Past Present Feature with Marcus Mizelle

Cara Cusumano, Director of Programming for the Tribeca Festival, joins Past Present Feature as the festival celebrates its 25th year. She pulls back the curtain on how one of the world's premier film festivals selects its films,  and how curation, audience, and timing shape every lineup.  Along the way, Cara reflects on the films and filmmakers that shaped her own cinematic taste, from F for...

Daniel Blake Schwartz breaks down how Tribeca Best U.S. Narrative Feature winner Cotton Fever grew out of years spent collecting stories during his own experience with addiction and recovery, ultimately transforming those fragments into a deeply personal debut feature. Drawing inspiration from filmmakers like Andrea Arnold and Hirokazu Kore-eda, Schwartz pursued a style rooted in realism, empathy,...

Alan D’Escragnolle breaks down how his company Filmhub is rethinking distribution, shifting away from gatekeeping toward flexible, film-specific strategies. Instead of a single path, films are matched with what they actually need, whether that’s AVOD, SVOD, or a more hands-on sales and marketing push. The bigger shift is economic. With hundreds of thousands of titles entering the market each year,...

Tawfik Sabouni breaks down his Berlinale-bound documentary Other Side of the Sun and how it grew out of lived experience, from filming protests during the Syrian revolution to imprisonment, exile, and ultimately shaping that reality into his first feature. He doesn’t separate fiction and nonfiction, approaching cinema as one language built around truth and urgency. The film follows survivors retur...

Charlie Tyrell breaks down how The AI Doc: Or How I Became an Apocaloptimist , this years SXSW Audience Award winner now in theaters from Focus Features, turns an overwhelming, abstract subject into something personal by grounding it in fatherhood. Instead of approaching AI through pure information or fear, the film frames it through the lens of bringing a child into the world, making the stakes i...

Belgian filmmaker Frederike Migom breaks down her Berlinale premiere Everyone’s Sorry Nowadays , a coming-of-age story set almost entirely inside a single home and a young girl’s mind. The film explores identity through a tightly contained structure, blending realism with imagined sequences that bring the character’s inner world to life. She talks through her unconventional path into directing, fr...

Jeremy Workman discusses Secret Mall Apartment , his Netflix documentary about a group of Rhode Island artists who secretly built and lived in an apartment inside a busy shopping mall, filming the entire four-year experiment themselves. After a strong self-released theatrical run, the film is now streaming on Netflix. Jeremy traces the project back to a chance meeting in Athens, where he connected...

Gille Klabin discusses Weekend at the End of the World , his follow-up to The Wave , and the deliberate choice to build a second feature that didn’t require waiting for studio permission. Shot in 12 days on a sub-$300K budget, the film was designed around creative, logistical, and financial control. Gille reflects on the lessons he learned from The Wave ’s release, where traditional distribution l...

Sharon Liese joins the show after premiering Seized at Sundance to unpack the story behind the Marion, Kansas newspaper raid that ignited a national debate around press freedom, abuse of power, and the fragility of the First Amendment. What begins as an egregious police search of a small-town newsroom expands into a layered portrait of community tension, history, ego, and how something unthinkable...

Gabby Osio Vanden and Jack Weisman join the show after winning Sundance’s Grand Jury Prize to unpack the ten-year road behind Nuisance Bear, a polar bear’s journey through two connected worlds: tourist-heavy Churchill, Manitoba, and the Inuit community of Arviat, where the stakes are far more complex and far less welcoming. The film becomes a meditation on coexistence, control, and who gets labele...

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Stephanie Ahn discusses Bedford Park , (Special Jury Award) her Sundance U.S. Dramatic Competition debut about a Korean American woman in her 30s pulled back into her parents’ home after her mother’s car accident, where she meets the man responsible and an unexpected connection begins to form. Ahn shares why she needed to make this film, how growing up Korean American left her hungry for stories t...

Documentary filmmaker and editor J.M. Harper discusses Soul Patrol  (Best Director Winner at Sundance ‘26), his six-year journey telling the story of the first Black special operations unit in Vietnam. What began with reading Eddie Manuel’s book grew into years of weekly conversations, slow trust-building, and eventual access to never-before-seen Super 8 footage and photographs shot by the soldier...

