One by Willie

Eurythmic Dave Stewart, who along with his bandmate Annie Lennox—and, of course, Willie Nelson—is a member of both the Songwriters Hall of Fame and the Rock and Roll Hall of Fame, discusses one of Willie’s most beloved songs of recent vintage, “Energy Follows Thought.” The song was the standout off Willie’s great 2022 album A Beautiful Time , and one Dave loves in part for the freedom he hears in...

Whisperin’ Bill Anderson, a multimillion-selling Country Music Hall of Famer, 65-year Grand Ole Opry regular, and almost certainly the only living songwriter who got to Nashville before Willie did, talks about one of Willie’s earliest entries into the Great American Songbook, “Funny How Time Slips Away.” It’s a song Willie actually pitched to Bill back in 1961, when the two were part of the genera...

Comedian Ali Siddiq zooms in on Willie Nelson’s 1979 cover of the Allman Brother’s tale of a desperate outlaw’s life on the lamb, “Midnight Rider.” It’s a song Ali used to blast in his Monte Carlo during his days as what he calls “street pharmaceutical rep” in Houston’s Third Ward, as detailed in his groundbreaking 4-part comedy special Domino Effect , and it gets him thinking aloud on American cu...

Celebrated author George Saunders digs deep into one of the best-loved songs not just in Willie Nelson’s catalog, but in all of American music, Townes Van Zandt’s legendary tale of betrayal, “Pancho and Lefty.” It is, in many ways, a song full of mystery, and George, who also teaches Russian short fiction at Syracuse University’s acclaimed creative writing program, walks us through it verse-by-ver...

Americana star Tami Neilson—a New Zealand-based singer-songwriter and, essentially, adopted member of Willie Nelson’s family—talks about a deep cut off his sublime 1996 album Spirit , “I Thought About You, Lord.” It’s a hugely important song to Tami, who first came to Willie through his gospel side as a young girl barnstorming the US and Canada with her country-gospel family band, The Neilsons. An...

With Willie Nelson turning 93 today, One by Willie hooks up with Rolling Stone’s Nashville Now and its host, RS Head of Country Joseph Hudak, for a special birthday collab episode. We’ll open with a look at how OBW host John Spong managed to turn listening to Willie Nelson records into a full-time job, plus the unique, almost metaphysical way that individual songs connect fans not just to Willie,...

In another of our annual, Icon-on-Icon birthday tributes to Willie, 14-time Grammy winner and Country Hall of Famer Emmylou Harris talks about a song she sang every night with him when they toured together in the 70s, “Till I Gain Control Again.” It was, of course, written by one of her and Willie’s all-time favorite songwriters, Rodney Crowell, and it gets Emmy thinking about being a young artist...

Matt Berninger, lead singer and lyricist of beloved Brooklyn rock band The National, talks about Willie’s 1978 cover of “All of Me.” It was the third single off his dad’s favorite Willie record, Stardust , an album Matt loves so much that, when he went to record his first solo album, Serpentine Prison , he enlisted Stardust producer Booker T. Jones to produce, and Willie’s harmonica player, Mickey...

Million-selling country star Jamey Johnson, one of the finest singer-songwriters alive and a man generally considered the walking embodiment of Outlaw Country, talks on the title-cut to Willie’s 2004 album, It Always Will Be . The song’s a simple, hymn-like ballad, and maybe not the first thing you’d think of when Outlaw comes up, but that will change when Jamey explains what the term—and this won...

Kenny Chesney, a Country Music Hall of Famer and longtime Willie friend, fan, and collaborator, talks about Willie’s 1976 cover of “That Lucky Old Sun.” That beautiful, hushed track, which opened the album The Sound in Your Mind , was one of Willie’s first covers from the Great American Songbook, setting the stage for his Stardust triumph two years later...and hearing it now takes Kenny back to an...

Music writer John Spong talks each episode to one notable Willie fan about one Willie song they love--then runs down the kinds of rabbit holes that open up when the subject is Willie Nelson. Starting March 11, fifteen new episodes featuring Kenny Chesney, Taj Mahal, George Saunders, Tami Neilson, Dave Stewart, Jamey Johnson, Ali Siddiq, Matt Berninger, and so on…each giving a uniquely personal tak...

With the holiday season in full effect, we’re reaching back to OBW ’s earliest days to re-up this Nov 2020 episode with Lumineer Wesley Schultz on Willie’s initial contribution to the holiday canon, “Pretty Paper.” Wes was a little kid growing up in the New Jersey suburbs when he first fell for "Pretty Paper," which his folks played in the car as they drove their neighborhood checking out Xmas lig...

In a special, icon-on-icon birthday tribute, 13-time Grammy winner and longtime Willie friend, fan, and collaborator Bonnie Raitt talks about their sublime 1993 duet, “Getting Over You.” It was a cornerstone of one of the most important albums of Willie’s career, Across the Borderline , and produced by the brilliant Don Was—who also produced Bonnie’s own masterpieces Nick of Time and Luck of the D...

