Beyond 1932

Song-podcast

Arts FR ↓ 3 episodes

EN - A song-podcast follows a simple principle: dedicating one podcast to a unique song from the 1932 Cairo recordings. Contemporary artists, researchers and experts choose a recording and explain the reasons for their choice, followed by the original piece in its entirety. FR - Un song-podcast repose sur un principe simple : consacrer un épisode à un morceau unique des enregistrements du Caire de 1932. Des artistes, chercheurs et experts contemporains choisissent un chant et expliquent les raisons de leur choix, avant de diffuser le morceau original dans son intégralité. AR - يعتمد البودكاست...

Be sure to visit the podcast's website and support the creator: 1932muscon.kcl.ac.uk

Author

Beyond 1932

Category

Arts

Podcast website

1932muscon.kcl.ac.uk

Latest episode

Sep 24, 2026

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Episodes

Song-podcast with Amreddine Betaouaf, orchestra conductor 24.09.2026

FR - Nous nous entretenons à présent avec Amreddine Betaouaf, Chef d’orchestre des Airs andalous. Il a choisi une tushia, une piece instrumentale de la Nuba Raml al ashiya, enregistree au Caire en 1932, par l’ensemble du Sheikh Larbi Bensari de Tlemcen. EN - We are now discussing with Amreddine Betaouaf, conductor of the Airs Andalous ensemble. He has chosen a tushia —an instrumental piece from th...

Song-podcast with Luc Verrier, sound engineer 13.08.2026

FR - Nous nous entretenons à présent avec Luc Verrier, ingénieur du son à la Bibliothèque nationale de France. Il a choisi un extrait d'une nouba marocaine — « Parcours le monde et tu en saisiras les secrets » — interprétée au Caire par l'ensemble Omar Jaidi, originaire de Fès. Ce choix lui permet également d'illustrer sa démarche en matière de traitement sonore, en nous faisant passer du disque 7...

Song-podcast with Abderraouf Ouertani, 'ud player and composer. 06.05.2026

EN - Abderraouf Ouertani, artist and researcher, opted for a muwashah (a form of sung poetry) entitled Ya la qawmi dhayaouni (“Who are these people who have confused me?”). It was performed in Cairo in 1932 by Mohamed Ghanim’s Maluf ensemble from Tunisia. Armed only with his lute and his voice, Abderraouf patiently and skillfully does everything he can to bring out the nuances of the versions of a...

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