Sundance feature programmer Ania Trzebiatowska joins the show to talk about curation as craft, responsibility, and intuition. From her roots in Poland to running Krakow’s Off Camera festival, working in acquisitions at Visit Films, and programming U.S. and world documentary features at Sundance, Ania reflects on how taste is formed and why being pleasantly surprised when viewing submissions still...

Italian documentarian Parsifal Reparato discusses She , his five-year journey inside Vietnam’s electronics manufacturing world, where young migrant women work 12-hour shifts producing devices for the global market. What began as labor-rights research grew into a portrait of fear, capitalism, and survival, earned through slow trust-building with workers afraid to speak openly. We unpack creative in...

Taiwanese filmmaker Shih-Ching Tsou traces her path from a strict upbringing in Taipei to directing Left-Handed Girl , Taiwan’s 2025 Oscar submission for Best International Film, and now streaming on Netflix. After years working alongside Sean Baker, the four-time Academy Award winner known for Anora , Tangerine , and The Florida Project , and her creative partner since they co-directed their firs...

12 films. 3 nights. 1 Collective. The Past Present Feature Film Festival is a curated, three-day showcase of cinematic storytelling across time, highlighting overlooked gems, current festival hits, and future feature films in the making. Sponsored by The Past Present Feature Podcast and Leica Camera , all screenings take place November 19 – 21 in Hollywood, CA, at the Eastwood Performing Arts Cent...

Janicke Askevold unpacks her journey from shooting Together Alone with friends during COVID to premiering her new feature Solomamma at the Locarno Film Festival. The Norwegian actor-turned-director traces how a one-page pitch led to full Norwegian Film Institute backing and a 25-day Oslo shoot that balanced long summer daylight, short 8-hour workdays, and a five-year-old co-star. Solomamma follows...

Mercedes Bryce Morgan unpacks the whirlwind making of Bone Lake , an 18-day Atlanta shoot that battled storms, injuries, and lost gear before completing its night-boat climax on a Los Angeles soundstage. After a Fantastic Fest premiere and Deadline-breaking international sales, the erotic survival thriller heads to U.S. theaters with buzzy audience reactions and a proudly “fun, commercial, popcorn...

Norwegian filmmaker Audun Amundsen, director of Click the Link Below , which premiered at Doc Edge in Auckland, follows online gurus like Akbar Sheikh and Tai Lopez to show how engagement algorithms reward extremes and blur value with hype.  Audun traces an unlikely path from renewable energy engineer and backpacker to documentarian, surviving a stroke at 23 before returning to Indonesia that resu...

Nina Knag’s debut feature, Don’t Call Me Mama, which marks her arrival as a bold new voice in cinema, just premiered at the Karlovy Vary International Film Festival in the Crystal Globe competition. She tackles the taboo subject of relationships between older women and younger asylum seekers through the lens of complex, unapologetic female anti-heroes. Drawing from personal insight and the influen...

Thom Powers, a renowned documentary programmer for the Toronto International Film Festival (TIFF), former artistic director of DocNYC, and host of the “Pure Nonfiction” podcast, delves into his journey from filmmaker to influential festival curator. Thom shares behind-the-scenes details about programming films like “The Bibi Files,” directed by Alexis Bloom, and Rebecca Huntt’s “Beba,” highlightin...

In this conversation, filmmaker James DeMonaco discusses his journey from writing the comedy “Jack” and working with Francis Ford Coppola and Luc Besson, to creating the successful “Purge” franchise. Up next is his latest, a psychological horror film, “The Home” starring Pete Davidson, which is releasing theatrically July 25th via Roadside Attractions.  DeMonaco shares insights on genre forms in s...

In this first episode of Season 2, documentarian Madeleine Gavin joins Past Present Feature to discuss the making of "Beyond Utopia", her gripping BAFTA and Emmy-nominated film about North Korean defectors. She reflects on the emotional intensity of telling stories under high-stakes conditions and the delicate trust required between filmmaker and subject. From the invisible hand of editi...

Julia Max, director of “The Surrender”, which premiered at SXSW and is now streaming on AMC+, discusses her journey as a filmmaker, with past inspiration coming from Stanley Kubrick’s “The Shining”. Julia shares insights into the horror genre, the importance of character development, and the challenges of navigating the filmmaking process. She emphasizes the significance of a supportive team, the...