomb of Tutankhamun and the man wi...

Welcome to a new miniseries of ‘Stories in Colour’. The National Gallery’s vibrant podcast returns to tell the story of a rare, sparkling and glistening colour – or should we say material?  It's been called the tears of the gods, the sweat of the sun, a barbaric relic and a universal language. Join us as we trace the use of gold across the ages! From the tombs of Ancient Egypt to Renaissance...

What exactly is a rainbow and how is it formed? Why does it have seven colours? And what have rainbows symbolised in mythologies and art? Join colour expert Dr Alexandra Loske, National Gallery Principal Scientist Joseph Padfield and National Gallery host Beks Leary as they cover rainbows from Noah’s Ark to Olafur Eliasson, and Pink Floyd's Dark Side of the Moon to Georges Seurat’s ‘The Rainbow’ s...

Why do we see purple as the colour of royalty? It all starts on the Mediterranean coast with some unassuming, and eventually very unfortunate, seasnails. Travel back to ancient times with colour specialist Victoria Finlay and National Gallery host Beks Leary to trace the story of Tyrian purple through time. Victoria has written several books about colour – including 'Colour, Travels through the Pa...

Where did all the colour go? And how might Western culture have feared it, or deemed it superficial, in art and philosophy? We celebrate the 25th anniversary of seminal book ‘Chromophobia’ with its author David Batchelor, who reflects on these ideas a quarter of a century on. David speaks to National Gallery host Beks Leary about ideas of colour from philosopher Plato and artist Paul Cezanne, to t...

Why does the colour green remind you of poison and radioactivity? We're telling the story of two toxic green pigments to find out. Their stories interact with artists like Berthe Morisot, Dante Gabriel Rossetti and William Morris, as well as the less likely figure of Napoleon Bonaparte. And we go for a very good nosy around Victorian libraries.  Join cultural historian Kassia St Clair and Nat...

We're asking how we feel about colour – or more accurately how colours make us feel – and whether that's the same for all of us. Join colour specialist Zeynep Sagir and National Gallery host Beks Leary to get emotional about colour. Along the way, we talk about Pablo Picasso’s ‘Blue Period’ and Derek Jarman’s final film ‘Blue’, the calming green of John Constable’s ‘The Cornfield’, and Mark Rothko...

We're on the search for the 'perfect red' with a pigment and dye that was so prized that it inspired international espionage and piracy, carried the death penalty if exported without a license, and built empires. But today you might find it in your strawberry yoghurt. This is the story of how bugs turned the world red with historian and writer Amy Butler Greenfield and National Gallery host Beks L...

Meet an enigmatic pigment discovered entirely by accident at the start of the 18th century. Its story involves a rogue inventor with an unlikely connection to Doctor Frankenstein, a characterful trio of Johanns, and a renowned Botticelli forgery.  This pigment came to be known as Prussian blue or Berlin blue. Before its discovery, a range of blue pigments existed but each had a significant fl...

Welcome to Stories in Colour! We're starting at the very beginning to ask an age-old question: are the colours you see, the same as the colours I see? Join Professor Anya Hurlbert from Newcastle University and National Gallery host Beks Leary as they ask whether colour is real and how exactly we see it, stopping off to look at paintings from the National Gallery along the way. We go back to the vi...

How has colour changed the world? A vibrant new podcast from the National Gallery, Stories in Colour launches with our first two episodes on Wednesday 28 May 2025. The Times ★★★★ ‘There’s lots to enjoy here.’  In each episode, we uncover the hidden mysteries woven into colour from antiquity to the present day.  Along the way, you'll hear from curators, scientists, historians, artists, an...