Poured Over

"All three of the books that I have written during the pandemic have really been my way of going into another world and finding a place where none of this was happening. And that I could just relax and have fun. And so, I hope that my books are that kind of fun, joyous of maybe slightly salacious time for readers, too, because that's what I enjoyed as I was writing them." Jasmine Guillory is one o...

"To write a young woman who refuses to define herself by anything other than her activism, her mind, her curiosity, that was just a delight, and she wasn't the most predictable character, but she was the one who told me what to do on every page." How to describe Tess Gunty's dynamic debut,  The Rabbit Hutch ? Think Jennifer Egan + Denis Johnson. Think polyphonic novel about climate change and gent...

"But when I write, that's when I feel I can take part in society, I can contribute to ideas, and to teach and to share, and to say,  I love you  to society—to maybe talk about some of the difficult things in life, but to affirm that these experiences only serve to make life what it is." From space aliens and cursed violins to a Queen of Hell with a heart, to found family, coming-of-age and living...

"There's just so much rich material in Hollywood during the 1940s—which is where much of the book is set—there is just sort of an endless rabbit hole you can go down. And of course, one of the problems with writing a book about the movie industry is that sitting around watching movies technically counts as research." We still think about Anthony Marra's incredible debut,  A Constellation of Vital...

"I just had so many questions about adoption and motherhood. And you know, you've read my books, you know that I'm very interested in what makes a family and how does our family influence us. And that's all part of this book, too." From her sparkling debut,  The Weird Sisters , to her latest,  Any Other Family , Eleanor Brown writes big-hearted novels with hopeful endings about family and finding...

"What's really interesting about taste memory is it's not that you're trying to necessarily replicate the dish exactly as it was, I think you're actually just trying to replicate your memory of it, because your memory is always going to be the platonic ideal of it." Eric Kim has a delightful approach to food, and his debut cookbook is a charming exploration of the Korean American table. He joins u...

"One thing I really have learned—or at least for myself about writing—is never to explain why a person is the way they are, just to make a dramatic case for why they are the way they are. So, the moments I have that are backstory, or that go back and forth in time, it's because that backstory or that moment of slippage of time is dramatically relevant to the present moment of the story." Alice Ell...

"I wish I could tell you that I went to a cabin and wrote it perfectly and got it in on time, and it just flowed out of me. But really, the truth of the matter is, it came in fits and starts. And it was written on notepads and half-filled notebooks and phone apps and bar napkins….I grew up in a time of a lot of white men writing,  Oh, my sad childhood  stories. And so, my whole thing was  I'm not...

"The primary intent of these books is to take a break... have something you can just curl up with for an afternoon. This is a book that is not going to hurt you. And I think that that's so vital in this day and age, to be able to just pause for a second. I want the book to feel like a cup of tea as well... But I wanted to give you the option of chewing on some of the stuff in there." Hugo Award-wi...

"When you're writing a children's book, it shares much relation with horror, because it has to be usually very immediate and very visceral and gripping. Because otherwise the kids are gonna get bored. And your window of opportunity to grab the reader is … longer with horror, you can do the slow creeping dread better, but you have to grab the reader, metaphorically, by the throat." Whether you know...

"But there is joy in advocating for changing of the world for the better, for not allowing the world to tell you who you shall be, but rather reimagining a world in which you can be anything." Award-winning journalist and professor at Northeastern University Caleb Gayle delivers a stunningly original story of America in his first book, We Refuse to Forget: A True Story of Black Creeks, American Id...

"I decided to give myself the license to fail, and to write across gender, to write in the voice of a midwife's daughter. And if the book isn't working, fine, we'll write it from the perspective of the midwife's husband, from some other male character. But I loved it. It was so emancipating to not be me, to not be (at the time) this 30-something dude. And I loved it. And I think, my best books, my...