Brilliant indie rock-pop-and-folk singer-songwriter Conor Oberst, of Bright Eyes and Monsters of Folk fame, talks about another of Willie’s famous Pamper Demos, “Undo the Right.” It was one of Willie’s earliest efforts for the Pamper Publishing Company, a co-write with Hank Cochran, the legendary songwriter who first championed him when he moved to Nashville. That gets Conor thinking about the cra...

Revered photographer Mark Seliger—who’s taken iconic images of everyone from Barack Obama and the Dali Lama to Kurt Cobain and Ice T—talks about the song that he says has informed almost every photo he’s taken of his friend Willie Nelson, 1978’s “Stardust.” Mark was a college freshman on a long, lonely road trip the first time he heard it, and he describes channeling that experience, plus the work...

Larry Gatlin, a card-carrying member of the Nashville Songwriters Hall of Fame (“All the Gold in California,” “Broken Lady,” etc.), focuses on “She’s Not for You,” off Willie’s game-changing 1973 album, Shotgun Willie . Well-read Willie nerds know that record, cut in New York for Atlantic Records, was the closest Willie had yet come to creative control of a project, and Larry, who played guitar an...

Black Puma Adrian Quesada, the Austin-based guitarist, producer, and songwriter who also co-founded Grammy-winning Latin funk orchestra Grupo Fantasma, looks at the centerpiece of Willie’s 1998 album Teatro , “I Never Cared for You.” That album, produced in a small movie house by Daniel Lanois as a showcase for Willie’s guitar-picking over a bouncing bedrock of Afro-Cuban rhythms, is considered a...

New Yorker music critic Amanda Petrusich looks at the other big hit off Willie and Merle Haggard’s classic 1983 Pancho & Lefty album, “Reasons to Quit.” It’s a classic Haggard drinking song, but a little more pensive than most, and Amanda reframes it—and really, all of Pancho & Lefty —as an example of what she calls the Outlaw’s Conundrum, i.e. what’s an old rebel to do when the time comes...

Before he received wide acclaim as Bob Dylan’s lead guitarist in the early 2000s, Charlie Sexton was a fixture of the Austin music scene going back almost as far as Willie himself, having first performed publicly in 1978, as a self-taught, nine-year-old, guitar prodigy invited onstage at the famous Continental Club. This week, Charlie the producer/bandleader/singer-songwriter nerds all the way out...

John Mellencamp, one of Willie’s fellow Rock and Roll Hall of Fame members and a Farm Aid co-founder, has been a fan since first hearing “Funny How Time Slips Away” as a pre-teen in Seymour, Indiana. That song was one of Willie’s first contributions to the American Songbook, a reliable hit for other artists for nearly 15 years before Willie finally became a star, and it gets Mellencamp musing on p...

CNN political analyst Paul Begala, a former White House chief strategist for Bill Clinton and lifelong Willie nerd, talks about “Heartland, a song Willie co-wrote and recorded with Bob Dylan for his 1993 masterpiece, Across the Borderline . “Heartland” was inspired by the American farm crisis of the mid-eighties, a tragedy Begala saw first-hand as a young speechwriter working his first presidentia...

One of the most mind-blowing guitarists on earth, Billy Strings, talks about an all-time great Willie and Trigger workout, “Stay a Little Longer,” off the 1978 double-album Willie and Family Live . The song’s an old Bob Wills standard that Willie updated, made his own, and plays here at a careening, 90-mph pace that Billy says blazes like bluegrass—before adding that he hears in it a hallmark of W...

The reigning queen of country music, Miranda Lambert, talks about one of the all-time great Outlaw anthems, Willie and Waylon’s Grammy-winning, #1 hit from 1978, “Mammas Don’t Let Your Babies Grow up to Be Cowboys.” It’s a song Miranda can’t remember ever not knowing, one she suspects she first heard her dad played on the front porch, before she could even walk. The memory of those family get-toge...

Music writer John Spong talks each week to one notable Willie fan about one Willie song they love, then runs down the kinds of rabbit holes that open up when the subject is Willie Nelson. Starting January 22, ten new episodes featuring Miranda Lambert, John Mellencamp, Billy Strings, Black Puma Adrian Quesada, New Yorker music critic Amanda Petrusich, and so on…each giving a uniquely personal take...

Introducing the latest podcast from Texas Monthly, "Viva Tejano.” Latin music is ascending in the U.S., and, in some surprising ways, much of the story behind the trend begins in Texas. On Viva Tejano , host J.B. Sauceda talks with legendary tejano artists and well-known tejano music fans about how the music has shaped their lives. It’s a nostalgic journey and a close look at the influences behind...