New Books in Film

Jes Battis' new book, It's Only Forever. Labyrinth (ECW Press, 2026) is a wild, intimate, and political deep dive into Jim Henson’s 1986 classic starring David Bowie and its cast of lovable, gender-defying goblins. In the 40 years since Labyrinth’s release, Jim Henson’s cult classic starring a menagerie of goblin puppets, the conversation about it has only grown louder. Fans are still holding view...

The unbelievable insider stories of how they “got the shot,” Cinematic Immunity tells the story of New York City's movie industry from the crew members who created the sets, lit the scenes, and shot the film. Focused on the golden age (1950-1990) of New York filmmaking, Cinematic Immunity covers On the Waterfront through The Sopranos. The East Coast film industry, thousands of miles from the Los A...

Since the 1990s, a largely underground upwelling of trans creativity has helped new trans identities, communities, and political movements come together. In Trans Cinema: Making Communities, Identities, and Worlds (University of California Press, 2026), Dr. Laura Horak provides an entryway to the wildly diverse and creative cinema made by trans creators, including those who are Black, Indigenous,...

Ozu and the Ethics of Indeterminacy (Duke University Press, 2026) re-examines cinema studies through the work of Japanese filmmaker Yasujirō Ozu, employing the multiple methodologies and indeterminacy of Ozu’s films as a model for discussions of cinema’s relationship to the world and the formation of film studies as a discipline. Author Daisuke Miyao is Professor and Hajime Mori Chair in Japanese...

What happens when we assume women’s presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women’s Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press. The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiv...

Feng Xiaogang's New Year Films: Industry, Regulation, Humour and Authorship (Routledge, 2025) offers not only an in-depth study of Feng Xiaogang as a cinematic auteur but also a comprehensive and informative discussion of the industrial transformation of mainstream Chinese cinema under party-state regulation from the 1990s to the 2010s. Ai Qi is a lecturer at the School of Journalism and Communica...

Boom to Bust is a timely investigation into the rise of Peak TV and the perfect storm that caused a rapid decline in Hollywood work. When Hollywood writers and actors went on strike in 2023, they drew attention to the rapidly changing nature of film and television production. In Boom to Bust, media industry experts Miranda Banks and Kate Fortmueller combine economic and cultural analysis and inter...

How can an entirely foreign cast perform the American “The Shawshank Redemption” in the Chinese language across China? In this episode of the Nordic Asia podcast, Julie Yu-Wen Chen talks with Matti E. Lehtonen, a Finnish national who shares his journey from a decades-long career in engineering and business to a starring role in the first Chinese-language stage production of The Shawshank Redemptio...

In Queer Indigenous Cinemas, scholar Gabriel S. Estrada offers an analysis of queer Indigenous media from the Americas, the Pacific, and the Caribbean. This groundbreaking work uses Indigenous directional space and sovereign mapping methods to uncover the emotional, spiritual, and cultural dimensions of queer Indigenous lives. The book's seven chapters--each one of the directions--look closely at...

Hollywood loves making movies about itself: on this show alone, we’ve done Sunset Boulevard, Sullivan’s Travels, and Singin’ in the Rain. Get Shorty (1995) is Elmore Leonard’s contribution to the genre, a film that was “meta” before the term became overused: we are given the illusion of spontaneity and the story–like one of Leonard’s novels–seems like it’s being made up as it moves along. This per...

In Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film (Edinburgh UP, 2025), Leslie Barnes examines the ambivalences that mark Southeast Asian sex industries under global imperialism. She explores the multi-layered subjectivities of sex workers, procurers and clients, and interrogates the frameworks in which discourses surrounding sex work circulate. Engaged with debates conce...

What is the role of television in the history of the UK? In Race on Screen: Audience Racism in Twentieth-Century Britain (Cambridge UP, 2026) Christine Grandy, an Associate Professor in History at the University of Lincoln, explores how producers, audiences, and television programmes themselves addressed race and racism in the Twentieth-Century. Drawing on a huge range of archival material, the bo...

It’s the Pop Culture Professors, and in this show we conclude our series on the films of Michael Mann. Structured as a knock-out tournament, we have set his eight most highly regarded movies in single-elimination competition. Today, we consider Heat (1995) and Collateral (2004). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring ou...

Cinema Before the World: The Global Routes of the Lumière Brothers (Fordham UP, 2026) investigates the transnational origins of filmmaking by focusing on a case study in world cinema—the 1896-1897 voyage of one of the Lumière Brothers camera operators, Alexandre Promio, across North Africa and the Middle East. The book shows how the sites in these early films are not simply backdrops, but integral...

It’s the Pop Culture Professors, and in this show we start a series on the films of Michael Mann. Structured as a knock-out tournament, we set his eight most highly regarded movies single-elimination competition. Today, we consider Ali (2001) and The Last of the Mohicans (1992). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring ou...

It’s the Pop Culture Professors, and in this show we start a series on the films of Michael Mann. Structured as a knock-out tournament, we set his eight most highly regarded movies single-elimination competition. Today, we consider Ferrari (2023) and Manhunter (1986). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best...

Land Cinema in an Age of Extraction considers nonfiction filmmakers and film collectives whose work advances an understanding of land as a locus of social and environmental responsibility. Diving into little-known archives to explore films that resonate across geographies, Becca Voelcker unearths key examples of eco-political counterculture, from farmer-filmmakers in Japan and Mali to a gardener-f...

The #MeToo revelations put a twenty-first-century stamp on the age-old story of women’s mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women’s stories, past and present, that have come to light. The collecti...

It’s the Pop Culture Professors, and in this show we start a series on the films of Michael Mann. Structured as a knock-out tournament, we set his eight most highly regarded movies single-elimination competition, starting with Thief (1981) Vs. The Insider (1999). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work....

A Star Is Born has been filmed four times, but the first version is the best: a combination of Singin’ in the Rain and Death of a Salesman, David O. Selznick’s production drips with “movie” and artificiality, yet still delivers an ending that seems taken from Greek tragedy. No stars were harmed in the making of this film–yet the film also dramatizes the harm inflicted by a steady diet of fame. It...

Movies open a window into our collective soul. In Screen Captures: Film in the Age of Emergency (Lever Press, 2026), Stephen Lee Naish guides us through recent cinematic phenomena that reflect/refract our contemporary political existence. Stephen Lee Naish is a writer, independent researcher, and cultural critic. He is the author of several books on film, politics, music, and pop culture. He lives...

February 24—Following a screening of the documentary Look & See: A Portrait of Wendell Berry during the weekend of Feb. 20–22, 2026, filmmaker Laura Dunn and Mary Berry, executive director of The Berry Center, joined Library of America for an online Q&A focused on the film and its subject: author, poet, farmer, and activist Wendell Berry and his home in Henry County, KY. Hosted by Ben Lasman, onli...

In her new book, Born to Lose: The Misfits Who Made Dog Day Afternoon (Headpress, 2026) film historian Rachel Walther draws on extensive archival research delving into the film’s backstory, tracing how an unbelievable true crime tale of love, bank robbery, and LGBTQI+ activism became a box-office smash and catapulted a group of Brooklyn outsiders into the media spotlight. Name-checked on TV shows...

Every other movie seems to be touted as a “tour de force”--but Philip Barantini’s 2021 look at ninety minutes in the life of a chef and everyone around him really earns that praise. The entire film was shot in one take, not to be “original,” but because doing so reflects the tension and stress of the whole enterprise: a restaurant, like a film, is a complicated ecosystem in which personalities, ha...

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take....