"And so, too often, kids are raised to have empathy for people who look like them, or worship like them or act like them. And we're also taught to have empathy for people who deserve it. And I wanted to convey the importance of raising our kids to have empathy for people who don't look like them or don't live near them. And for us to not make our empathy almost like a tip in which it's transaction...

"I never thought I would be writing something where there would be a lot of intricate feelings around the game engine. But then if you think about something like say, like Sally Rooney's  Normal People , who would think that you could feel so much passion over whether like, they go to that dance together, you know?" Gabrielle Zevin's delightful new novel,  Tomorrow, and Tomorrow, and Tomorrow   is...

"The most important thing is the reader. I tell my students, Look, if you're writing about yourself, it's great that you want to get your feelings out. You want to maybe, you know, have some catharsis. You want to get the earliest things out. But, if you bore the reader, you're done. You know, and it's important to consider the fact that you're telling a story…this is not a therapy session, you kn...

"For me, and perhaps for both of us, I think that our greatest sort of skill set is audacity. It's so funny the way people sort of negatively connote ego, but I think it's necessary to have some, because one has to have a little bit of, I mean, like, when we were 20 years old, our whole thing was we're gonna rearrange and change the way people think of the book, right?" Jason Reynolds and Jason Gr...

"It's so painful to me to feel as though the very notion of objective truth or that journalism could be a vehicle for expressing a kind of objective truth is under assault today." Patrick Radden Keefe is one of the best longform journalists working today, and we'd follow his dogged reporting anywhere, from bestselling books like  Say Nothing  and  Empire of Pain , to his work as a staff writer at ...

"So much classic fantasy exists in this sort of timeless state where, you know, whatever fantasy world it's set in has kind of always existed....I've always been really interested in kind of disrupting that and kind of setting my books during periods of like, enormous change and upheaval, like, I'm really interested in the idea of a fantasy world that has not always been the same, because that's n...

"I sort of figured that, having been interested in science from as long as I can remember, I would be a PhD student, and make a career for myself and research. And it turned out that the one hitch with that plan was that I am catastrophically bad at doing actual research. I was the world's worst graduate student….So instead, I thought that I would find a different purpose and better joy in talking...

"I wanted to write something that was going to take me away, literally and metaphorically, literally take me away from sitting with my feelings about the present moment and take me to another place and this time where you couldn't travel at all. I barely left the neighborhood to play out some imagined incredible drama … I think escapism has its purpose, you know, and so does fiction in general, if...

"You know, Marlon James said something once, he said, if you're going to write about the enslaved, and you're not going to write about the resilience, and the brilliance, and the incredible ability to make a life in a brutal system, a life full of love and some joy, then he said, he's not interested in reading that book." Geraldine Brooks, author of the Pulitzer Prize-winning novel, March, is know...

"...A part of the point of the book was to not shy away from what we shy away from in real life. And one of the things we shy away from in real life is admitting for exactly how long we are a mess and don't know what we're doing." From her classic essay collections, including  I Was Told There Would Be Cake  through her last bestselling novel,  The Clasp , Sloane Crosley keeps us entertained with...

"And when you give people the option to kind of live inside the head of a different character … if you're doing your job, and you make it a character that they can see themselves in and they can empathize with, and then you kind of throw these things at them. And then it just changes the way that people think about something."  For the Throne  is the stunning conclusion to the Wilderwood duology t...

"It was the people really, that convinced me that this was a story not just worth telling, but needed to be told, and needed to be told the right way, in a way that would actually be fun to read and engaging, that would reach broader than an academic audience that would reach deep into the community and say, you know, this is a story about ordinary people trying to get justice in a time and place...

"I really wanted to depict the ways that young Black girls are made adults by a culture that sees us as that. And I wanted to show the way that that pressure piles on and what it does to teenage Black girls, who are really often forgotten in our culture."   Nightcrawling is a powerful story of family, grief and justice with an unforgettable teenage narrator (and equally unforgettable author), and...